Learning to Predict Performance-induced Emotion Differences in Classical Piano Music

Music is often used as a medium for communicating emotion, with performers shaping perceived affect through interpretation. This study addresses the challenge of identifying and predicting subtle changes in perceived emotion that are exclusively due to differences in performance. We focus on classical solo piano music, using a set of 6 commercial recordings of Bach's Well-Tempered Clavier Book I, annotated in terms of valence and arousal. By encoding the recordings through performance-specific features only, we isolate performance information from aspects of the composition itself, which tend to dominate the overall perceived emotional category. A preliminary analysis validates that these features vary meaningfully across performers. We then propose a relative regression framework, Delta-VA, to predict deviations in valence-arousal relative to an ``average'' performance, thereby focusing on the changes in emotion brought about by a specific way of playing a piece. In addition to the standard $R^2$ regression score, we introduce geometric evaluation metrics to assess the preservation of pairwise differences between performances. Results indicate high directional consistency with the ground truth, but also a compression in prediction magnitude, indicating that the model tends to underestimate expressive performance effects.

RealDESED: A Real-World Domestic Sound Event Detection Benchmark

This paper presents RealDESED, a real-world domestic sound event detection (SED) benchmark comprising 5,710 audio recordings collected by 652 participants in their homes. Each recording is between 15 and 35 seconds long and contains temporally precise annotations for 15 common domestic sound classes. In contrast to existing SED datasets, which typically rely on simulated soundscapes or broad web-crawled audio, RealDESED consists exclusively of recordings captured in natural domestic environments, reflecting realistic variability in recording devices, device placement, acoustic conditions, background sounds, and naturally occurring event co-occurrences. A distinguishing characteristic of the dataset is its multi-annotator labeling scheme, where each recording is independently annotated by multiple annotators, while the validation and test sets undergo an additional review process to ensure high annotation quality and reliable benchmarking. Furthermore, the dataset provides rich metadata, including recording device, device placement, environment labels, and textual scene descriptions. We establish a strong transformer-based baseline and investigate annotation aggregation strategies, post-processing methods, long-form inference, and the impact of recording metadata on model performance. Our baseline achieves a macro-averaged PSDS1 score of 0.731 on the test set. We believe RealDESED provides a valuable benchmark for developing and evaluating robust SED systems under realistic domestic conditions, helping to bridge the gap between current research benchmarks and real-world deployment.

From Prediction to Collaboration: Interactive Symbolic Music Analysis

Automatic symbolic music analysis has made substantial progress, yet existing systems are typically designed for a single mode of use, such as full-score prediction, and therefore do not match the broader range of operations that arise in analysis workflows, including partial completion, local correction, and iterative refinement. As a result, there remains a gap between strong benchmark models and systems that can support interactive analytical use. We present a unified framework for symbolic Roman-numeral (RN) analysis that narrows this gap by combining strong predictive performance with direct support for constrained completion and revision. The method is designed to provide a practical trade-off between accuracy and interactive responsiveness by computing expensive pretrained representations once and reusing them during iterative refinement, making powerful pretrained models more amenable to interactive settings. It supports complete score analysis, targeted revision of existing labels, and inference of missing annotations from partial context through a shared modeling framework. Experiments on Dilemmadata, the largest and most heterogeneous benchmark of its kind, show that the proposed approach is a strong RN-analysis baseline while also supporting masked completion from partial labels. Together with a prototype interface for multi-level candidate inspection and editing, these results position automatic RN analysis not only as a prediction problem, but also as a foundation for future interactive tools for music analysis.

Dilemmadata: On the Interoperability of Heterogeneous Roman Numeral Datasets

In recent years, there has been growing effort to annotate and collect large-scale corpora of Roman numeral analyses in support of data-driven studies in tonal harmony. We introduce dilemmadata, the first resource to reconcile two major collections, the AugmentedNet Dataset (AN) and the Distant Listening Corpus (DLC), making them interoperable through a shared note-wise TSV schema. The reconciliation confronts four families of dilemmata: annotation-standard (the two encode the same musical fact differently in terms of vocabulary size, syntax, conventions for chord extensions, inventory of special chord functions), representational (what counts as a row, and which information survives the conversion), toolchain (incompatible Python ecosystems built around music21 vs. ms3+dimcat), and curatorial (which pieces to include, exclude, or retain twice). We resolve each by deliberately transforming, augmenting, and omitting information, formalising the mismatches, preserving musical semantics, and flagging transformations that may subtly affect annotation fidelity. Consistency checks and qualitative inspections offer a preliminary assessment of post-conversion validity and a basis for critiquing the theoretical assumptions embedded in each original standard. After removing duplicates and merging the two collections, the resulting dilemmadata (1,621 pieces and aprox. 2.8 M note-wise annotations) is the largest homogeneous Roman-numeral corpus currently available, albeit far from perfect. Crucially, we retain 84 pieces common to both corpora under each of their original analyses, yielding a shared reference set in which two equally legitimate analytical traditions can be compared note-for-note over identical musical material. Released on Zenodo, dilemmadata supports interoperability, comparative harmonization modeling, and future refinement of Roman-numeral encoding standards.

