Abstract:We introduce an open source high-quality Mandarin TTS dataset MSceneSpeech (Multiple Scene Speech Dataset), which is intended to provide resources for expressive speech synthesis. MSceneSpeech comprises numerous audio recordings and texts performed and recorded according to daily life scenarios. Each scenario includes multiple speakers and a diverse range of prosodic styles, making it suitable for speech synthesis that entails multi-speaker style and prosody modeling. We have established a robust baseline, through the prompting mechanism, that can effectively synthesize speech characterized by both user-specific timbre and scene-specific prosody with arbitrary text input. The open source MSceneSpeech Dataset and audio samples of our baseline are available at https://speechai-demo.github.io/MSceneSpeech/.
Abstract:Text-guided diffusion models catalyze a paradigm shift in audio generation, facilitating the adaptability of source audio to conform to specific textual prompts. Recent advancements introduce inversion techniques, like DDIM inversion, to zero-shot editing, exploiting pre-trained diffusion models for audio modification. Nonetheless, our investigation exposes that DDIM inversion suffers from an accumulation of errors across each diffusion step, undermining its efficacy. And the lack of attention control hinders the fine-grained manipulations of music. To counteract these limitations, we introduce the \textit{Disentangled Inversion} technique, which is designed to disentangle the diffusion process into triple branches, thereby magnifying their individual capabilities for both precise editing and preservation. Furthermore, we propose the \textit{Harmonized Attention Control} framework, which unifies the mutual self-attention and cross-attention with an additional Harmonic Branch to achieve the desired composition and structural information in the target music. Collectively, these innovations comprise the \textit{Disentangled Inversion Control (DIC)} framework, enabling accurate music editing whilst safeguarding structural integrity. To benchmark audio editing efficacy, we introduce \textit{ZoME-Bench}, a comprehensive music editing benchmark hosting 1,100 samples spread across 10 distinct editing categories, which facilitates both zero-shot and instruction-based music editing tasks. Our method demonstrates unparalleled performance in edit fidelity and essential content preservation, outperforming contemporary state-of-the-art inversion techniques.
Abstract:Recently, human-computer interaction with various modalities has shown promising applications, like GPT-4o and Gemini. Given the foundational role of multimodal joint representation in understanding and generation pipelines, high-quality omni joint representations would be a step toward co-processing more diverse multimodal information. In this work, we present OmniBind, large-scale multimodal joint representation models ranging in scale from 7 billion to 30 billion parameters, which support 3D, audio, image, and language inputs. Due to the scarcity of data pairs across all modalities, instead of training large models from scratch, we propose remapping and binding the spaces of various pre-trained specialist models together. This approach enables "scaling up" by indirectly increasing the model parameters and the amount of seen data. To effectively integrate various spaces, we dynamically assign weights to different spaces by learning routers with two objectives: cross-modal overall alignment and language representation decoupling. Notably, since binding and routing spaces both only require lightweight networks, OmniBind is extremely training-efficient. Learning the largest 30B model requires merely unpaired unimodal data and approximately 3 days on a single 8-4090 node. Extensive experiments demonstrate the versatility and superiority of OmniBind as an omni representation model, highlighting its great potential for diverse applications, such as any-query and composable multimodal understanding.
Abstract:The development of multimodal models has significantly advanced multimodal sentiment analysis and emotion recognition. However, in real-world applications, the presence of various missing modality cases often leads to a degradation in the model's performance. In this work, we propose a novel multimodal Transformer framework using prompt learning to address the issue of missing modalities. Our method introduces three types of prompts: generative prompts, missing-signal prompts, and missing-type prompts. These prompts enable the generation of missing modality features and facilitate the learning of intra- and inter-modality information. Through prompt learning, we achieve a substantial reduction in the number of trainable parameters. Our proposed method outperforms other methods significantly across all evaluation metrics. Extensive experiments and ablation studies are conducted to demonstrate the effectiveness and robustness of our method, showcasing its ability to effectively handle missing modalities.
Abstract:Text-to-song (TTSong) is a music generation task that synthesizes accompanied singing voices. Current TTSong methods, inherited from singing voice synthesis (SVS), require melody-related information that can sometimes be impractical, such as music scores or MIDI sequences. We present MelodyLM, the first TTSong model that generates high-quality song pieces with fully text-controlled melodies, achieving minimal user requirements and maximum control flexibility. MelodyLM explicitly models MIDI as the intermediate melody-related feature and sequentially generates vocal tracks in a language model manner, conditioned on textual and vocal prompts. The accompaniment music is subsequently synthesized by a latent diffusion model with hybrid conditioning for temporal alignment. With minimal requirements, users only need to input lyrics and a reference voice to synthesize a song sample. For full control, just input textual prompts or even directly input MIDI. Experimental results indicate that MelodyLM achieves superior performance in terms of both objective and subjective metrics. Audio samples are available at https://melodylm666.github.io.
