Developing and integrating advanced image sensors with novel algorithms in camera systems are prevalent with the increasing demand for computational photography and imaging on mobile platforms. However, the lack of high-quality data for research and the rare opportunity for in-depth exchange of views from industry and academia constrain the development of mobile intelligent photography and imaging (MIPI). To bridge the gap, we introduce the first MIPI challenge, including five tracks focusing on novel image sensors and imaging algorithms. In this paper, Quad Joint Remosaic and Denoise, one of the five tracks, working on the interpolation of Quad CFA to Bayer at full resolution, is introduced. The participants were provided a new dataset, including 70 (training) and 15 (validation) scenes of high-quality Quad and Bayer pairs. In addition, for each scene, Quad of different noise levels was provided at 0dB, 24dB, and 42dB. All the data were captured using a Quad sensor in both outdoor and indoor conditions. The final results are evaluated using objective metrics, including PSNR, SSIM, LPIPS, and KLD. A detailed description of all models developed in this challenge is provided in this paper. More details of this challenge and the link to the dataset can be found at https://github.com/mipi-challenge/MIPI2022.
Developing and integrating advanced image sensors with novel algorithms in camera systems is prevalent with the increasing demand for computational photography and imaging on mobile platforms. However, the lack of high-quality data for research and the rare opportunity for in-depth exchange of views from industry and academia constrain the development of mobile intelligent photography and imaging (MIPI). To bridge the gap, we introduce the first MIPI challenge including five tracks focusing on novel image sensors and imaging algorithms. In this paper, RGB+ToF Depth Completion, one of the five tracks, working on the fusion of RGB sensor and ToF sensor (with spot illumination) is introduced. The participants were provided with a new dataset called TetrasRGBD, which contains 18k pairs of high-quality synthetic RGB+Depth training data and 2.3k pairs of testing data from mixed sources. All the data are collected in an indoor scenario. We require that the running time of all methods should be real-time on desktop GPUs. The final results are evaluated using objective metrics and Mean Opinion Score (MOS) subjectively. A detailed description of all models developed in this challenge is provided in this paper. More details of this challenge and the link to the dataset can be found at https://github.com/mipi-challenge/MIPI2022.
Developing and integrating advanced image sensors with novel algorithms in camera systems are prevalent with the increasing demand for computational photography and imaging on mobile platforms. However, the lack of high-quality data for research and the rare opportunity for in-depth exchange of views from industry and academia constrain the development of mobile intelligent photography and imaging (MIPI). To bridge the gap, we introduce the first MIPI challenge including five tracks focusing on novel image sensors and imaging algorithms. In this paper, we summarize and review the Under-Display Camera (UDC) Image Restoration track on MIPI 2022. In total, 167 participants were successfully registered, and 19 teams submitted results in the final testing phase. The developed solutions in this challenge achieved state-of-the-art performance on Under-Display Camera Image Restoration. A detailed description of all models developed in this challenge is provided in this paper. More details of this challenge and the link to the dataset can be found at https://github.com/mipi-challenge/MIPI2022.
StyleGAN family is one of the most popular Generative Adversarial Networks (GANs) for unconditional generation. Despite its impressive performance, its high demand on storage and computation impedes their deployment on resource-constrained devices. This paper provides a comprehensive study of distilling from the popular StyleGAN-like architecture. Our key insight is that the main challenge of StyleGAN distillation lies in the output discrepancy issue, where the teacher and student model yield different outputs given the same input latent code. Standard knowledge distillation losses typically fail under this heterogeneous distillation scenario. We conduct thorough analysis about the reasons and effects of this discrepancy issue, and identify that the mapping network plays a vital role in determining semantic information of generated images. Based on this finding, we propose a novel initialization strategy for the student model, which can ensure the output consistency to the maximum extent. To further enhance the semantic consistency between the teacher and student model, we present a latent-direction-based distillation loss that preserves the semantic relations in latent space. Extensive experiments demonstrate the effectiveness of our approach in distilling StyleGAN2 and StyleGAN3, outperforming existing GAN distillation methods by a large margin.
We show that pre-trained Generative Adversarial Networks (GANs) such as StyleGAN and BigGAN can be used as a latent bank to improve the performance of image super-resolution. While most existing perceptual-oriented approaches attempt to generate realistic outputs through learning with adversarial loss, our method, Generative LatEnt bANk (GLEAN), goes beyond existing practices by directly leveraging rich and diverse priors encapsulated in a pre-trained GAN. But unlike prevalent GAN inversion methods that require expensive image-specific optimization at runtime, our approach only needs a single forward pass for restoration. GLEAN can be easily incorporated in a simple encoder-bank-decoder architecture with multi-resolution skip connections. Employing priors from different generative models allows GLEAN to be applied to diverse categories (\eg~human faces, cats, buildings, and cars). We further present a lightweight version of GLEAN, named LightGLEAN, which retains only the critical components in GLEAN. Notably, LightGLEAN consists of only 21% of parameters and 35% of FLOPs while achieving comparable image quality. We extend our method to different tasks including image colorization and blind image restoration, and extensive experiments show that our proposed models perform favorably in comparison to existing methods. Codes and models are available at https://github.com/open-mmlab/mmediting.