Multi-Stage Music Source Restoration with BandSplit-RoFormer Separation and HiFi++ GAN

Music Source Restoration (MSR) targets recovery of original, unprocessed instrument stems from fully mixed and mastered audio, where production effects and distribution artifacts violate common linear-mixture assumptions. This technical report presents the CP-JKU team's system for the MSR ICASSP Challenge 2025. Our approach decomposes MSR into separation and restoration. First, a single BandSplit-RoFormer separator predicts eight stems plus an auxiliary other stem, and is trained with a three-stage curriculum that progresses from 4-stem warm-start fine-tuning (with LoRA) to 8-stem extension via head expansion. Second, we apply a HiFi++ GAN waveform restorer trained as a generalist and then specialized into eight instrument-specific experts.

How Far Can Pretrained LLMs Go in Symbolic Music? Controlled Comparisons of Supervised and Preference-based Adaptation

Music often shares notable parallels with language, motivating the use of pretrained large language models (LLMs) for symbolic music understanding and generation. Despite growing interest, the practical effectiveness of adapting instruction-tuned LLMs to symbolic music remains insufficiently characterized. We present a controlled comparative study of finetuning strategies for ABC-based generation and understanding, comparing an off-the-shelf instruction-tuned backbone to domain-adapted variants and a music-specialized LLM baseline. Across multiple symbolic music corpora and evaluation signals, we provide some insights into adaptation choices for symbolic music applications. We highlight the domain adaptation vs.~preserving prior information tradeoff as well as the distinct behaviour of metrics used to measure the domain adaptation for symbolic music.

Sound Event Detection with Boundary-Aware Optimization and Inference

Temporal detection problems appear in many fields including time-series estimation, activity recognition and sound event detection (SED). In this work, we propose a new approach to temporal event modeling by explicitly modeling event onsets and offsets, and by introducing boundary-aware optimization and inference strategies that substantially enhance temporal event detection. The presented methodology incorporates new temporal modeling layers - Recurrent Event Detection (RED) and Event Proposal Network (EPN) - which, together with tailored loss functions, enable more effective and precise temporal event detection. We evaluate the proposed method in the SED domain using a subset of the temporally-strongly annotated portion of AudioSet. Experimental results show that our approach not only outperforms traditional frame-wise SED models with state-of-the-art post-processing, but also removes the need for post-processing hyperparameter tuning, and scales to achieve new state-of-the-art performance across all AudioSet Strong classes.

Sound and Music Biases in Deep Music Transcription Models: A Systematic Analysis

Automatic Music Transcription (AMT) -- the task of converting music audio into note representations -- has seen rapid progress, driven largely by deep learning systems. Due to the limited availability of richly annotated music datasets, much of the progress in AMT has been concentrated on classical piano music, and even a few very specific datasets. Whether these systems can generalize effectively to other musical contexts remains an open question. Complementing recent studies on distribution shifts in sound (e.g., recording conditions), in this work we investigate the musical dimension -- specifically, variations in genre, dynamics, and polyphony levels. To this end, we introduce the MDS corpus, comprising three distinct subsets -- (1) Genre, (2) Random, and (3) MAEtest -- to emulate different axes of distribution shift. We evaluate the performance of several state-of-the-art AMT systems on the MDS corpus using both traditional information-retrieval and musically-informed performance metrics. Our extensive evaluation isolates and exposes varying degrees of performance degradation under specific distribution shifts. In particular, we measure a note-level F1 performance drop of 20 percentage points due to sound, and 14 due to genre. Generally, we find that dynamics estimation proves more vulnerable to musical variation than onset prediction. Musically informed evaluation metrics, particularly those capturing harmonic structure, help identify potential contributing factors. Furthermore, experiments with randomly generated, non-musical sequences reveal clear limitations in system performance under extreme musical distribution shifts. Altogether, these findings offer new evidence of the persistent impact of the Corpus Bias problem in deep AMT systems.

Perceptually Aligning Representations of Music via Noise-Augmented Autoencoders

We argue that training autoencoders to reconstruct inputs from noised versions of their encodings, when combined with perceptual losses, yields encodings that are structured according to a perceptual hierarchy. We demonstrate the emergence of this hierarchical structure by showing that, after training an audio autoencoder in this manner, perceptually salient information is captured in coarser representation structures than with conventional training. Furthermore, we show that such perceptual hierarchies improve latent diffusion decoding in the context of estimating surprisal in music pitches and predicting EEG-brain responses to music listening. Pretrained weights are available on github.com/CPJKU/pa-audioic.

A Study on the Data Distribution Gap in Music Emotion Recognition

Music Emotion Recognition (MER) is a task deeply connected to human perception, relying heavily on subjective annotations collected from contributors. Prior studies tend to focus on specific musical styles rather than incorporating a diverse range of genres, such as rock and classical, within a single framework. In this paper, we address the task of recognizing emotion from audio content by investigating five datasets with dimensional emotion annotations -- EmoMusic, DEAM, PMEmo, WTC, and WCMED -- which span various musical styles. We demonstrate the problem of out-of-distribution generalization in a systematic experiment. By closely looking at multiple data and feature sets, we provide insight into genre-emotion relationships in existing data and examine potential genre dominance and dataset biases in certain feature representations. Based on these experiments, we arrive at a simple yet effective framework that combines embeddings extracted from the Jukebox model with chroma features and demonstrate how, alongside a combination of several diverse training sets, this permits us to train models with substantially improved cross-dataset generalization capabilities.