DashengTokenizer: One layer is enough for unified audio understanding and generation

This paper introduces DashengTokenizer, a continuous audio tokenizer engineered for joint use in both understanding and generation tasks. Unlike conventional approaches, which train acoustic tokenizers and subsequently integrate frozen semantic knowledge, our method inverts this paradigm: we leverage frozen semantic features and inject acoustic information. In linear evaluation across 22 diverse tasks, our method outperforms previous audio codec and audio encoder baselines by a significant margin while maintaining competitive audio reconstruction quality. Notably, we demonstrate that this acoustic injection improves performance for tasks such as speech emotion recognition, music understanding, and acoustic scene classification. We further evaluate the tokenizer's generative performance on text-to-audio (TTA), text-to-music (TTM), and speech enhancement (SE). Our approach surpasses standard variational autoencoder (VAE)-based methods on TTA and TTM tasks, while its effectiveness on SE underscores its capabilities as a general-purpose audio encoder. Finally, our results challenge the prevailing assumption that VAE-based architectures are a prerequisite for audio synthesis. Checkpoints are available at https://huggingface.co/mispeech/dashengtokenizer.

SongSong: A Time Phonograph for Chinese SongCi Music from Thousand of Years Away

Recently, there have been significant advancements in music generation. However, existing models primarily focus on creating modern pop songs, making it challenging to produce ancient music with distinct rhythms and styles, such as ancient Chinese SongCi. In this paper, we introduce SongSong, the first music generation model capable of restoring Chinese SongCi to our knowledge. Our model first predicts the melody from the input SongCi, then separately generates the singing voice and accompaniment based on that melody, and finally combines all elements to create the final piece of music. Additionally, to address the lack of ancient music datasets, we create OpenSongSong, a comprehensive dataset of ancient Chinese SongCi music, featuring 29.9 hours of compositions by various renowned SongCi music masters. To assess SongSong's proficiency in performing SongCi, we randomly select 85 SongCi sentences that were not part of the training set for evaluation against SongSong and music generation platforms such as Suno and SkyMusic. The subjective and objective outcomes indicate that our proposed model achieves leading performance in generating high-quality SongCi music.

UniWhisper: Efficient Continual Multi-task Training for Robust Universal Audio Representation

A universal audio representation should capture fine-grained speech cues and high-level semantics for environmental sounds and music in a single encoder. Existing encoders often excel in one domain but degrade in others. We propose UniWhisper, an efficient continual multi-task training framework that casts heterogeneous audio tasks into a unified instruction and answer format. This enables standard next-token training without task-specific heads and losses. We train it on 38k hours of public audio and assess the encoder using shallow MLP probes and k-nearest neighbors (kNN) on 20 tasks spanning speech, environmental sound, and music. UniWhisper reaches normalized weighted averages of 0.81 with MLP probes and 0.61 with kNN, compared to 0.64 and 0.46 for Whisper, while retaining strong speech performance.

A Knowledge-Driven Approach to Music Segmentation, Music Source Separation and Cinematic Audio Source Separation

We propose a knowledge-driven, model-based approach to segmenting audio into single-category and mixed-category chunks with applications to source separation. "Knowledge" here denotes information associated with the data, such as music scores. "Model" here refers to tool that can be used for audio segmentation and recognition, such as hidden Markov models. In contrast to conventional learning that often relies on annotated data with given segment categories and their corresponding boundaries to guide the learning process, the proposed framework does not depend on any pre-segmented training data and learns directly from the input audio and its related knowledge sources to build all necessary models autonomously. Evaluation on simulation data shows that score-guided learning achieves very good music segmentation and separation results. Tested on movie track data for cinematic audio source separation also shows that utilizing sound category knowledge achieves better separation results than those obtained with data-driven techniques without using such information.

Voices of the Mountains: Deep Learning-Based Vocal Error Detection System for Kurdish Maqams

Maqam, a singing type, is a significant component of Kurdish music. A maqam singer receives training in a traditional face-to-face or through self-training. Automatic Singing Assessment (ASA) uses machine learning (ML) to provide the accuracy of singing styles and can help learners to improve their performance through error detection. Currently, the available ASA tools follow Western music rules. The musical composition requires all notes to stay within their expected pitch range from start to finish. The system fails to detect micro-intervals and pitch bends, so it identifies Kurdish maqam singing as incorrect even though the singer performs according to traditional rules. Kurdish maqam requires recognizing performance errors within microtonal spaces, which is beyond Western equal temperament. This research is the first attempt to address the mentioned gap. While many error types happen during singing, our focus is on pitch, rhythm, and modal stability errors in the context of Bayati-Kurd. We collected 50 songs from 13 vocalists ( 2-3 hours) and annotated 221 error spans (150 fine pitch, 46 rhythm, 25 modal drift). The data was segmented into 15,199 overlapping windows and converted to log-mel spectrograms. We developed a two-headed CNN-BiLSTM with attention mode to decide whether a window contains an error and to classify it based on the chosen errors. Trained for 20 epochs with early stopping at epoch 10, the model reached a validation macro-F1 of 0.468. On the full 50-song evaluation at a 0.750 threshold, recall was 39.4% and precision 25.8% . Within detected windows, type macro-F1 was 0.387, with F1 of 0.492 (fine pitch), 0.536 (rhythm), and 0.133 (modal drift); modal drift recall was 8.0%. The better performance on common error types shows that the method works, while the poor modal-drift recall shows that more data and balancing are needed.