We present a new lighting estimation and editing framework to generate high-dynamic-range (HDR) indoor panorama lighting from a single limited field-of-view (LFOV) image captured by low-dynamic-range (LDR) cameras. Existing lighting estimation methods either directly regress lighting representation parameters or decompose this problem into LFOV-to-panorama and LDR-to-HDR lighting generation sub-tasks. However, due to the partial observation, the high-dynamic-range lighting, and the intrinsic ambiguity of a scene, lighting estimation remains a challenging task. To tackle this problem, we propose a coupled dual-StyleGAN panorama synthesis network (StyleLight) that integrates LDR and HDR panorama synthesis into a unified framework. The LDR and HDR panorama synthesis share a similar generator but have separate discriminators. During inference, given an LDR LFOV image, we propose a focal-masked GAN inversion method to find its latent code by the LDR panorama synthesis branch and then synthesize the HDR panorama by the HDR panorama synthesis branch. StyleLight takes LFOV-to-panorama and LDR-to-HDR lighting generation into a unified framework and thus greatly improves lighting estimation. Extensive experiments demonstrate that our framework achieves superior performance over state-of-the-art methods on indoor lighting estimation. Notably, StyleLight also enables intuitive lighting editing on indoor HDR panoramas, which is suitable for real-world applications. Code is available at https://style-light.github.io.
We present Curve Distillation, CuDi, for efficient and controllable exposure adjustment without the requirement of paired or unpaired data during training. Our method inherits the zero-reference learning and curve-based framework from an effective low-light image enhancement method, Zero-DCE, with further speed up in its inference speed, reduction in its model size, and extension to controllable exposure adjustment. The improved inference speed and lightweight model are achieved through novel curve distillation that approximates the time-consuming iterative operation in the conventional curve-based framework by high-order curve's tangent line. The controllable exposure adjustment is made possible with a new self-supervised spatial exposure control loss that constrains the exposure levels of different spatial regions of the output to be close to the brightness distribution of an exposure map serving as an input condition. Different from most existing methods that can only correct either underexposed or overexposed photos, our approach corrects both underexposed and overexposed photos with a single model. Notably, our approach can additionally adjust the exposure levels of a photo globally or locally with the guidance of an input condition exposure map, which can be pre-defined or manually set in the inference stage. Through extensive experiments, we show that our method is appealing for its fast, robust, and flexible performance, outperforming state-of-the-art methods in real scenes. Project page: https://li-chongyi.github.io/CuDi_files/.
Measuring the perception of visual content is a long-standing problem in computer vision. Many mathematical models have been developed to evaluate the look or quality of an image. Despite the effectiveness of such tools in quantifying degradations such as noise and blurriness levels, such quantification is loosely coupled with human language. When it comes to more abstract perception about the feel of visual content, existing methods can only rely on supervised models that are explicitly trained with labeled data collected via laborious user study. In this paper, we go beyond the conventional paradigms by exploring the rich visual language prior encapsulated in Contrastive Language-Image Pre-training (CLIP) models for assessing both the quality perception (look) and abstract perception (feel) of images in a zero-shot manner. In particular, we discuss effective prompt designs and show an effective prompt pairing strategy to harness the prior. We also provide extensive experiments on controlled datasets and Image Quality Assessment (IQA) benchmarks. Our results show that CLIP captures meaningful priors that generalize well to different perceptual assessments. Code will be avaliable at https://github.com/IceClear/CLIP-IQA.
Large-scale datasets have played indispensable roles in the recent success of face generation/editing and significantly facilitated the advances of emerging research fields. However, the academic community still lacks a video dataset with diverse facial attribute annotations, which is crucial for the research on face-related videos. In this work, we propose a large-scale, high-quality, and diverse video dataset with rich facial attribute annotations, named the High-Quality Celebrity Video Dataset (CelebV-HQ). CelebV-HQ contains 35,666 video clips with the resolution of 512x512 at least, involving 15,653 identities. All clips are labeled manually with 83 facial attributes, covering appearance, action, and emotion. We conduct a comprehensive analysis in terms of age, ethnicity, brightness stability, motion smoothness, head pose diversity, and data quality to demonstrate the diversity and temporal coherence of CelebV-HQ. Besides, its versatility and potential are validated on two representative tasks, i.e., unconditional video generation and video facial attribute editing. Furthermore, we envision the future potential of CelebV-HQ, as well as the new opportunities and challenges it would bring to related research directions. Data, code, and models are publicly available. Project page: https://celebv-hq.github.io.
Generative models for audio-conditioned dance motion synthesis map music features to dance movements. Models are trained to associate motion patterns to audio patterns, usually without an explicit knowledge of the human body. This approach relies on a few assumptions: strong music-dance correlation, controlled motion data and relatively simple poses and movements. These characteristics are found in all existing datasets for dance motion synthesis, and indeed recent methods can achieve good results.We introduce a new dataset aiming to challenge these common assumptions, compiling a set of dynamic dance sequences displaying complex human poses. We focus on breakdancing which features acrobatic moves and tangled postures. We source our data from the Red Bull BC One competition videos. Estimating human keypoints from these videos is difficult due to the complexity of the dance, as well as the multiple moving cameras recording setup. We adopt a hybrid labelling pipeline leveraging deep estimation models as well as manual annotations to obtain good quality keypoint sequences at a reduced cost. Our efforts produced the BRACE dataset, which contains over 3 hours and 30 minutes of densely annotated poses. We test state-of-the-art methods on BRACE, showing their limitations when evaluated on complex sequences. Our dataset can readily foster advance in dance motion synthesis. With intricate poses and swift movements, models are forced to go beyond learning a mapping between modalities and reason more effectively about body structure and movements.