Multi-stage strategies are frequently employed in image restoration tasks. While transformer-based methods have exhibited high efficiency in single-image super-resolution tasks, they have not yet shown significant advantages over CNN-based methods in stereo super-resolution tasks. This can be attributed to two key factors: first, current single-image super-resolution transformers are unable to leverage the complementary stereo information during the process; second, the performance of transformers is typically reliant on sufficient data, which is absent in common stereo-image super-resolution algorithms. To address these issues, we propose a Hybrid Transformer and CNN Attention Network (HTCAN), which utilizes a transformer-based network for single-image enhancement and a CNN-based network for stereo information fusion. Furthermore, we employ a multi-patch training strategy and larger window sizes to activate more input pixels for super-resolution. We also revisit other advanced techniques, such as data augmentation, data ensemble, and model ensemble to reduce overfitting and data bias. Finally, our approach achieved a score of 23.90dB and emerged as the winner in Track 1 of the NTIRE 2023 Stereo Image Super-Resolution Challenge.
360{\deg} omnidirectional images have gained research attention due to their immersive and interactive experience, particularly in AR/VR applications. However, they suffer from lower angular resolution due to being captured by fisheye lenses with the same sensor size for capturing planar images. To solve the above issues, we propose a two-stage framework for 360{\deg} omnidirectional image superresolution. The first stage employs two branches: model A, which incorporates omnidirectional position-aware deformable blocks (OPDB) and Fourier upsampling, and model B, which adds a spatial frequency fusion module (SFF) to model A. Model A aims to enhance the feature extraction ability of 360{\deg} image positional information, while Model B further focuses on the high-frequency information of 360{\deg} images. The second stage performs same-resolution enhancement based on the structure of model A with a pixel unshuffle operation. In addition, we collected data from YouTube to improve the fitting ability of the transformer, and created pseudo low-resolution images using a degradation network. Our proposed method achieves superior performance and wins the NTIRE 2023 challenge of 360{\deg} omnidirectional image super-resolution.
This paper reviews the NTIRE 2022 Challenge on Super-Resolution and Quality Enhancement of Compressed Video. In this challenge, we proposed the LDV 2.0 dataset, which includes the LDV dataset (240 videos) and 95 additional videos. This challenge includes three tracks. Track 1 aims at enhancing the videos compressed by HEVC at a fixed QP. Track 2 and Track 3 target both the super-resolution and quality enhancement of HEVC compressed video. They require x2 and x4 super-resolution, respectively. The three tracks totally attract more than 600 registrations. In the test phase, 8 teams, 8 teams and 12 teams submitted the final results to Tracks 1, 2 and 3, respectively. The proposed methods and solutions gauge the state-of-the-art of super-resolution and quality enhancement of compressed video. The proposed LDV 2.0 dataset is available at https://github.com/RenYang-home/LDV_dataset. The homepage of this challenge (including open-sourced codes) is at https://github.com/RenYang-home/NTIRE22_VEnh_SR.
Low-light image enhancement exhibits an ill-posed nature, as a given image may have many enhanced versions, yet recent studies focus on building a deterministic mapping from input to an enhanced version. In contrast, we propose a lightweight one-path conditional generative adversarial network (cGAN) to learn a one-to-many relation from low-light to normal-light image space, given only sets of low- and normal-light training images without any correspondence. By formulating this ill-posed problem as a modulation code learning task, our network learns to generate a collection of enhanced images from a given input conditioned on various reference images. Therefore our inference model easily adapts to various user preferences, provided with a few favorable photos from each user. Our model achieves competitive visual and quantitative results on par with fully supervised methods on both noisy and clean datasets, while being 6 to 10 times lighter than state-of-the-art generative adversarial networks (GANs) approaches.
This paper reviews the first NTIRE challenge on quality enhancement of compressed video, with a focus on the proposed methods and results. In this challenge, the new Large-scale Diverse Video (LDV) dataset is employed. The challenge has three tracks. Tracks 1 and 2 aim at enhancing the videos compressed by HEVC at a fixed QP, while Track 3 is designed for enhancing the videos compressed by x265 at a fixed bit-rate. Besides, the quality enhancement of Tracks 1 and 3 targets at improving the fidelity (PSNR), and Track 2 targets at enhancing the perceptual quality. The three tracks totally attract 482 registrations. In the test phase, 12 teams, 8 teams and 11 teams submitted the final results of Tracks 1, 2 and 3, respectively. The proposed methods and solutions gauge the state-of-the-art of video quality enhancement. The homepage of the challenge: https://github.com/RenYang-home/NTIRE21_VEnh
This paper reviews the AIM 2019 challenge on real world super-resolution. It focuses on the participating methods and final results. The challenge addresses the real world setting, where paired true high and low-resolution images are unavailable. For training, only one set of source input images is therefore provided in the challenge. In Track 1: Source Domain the aim is to super-resolve such images while preserving the low level image characteristics of the source input domain. In Track 2: Target Domain a set of high-quality images is also provided for training, that defines the output domain and desired quality of the super-resolved images. To allow for quantitative evaluation, the source input images in both tracks are constructed using artificial, but realistic, image degradations. The challenge is the first of its kind, aiming to advance the state-of-the-art and provide a standard benchmark for this newly emerging task. In total 7 teams competed in the final testing phase, demonstrating new and innovative solutions to the problem.