Stutter removal is an essential scenario in the field of speech editing. However, when the speech recording contains stutters, the existing text-based speech editing approaches still suffer from: 1) the over-smoothing problem in the edited speech; 2) lack of robustness due to the noise introduced by stutter; 3) to remove the stutters, users are required to determine the edited region manually. To tackle the challenges in stutter removal, we propose FluentSpeech, a stutter-oriented automatic speech editing model. Specifically, 1) we propose a context-aware diffusion model that iteratively refines the modified mel-spectrogram with the guidance of context features; 2) we introduce a stutter predictor module to inject the stutter information into the hidden sequence; 3) we also propose a stutter-oriented automatic speech editing (SASE) dataset that contains spontaneous speech recordings with time-aligned stutter labels to train the automatic stutter localization model. Experimental results on VCTK and LibriTTS datasets demonstrate that our model achieves state-of-the-art performance on speech editing. Further experiments on our SASE dataset show that FluentSpeech can effectively improve the fluency of stuttering speech in terms of objective and subjective metrics. Code and audio samples can be found at https://github.com/Zain-Jiang/Speech-Editing-Toolkit.
Multi-modal Contrastive Representation (MCR) learning aims to encode different modalities into a semantically aligned shared space. This paradigm shows remarkable generalization ability on numerous downstream tasks across various modalities. However, the reliance on massive high-quality data pairs limits its further development on more modalities. This paper proposes a novel training-efficient method for learning MCR without paired data called Connecting Multi-modal Contrastive Representations (C-MCR). Specifically, given two existing MCRs pre-trained on (A, B) and (B, C) modality pairs, we project them to a new space and use the data from the overlapping modality B to aligning the two MCRs in the new space. Meanwhile, since the modality pairs (A, B) and (B, C) are already aligned within each MCR, the connection learned by overlapping modality can also be transferred to non-overlapping modality pair (A, C). To unleash the potential of C-MCR, we further introduce a semantic-enhanced inter- and intra-MCR connection method. We first enhance the semantic consistency and completion of embeddings across different modalities for more robust alignment. Then we utilize the inter-MCR alignment to establish the connection, and employ the intra-MCR alignment to better maintain the connection for inputs from non-overlapping modalities. We take the field of audio-visual contrastive learning as an example to demonstrate the effectiveness of C-MCR. We connect pre-trained CLIP and CLAP models via texts to derive audio-visual contrastive representations. Remarkably, without using any paired audio-visual data and further tuning, C-MCR achieves state-of-the-art performance on six datasets across three audio-visual downstream tasks.
Text-to-speech(TTS) has undergone remarkable improvements in performance, particularly with the advent of Denoising Diffusion Probabilistic Models (DDPMs). However, the perceived quality of audio depends not solely on its content, pitch, rhythm, and energy, but also on the physical environment. In this work, we propose ViT-TTS, the first visual TTS model with scalable diffusion transformers. ViT-TTS complement the phoneme sequence with the visual information to generate high-perceived audio, opening up new avenues for practical applications of AR and VR to allow a more immersive and realistic audio experience. To mitigate the data scarcity in learning visual acoustic information, we 1) introduce a self-supervised learning framework to enhance both the visual-text encoder and denoiser decoder; 2) leverage the diffusion transformer scalable in terms of parameters and capacity to learn visual scene information. Experimental results demonstrate that ViT-TTS achieves new state-of-the-art results, outperforming cascaded systems and other baselines regardless of the visibility of the scene. With low-resource data (1h, 2h, 5h), ViT-TTS achieves comparative results with rich-resource baselines.~\footnote{Audio samples are available at \url{https://ViT-TTS.github.io/.}}
Speech-to-SQL (S2SQL) aims to convert spoken questions into SQL queries given relational databases, which has been traditionally implemented in a cascaded manner while facing the following challenges: 1) model training is faced with the major issue of data scarcity, where limited parallel data is available; and 2) the systems should be robust enough to handle diverse out-of-domain speech samples that differ from the source data. In this work, we propose the first direct speech-to-SQL parsing model Wav2SQL which avoids error compounding across cascaded systems. Specifically, 1) to accelerate speech-driven SQL parsing research in the community, we release a large-scale and multi-speaker dataset MASpider; 2) leveraging the recent progress in the large-scale pre-training, we show that it alleviates the data scarcity issue and allow for direct speech-to-SQL parsing; and 3) we include the speech re-programming and gradient reversal classifier techniques to reduce acoustic variance and learned style-agnostic representation, improving generalization to unseen out-of-domain custom data. Experimental results demonstrate that Wav2SQL avoids error compounding and achieves state-of-the-art results by up to 2.5\% accuracy improvement over the baseline.
Improving text representation has attracted much attention to achieve expressive text-to-speech (TTS). However, existing works only implicitly learn the prosody with masked token reconstruction tasks, which leads to low training efficiency and difficulty in prosody modeling. We propose CLAPSpeech, a cross-modal contrastive pre-training framework that explicitly learns the prosody variance of the same text token under different contexts. Specifically, 1) We encourage the model to connect the text context with its corresponding prosody pattern in the joint multi-modal space with the elaborate design of the encoder inputs and contrastive loss; 2) We introduce a multi-scale pre-training pipeline to capture prosody patterns in multiple levels. We show how to incorporate CLAPSpeech into existing TTS models for better prosody. Experiments on three datasets not only show that CLAPSpeech could improve the prosody prediction for existing TTS methods, but also demonstrate its generalization ability to adapt to multiple languages and multi-speaker TTS. We also deeply analyze the principle behind the performance of CLAPSpeech. Ablation studies demonstrate the necessity of each component in our method. Source code and audio samples are available at https://clapspeech.github.io.