Abstract:Generative retrieval, which has demonstrated effectiveness in text-to-text retrieval, utilizes a sequence-to-sequence model to directly generate candidate identifiers based on natural language queries. Without explicitly computing the similarity between queries and candidates, generative retrieval surpasses dual-tower models in both speed and accuracy on large-scale corpora, providing new insights for cross-modal retrieval. However, constructing identifiers for multimodal data remains an untapped problem, and the modality gap between natural language queries and multimodal candidates hinders retrieval performance due to the absence of additional encoders. To this end, we propose a pioneering generAtive Cross-modal rEtrieval framework (ACE), which is a comprehensive framework for end-to-end cross-modal retrieval based on coarse-to-fine semantic modeling. We propose combining K-Means and RQ-VAE to construct coarse and fine tokens, serving as identifiers for multimodal data. Correspondingly, we design the coarse-to-fine feature fusion strategy to efficiently align natural language queries and candidate identifiers. ACE is the first work to comprehensively demonstrate the feasibility of generative approach on text-to-image/audio/video retrieval, challenging the dominance of the embedding-based dual-tower architecture. Extensive experiments show that ACE achieves state-of-the-art performance in cross-modal retrieval and outperforms the strong baselines on Recall@1 by 15.27% on average.
Abstract:Generative retrieval has recently emerged as a promising approach to sequential recommendation, framing candidate item retrieval as an autoregressive sequence generation problem. However, existing generative methods typically focus solely on either behavioral or semantic aspects of item information, neglecting their complementary nature and thus resulting in limited effectiveness. To address this limitation, we introduce EAGER, a novel generative recommendation framework that seamlessly integrates both behavioral and semantic information. Specifically, we identify three key challenges in combining these two types of information: a unified generative architecture capable of handling two feature types, ensuring sufficient and independent learning for each type, and fostering subtle interactions that enhance collaborative information utilization. To achieve these goals, we propose (1) a two-stream generation architecture leveraging a shared encoder and two separate decoders to decode behavior tokens and semantic tokens with a confidence-based ranking strategy; (2) a global contrastive task with summary tokens to achieve discriminative decoding for each type of information; and (3) a semantic-guided transfer task designed to implicitly promote cross-interactions through reconstruction and estimation objectives. We validate the effectiveness of EAGER on four public benchmarks, demonstrating its superior performance compared to existing methods.
Abstract:Speech-to-singing voice conversion (STS) task always suffers from data scarcity, because it requires paired speech and singing data. Compounding this issue are the challenges of content-pitch alignment and the suboptimal quality of generated outputs, presenting significant hurdles in STS research. This paper presents SVPT, an STS approach boosted by a self-supervised singing voice pre-training model. We leverage spoken language model techniques to tackle the rhythm alignment problem and the in-context learning capability to achieve zero-shot conversion. We adopt discrete-unit random resampling and pitch corruption strategies, enabling training with unpaired singing data and thus mitigating the issue of data scarcity. SVPT also serves as an effective backbone for singing voice synthesis (SVS), offering insights into scaling up SVS models. Experimental results indicate that SVPT delivers notable improvements in both STS and SVS endeavors. Audio samples are available at https://speech2sing.github.io.
Abstract:In this paper, we present ControlSpeech, a text-to-speech (TTS) system capable of fully cloning the speaker's voice and enabling arbitrary control and adjustment of speaking style, merely based on a few seconds of audio prompt and a simple textual style description prompt. Prior zero-shot TTS models and controllable TTS models either could only mimic the speaker's voice without further control and adjustment capabilities or were unrelated to speaker-specific voice generation. Therefore, ControlSpeech focuses on a more challenging new task-a TTS system with controllable timbre, content, and style at the same time. ControlSpeech takes speech prompts, content prompts, and style prompts as inputs and utilizes bidirectional attention and mask-based parallel decoding to capture corresponding codec representations in a discrete decoupling codec space. Moreover, we discovered the issue of text style controllability in a many-to-many mapping fashion and proposed the Style Mixture Semantic Density (SMSD) model to resolve this problem. SMSD module which is based on Gaussian mixture density networks, is designed to enhance the fine-grained partitioning and sampling capabilities of style semantic information and generate speech with more diverse styles. In terms of experiments, we make available a controllable model toolkit called ControlToolkit with a new style controllable dataset, some replicated baseline models and propose new metrics to evaluate both the control capability and the quality of generated audio in ControlSpeech. The relevant ablation studies validate the necessity of each component in ControlSpeech is necessary. We hope that ControlSpeech can establish the next foundation paradigm of controllable speech synthesis. The relevant code and demo are available at https://github.com/jishengpeng/ControlSpeech .
Abstract:Video-to-audio (V2A) generation aims to synthesize content-matching audio from silent video, and it remains challenging to build V2A models with high generation quality, efficiency, and visual-audio temporal synchrony. We propose Frieren, a V2A model based on rectified flow matching. Frieren regresses the conditional transport vector field from noise to spectrogram latent with straight paths and conducts sampling by solving ODE, outperforming autoregressive and score-based models in terms of audio quality. By employing a non-autoregressive vector field estimator based on a feed-forward transformer and channel-level cross-modal feature fusion with strong temporal alignment, our model generates audio that is highly synchronized with the input video. Furthermore, through reflow and one-step distillation with guided vector field, our model can generate decent audio in a few, or even only one sampling step. Experiments indicate that Frieren achieves state-of-the-art performance in both generation quality and temporal alignment on VGGSound, with alignment accuracy reaching 97.22%, and 6.2% improvement in inception score over the strong diffusion-based baseline. Audio samples are available at http://frieren-v2a.github.io .