Inverse rendering aims to estimate physical scene attributes (e.g., reflectance, geometry, and lighting) from image(s). As a long-standing, highly ill-posed problem, inverse rendering has been studied primarily for single 3D objects or with methods that solve for only one of the scene attributes. To our knowledge, we are the first to propose a holistic approach for inverse rendering of an indoor scene from a single image with CNNs, which jointly estimates reflectance (albedo and gloss), surface normals and illumination. To address the lack of labeled real-world images, we create a large-scale synthetic dataset, named SUNCG-PBR, with physically-based rendering, which is a significant improvement over prior datasets. For fine-tuning on real images, we perform self-supervised learning using the reconstruction loss, which re-synthesizes the input images from the estimated components. To enable self-supervised learning on real data, our key contribution is the Residual Appearance Renderer (RAR), which can be trained to synthesize complex appearance effects (e.g., inter-reflection, cast shadows, near-field illumination, and realistic shading), which would be neglected otherwise. Experimental results show that our approach outperforms state-of-the-art methods, especially on real images.
In this paper, we present a simple yet effective padding scheme that can be used as a drop-in module for existing convolutional neural networks. We call it partial convolution based padding, with the intuition that the padded region can be treated as holes and the original input as non-holes. Specifically, during the convolution operation, the convolution results are re-weighted near image borders based on the ratios between the padded area and the convolution sliding window area. Extensive experiments with various deep network models on ImageNet classification and semantic segmentation demonstrate that the proposed padding scheme consistently outperforms standard zero padding with better accuracy.
We present an approach for high-resolution video frame prediction by conditioning on both past frames and past optical flows. Previous approaches rely on resampling past frames, guided by a learned future optical flow, or on direct generation of pixels. Resampling based on flow is insufficient because it cannot deal with disocclusions. Generative models currently lead to blurry results. Recent approaches synthesis a pixel by convolving input patches with a predicted kernel. However, their memory requirement increases with kernel size. Here, we spatially-displaced convolution (SDC) module for video frame prediction. We learn a motion vector and a kernel for each pixel and synthesize a pixel by applying the kernel at a displaced location in the source image, defined by the predicted motion vector. Our approach inherits the merits of both vector-based and kernel-based approaches, while ameliorating their respective disadvantages. We train our model on 428K unlabelled 1080p video game frames. Our approach produces state-of-the-art results, achieving an SSIM score of 0.904 on high-definition YouTube-8M videos, 0.918 on Caltech Pedestrian videos. Our model handles large motion effectively and synthesizes crisp frames with consistent motion.
We study the problem of video-to-video synthesis, whose goal is to learn a mapping function from an input source video (e.g., a sequence of semantic segmentation masks) to an output photorealistic video that precisely depicts the content of the source video. While its image counterpart, the image-to-image synthesis problem, is a popular topic, the video-to-video synthesis problem is less explored in the literature. Without understanding temporal dynamics, directly applying existing image synthesis approaches to an input video often results in temporally incoherent videos of low visual quality. In this paper, we propose a novel video-to-video synthesis approach under the generative adversarial learning framework. Through carefully-designed generator and discriminator architectures, coupled with a spatio-temporal adversarial objective, we achieve high-resolution, photorealistic, temporally coherent video results on a diverse set of input formats including segmentation masks, sketches, and poses. Experiments on multiple benchmarks show the advantage of our method compared to strong baselines. In particular, our model is capable of synthesizing 2K resolution videos of street scenes up to 30 seconds long, which significantly advances the state-of-the-art of video synthesis. Finally, we apply our approach to future video prediction, outperforming several state-of-the-art competing systems.
Existing deep learning based image inpainting methods use a standard convolutional network over the corrupted image, using convolutional filter responses conditioned on both valid pixels as well as the substitute values in the masked holes (typically the mean value). This often leads to artifacts such as color discrepancy and blurriness. Post-processing is usually used to reduce such artifacts, but are expensive and may fail. We propose the use of partial convolutions, where the convolution is masked and renormalized to be conditioned on only valid pixels. We further include a mechanism to automatically generate an updated mask for the next layer as part of the forward pass. Our model outperforms other methods for irregular masks. We show qualitative and quantitative comparisons with other methods to validate our approach.
The ability to edit materials of objects in images is desirable by many content creators. However, this is an extremely challenging task as it requires to disentangle intrinsic physical properties of an image. We propose an end-to-end network architecture that replicates the forward image formation process to accomplish this task. Specifically, given a single image, the network first predicts intrinsic properties, i.e. shape, illumination, and material, which are then provided to a rendering layer. This layer performs in-network image synthesis, thereby enabling the network to understand the physics behind the image formation process. The proposed rendering layer is fully differentiable, supports both diffuse and specular materials, and thus can be applicable in a variety of problem settings. We demonstrate a rich set of visually plausible material editing examples and provide an extensive comparative study.
Due to the abundance of 2D product images from the Internet, developing efficient and scalable algorithms to recover the missing depth information is central to many applications. Recent works have addressed the single-view depth estimation problem by utilizing convolutional neural networks. In this paper, we show that exploring symmetry information, which is ubiquitous in man made objects, can significantly boost the quality of such depth predictions. Specifically, we propose a new convolutional neural network architecture to first estimate dense symmetric correspondences in a product image and then propose an optimization which utilizes this information explicitly to significantly improve the quality of single-view depth estimations. We have evaluated our approach extensively, and experimental results show that this approach outperforms state-of-the-art depth estimation techniques.