SOM-VQ: Topology-Aware Tokenization for Interactive Generative Models

Vector-quantized representations enable powerful discrete generative models but lack semantic structure in token space, limiting interpretable human control. We introduce SOM-VQ, a tokenization method that combines vector quantization with Self-Organizing Maps to learn discrete codebooks with explicit low-dimensional topology. Unlike standard VQ-VAE, SOM-VQ uses topology-aware updates that preserve neighborhood structure: nearby tokens on a learned grid correspond to semantically similar states, enabling direct geometric manipulation of the latent space. We demonstrate that SOM-VQ produces more learnable token sequences in the evaluated domains while providing an explicit navigable geometry in code space. Critically, the topological organization enables intuitive human-in-the-loop control: users can steer generation by manipulating distances in token space, achieving semantic alignment without frame-level constraints. We focus on human motion generation - a domain where kinematic structure, smooth temporal continuity, and interactive use cases (choreography, rehabilitation, HCI) make topology-aware control especially natural - demonstrating controlled divergence and convergence from reference sequences through simple grid-based sampling. SOM-VQ provides a general framework for interpretable discrete representations applicable to music, gesture, and other interactive generative domains.

Depth-Structured Music Recurrence: Budgeted Recurrent Attention for Full-Piece Symbolic Music Modeling

Long-context modeling is essential for symbolic music generation, since motif repetition and developmental variation can span thousands of musical events. However, practical composition and performance workflows frequently rely on resource-limited devices (e.g., electronic instruments and portable computers), making heavy memory and attention computation difficult to deploy. We introduce Depth-Structured Music Recurrence (DSMR), a recurrent long-context Transformer for full-piece symbolic music modeling that extends context beyond fixed-length excerpts via segment-level recurrence with detached cross-segment states, featuring a layer-wise memory-horizon schedule that budgets recurrent KV states across depth. DSMR is trained in a single left-to-right pass over each complete composition, akin to how a musician experiences it from beginning to end, while carrying recurrent cross-segment states forward. Within this recurrent framework, we systematically study how depth-wise horizon allocations affect optimization, best-checkpoint perplexity, and efficiency. By allocating different history-window lengths across layers while keeping the total recurrent-state budget fixed, DSMR creates depth-dependent temporal receptive fields within a recurrent attention stack without reducing compute depth. Our main instantiation is a two-scale DSMR schedule that allocates long history windows to lower layers and a uniform short window to the remaining layers. Experiments on the piano performance dataset MAESTRO demonstrate that two-scale DSMR provides a practical quality--efficiency recipe for full-length long-context symbolic music modeling with recurrent attention under limited computational resources.

DTT-BSR: GAN-based DTTNet with RoPE Transformer Enhancement for Music Source Restoration

Music source restoration (MSR) aims to recover unprocessed stems from mixed and mastered recordings. The challenge lies in both separating overlapping sources and reconstructing signals degraded by production effects such as compression and reverberation. We therefore propose DTT-BSR, a hybrid generative adversarial network (GAN) combining rotary positional embeddings (RoPE) transformer for long-term temporal modeling with dual-path band-split recurrent neural network (RNN) for multi-resolution spectral processing. Our model achieved 3rd place on the objective leaderboard and 4th place on the subjective leaderboard on the ICASSP 2026 MSR Challenge, demonstrating exceptional generation fidelity and semantic alignment with a compact size of 7.1M parameters.

Art2Mus: Artwork-to-Music Generation via Visual Conditioning and Large-Scale Cross-Modal Alignment

Music generation has advanced markedly through multimodal deep learning, enabling models to synthesize audio from text and, more recently, from images. However, existing image-conditioned systems suffer from two fundamental limitations: (i) they are typically trained on natural photographs, limiting their ability to capture the richer semantic, stylistic, and cultural content of artworks; and (ii) most rely on an image-to-text conversion stage, using language as a semantic shortcut that simplifies conditioning but prevents direct visual-to-audio learning. Motivated by these gaps, we introduce ArtSound, a large-scale multimodal dataset of 105,884 artwork-music pairs enriched with dual-modality captions, obtained by extending ArtGraph and the Free Music Archive. We further propose ArtToMus, the first framework explicitly designed for direct artwork-to-music generation, which maps digitized artworks to music without image-to-text translation or language-based semantic supervision. The framework projects visual embeddings into the conditioning space of a latent diffusion model, enabling music synthesis guided solely by visual information. Experimental results show that ArtToMus generates musically coherent and stylistically consistent outputs that reflect salient visual cues of the source artworks. While absolute alignment scores remain lower than those of text-conditioned systems-as expected given the substantially increased difficulty of removing linguistic supervision-ArtToMus achieves competitive perceptual quality and meaningful cross-modal correspondence. This work establishes direct visual-to-music generation as a distinct and challenging research direction, and provides resources that support applications in multimedia art, cultural heritage, and AI-assisted creative practice. Code and dataset will be publicly released upon acceptance.

The Diversity Paradox revisited: Systemic Effects of Feedback Loops in Recommender Systems

Recommender systems shape individual choices through feedback loops in which user behavior and algorithmic recommendations coevolve over time. The systemic effects of these loops remain poorly understood, in part due to unrealistic assumptions in existing simulation studies. We propose a feedback-loop model that captures implicit feedback, periodic retraining, probabilistic adoption of recommendations, and heterogeneous recommender systems. We apply the framework on online retail and music streaming data and analyze systemic effects of the feedback loop. We find that increasing recommender adoption may lead to a progressive diversification of individual consumption, while collective demand is redistributed in model- and domain-dependent ways, often amplifying popularity concentration. Temporal analyses further reveal that apparent increases in individual diversity observed in static evaluations are illusory: when adoption is fixed and time unfolds, individual diversity consistently decreases across all models. Our results highlight the need to move beyond static evaluations and explicitly account for feedback-loop dynamics when designing recommender systems.