We are interested in a challenging task, Realistic-Music-Score based Singing Voice Synthesis (RMS-SVS). RMS-SVS aims to generate high-quality singing voices given realistic music scores with different note types (grace, slur, rest, etc.). Though significant progress has been achieved, recent singing voice synthesis (SVS) methods are limited to fine-grained music scores, which require a complicated data collection pipeline with time-consuming manual annotation to align music notes with phonemes. Furthermore, these manual annotation destroys the regularity of note durations in music scores, making fine-grained music scores inconvenient for composing. To tackle these challenges, we propose RMSSinger, the first RMS-SVS method, which takes realistic music scores as input, eliminating most of the tedious manual annotation and avoiding the aforementioned inconvenience. Note that music scores are based on words rather than phonemes, in RMSSinger, we introduce word-level modeling to avoid the time-consuming phoneme duration annotation and the complicated phoneme-level mel-note alignment. Furthermore, we propose the first diffusion-based pitch modeling method, which ameliorates the naturalness of existing pitch-modeling methods. To achieve these, we collect a new dataset containing realistic music scores and singing voices according to these realistic music scores from professional singers. Extensive experiments on the dataset demonstrate the effectiveness of our methods. Audio samples are available at https://rmssinger.github.io/.
The speech-to-singing (STS) voice conversion task aims to generate singing samples corresponding to speech recordings while facing a major challenge: the alignment between the target (singing) pitch contour and the source (speech) content is difficult to learn in a text-free situation. This paper proposes AlignSTS, an STS model based on explicit cross-modal alignment, which views speech variance such as pitch and content as different modalities. Inspired by the mechanism of how humans will sing the lyrics to the melody, AlignSTS: 1) adopts a novel rhythm adaptor to predict the target rhythm representation to bridge the modality gap between content and pitch, where the rhythm representation is computed in a simple yet effective way and is quantized into a discrete space; and 2) uses the predicted rhythm representation to re-align the content based on cross-attention and conducts a cross-modal fusion for re-synthesize. Extensive experiments show that AlignSTS achieves superior performance in terms of both objective and subjective metrics. Audio samples are available at https://alignsts.github.io.
Building benchmarks to systemically analyze different capabilities of video question answering (VideoQA) models is challenging yet crucial. Existing benchmarks often use non-compositional simple questions and suffer from language biases, making it difficult to diagnose model weaknesses incisively. A recent benchmark AGQA poses a promising paradigm to generate QA pairs automatically from pre-annotated scene graphs, enabling it to measure diverse reasoning abilities with granular control. However, its questions have limitations in reasoning about the fine-grained semantics in videos as such information is absent in its scene graphs. To this end, we present ANetQA, a large-scale benchmark that supports fine-grained compositional reasoning over the challenging untrimmed videos from ActivityNet. Similar to AGQA, the QA pairs in ANetQA are automatically generated from annotated video scene graphs. The fine-grained properties of ANetQA are reflected in the following: (i) untrimmed videos with fine-grained semantics; (ii) spatio-temporal scene graphs with fine-grained taxonomies; and (iii) diverse questions generated from fine-grained templates. ANetQA attains 1.4 billion unbalanced and 13.4 million balanced QA pairs, which is an order of magnitude larger than AGQA with a similar number of videos. Comprehensive experiments are performed for state-of-the-art methods. The best model achieves 44.5% accuracy while human performance tops out at 84.5%, leaving sufficient room for improvement.
There is a rapidly-growing research interest in engaging users with multi-modal data for accurate user modeling on recommender systems. Existing multimedia recommenders have achieved substantial improvements by incorporating various modalities and devising delicate modules. However, when users decide to interact with items, most of them do not fully read the content of all modalities. We refer to modalities that directly cause users' behaviors as point-of-interests, which are important aspects to capture users' interests. In contrast, modalities that do not cause users' behaviors are potential noises and might mislead the learning of a recommendation model. Not surprisingly, little research in the literature has been devoted to denoising such potential noises due to the inaccessibility of users' explicit feedback on their point-of-interests. To bridge the gap, we propose a weakly-supervised framework based on contrastive learning for denoising multi-modal recommenders (dubbed Demure). In a weakly-supervised manner, Demure circumvents the requirement of users' explicit feedback and identifies the noises by analyzing the modalities of all interacted items from a given user.
Generating talking person portraits with arbitrary speech audio is a crucial problem in the field of digital human and metaverse. A modern talking face generation method is expected to achieve the goals of generalized audio-lip synchronization, good video quality, and high system efficiency. Recently, neural radiance field (NeRF) has become a popular rendering technique in this field since it could achieve high-fidelity and 3D-consistent talking face generation with a few-minute-long training video. However, there still exist several challenges for NeRF-based methods: 1) as for the lip synchronization, it is hard to generate a long facial motion sequence of high temporal consistency and audio-lip accuracy; 2) as for the video quality, due to the limited data used to train the renderer, it is vulnerable to out-of-domain input condition and produce bad rendering results occasionally; 3) as for the system efficiency, the slow training and inference speed of the vanilla NeRF severely obstruct its usage in real-world applications. In this paper, we propose GeneFace++ to handle these challenges by 1) utilizing the pitch contour as an auxiliary feature and introducing a temporal loss in the facial motion prediction process; 2) proposing a landmark locally linear embedding method to regulate the outliers in the predicted motion sequence to avoid robustness issues; 3) designing a computationally efficient NeRF-based motion-to-video renderer to achieves fast training and real-time inference. With these settings, GeneFace++ becomes the first NeRF-based method that achieves stable and real-time talking face generation with generalized audio-lip synchronization. Extensive experiments show that our method outperforms state-of-the-art baselines in terms of subjective and objective evaluation. Video samples are available at https://genefaceplusplus.github.io .