From Aesthetics to Human Preferences: Comparative Perspectives of Evaluating Text-to-Music Systems

Evaluating generative models remains a fundamental challenge, particularly when the goal is to reflect human preferences. In this paper, we use music generation as a case study to investigate the gap between automatic evaluation metrics and human preferences. We conduct comparative experiments across five state-of-the-art music generation approaches, assessing both perceptual quality and distributional similarity to human-composed music. Specifically, we evaluate synthesis music from various perceptual dimensions and examine reference-based metrics such as Mauve Audio Divergence (MAD) and Kernel Audio Distance (KAD). Our findings reveal significant inconsistencies across the different metrics, highlighting the limitation of the current evaluation practice. To support further research, we release a benchmark dataset comprising samples from multiple models. This study provides a broader perspective on the alignment of human preference in generative modeling, advocating for more human-centered evaluation strategies across domains.

PAMD: Plausibility-Aware Motion Diffusion Model for Long Dance Generation

Computational dance generation is crucial in many areas, such as art, human-computer interaction, virtual reality, and digital entertainment, particularly for generating coherent and expressive long dance sequences. Diffusion-based music-to-dance generation has made significant progress, yet existing methods still struggle to produce physically plausible motions. To address this, we propose Plausibility-Aware Motion Diffusion (PAMD), a framework for generating dances that are both musically aligned and physically realistic. The core of PAMD lies in the Plausible Motion Constraint (PMC), which leverages Neural Distance Fields (NDFs) to model the actual pose manifold and guide generated motions toward a physically valid pose manifold. To provide more effective guidance during generation, we incorporate Prior Motion Guidance (PMG), which uses standing poses as auxiliary conditions alongside music features. To further enhance realism for complex movements, we introduce the Motion Refinement with Foot-ground Contact (MRFC) module, which addresses foot-skating artifacts by bridging the gap between the optimization objective in linear joint position space and the data representation in nonlinear rotation space. Extensive experiments show that PAMD significantly improves musical alignment and enhances the physical plausibility of generated motions. This project page is available at: https://mucunzhuzhu.github.io/PAMD-page/.

Spatial-Temporal Graph Mamba for Music-Guided Dance Video Synthesis

We propose a novel spatial-temporal graph Mamba (STG-Mamba) for the music-guided dance video synthesis task, i.e., to translate the input music to a dance video. STG-Mamba consists of two translation mappings: music-to-skeleton translation and skeleton-to-video translation. In the music-to-skeleton translation, we introduce a novel spatial-temporal graph Mamba (STGM) block to effectively construct skeleton sequences from the input music, capturing dependencies between joints in both the spatial and temporal dimensions. For the skeleton-to-video translation, we propose a novel self-supervised regularization network to translate the generated skeletons, along with a conditional image, into a dance video. Lastly, we collect a new skeleton-to-video translation dataset from the Internet, containing 54,944 video clips. Extensive experiments demonstrate that STG-Mamba achieves significantly better results than existing methods.

Quantize More, Lose Less: Autoregressive Generation from Residually Quantized Speech Representations

Text-to-speech (TTS) synthesis has seen renewed progress under the discrete modeling paradigm. Existing autoregressive approaches often rely on single-codebook representations, which suffer from significant information loss. Even with post-hoc refinement techniques such as flow matching, these methods fail to recover fine-grained details (e.g., prosodic nuances, speaker-specific timbres), especially in challenging scenarios like singing voice or music synthesis. We propose QTTS, a novel TTS framework built upon our new audio codec, QDAC. The core innovation of QDAC lies in its end-to-end training of an ASR-based auto-regressive network with a GAN, which achieves superior semantic feature disentanglement for scalable, near-lossless compression. QTTS models these discrete codes using two innovative strategies: the Hierarchical Parallel architecture, which uses a dual-AR structure to model inter-codebook dependencies for higher-quality synthesis, and the Delay Multihead approach, which employs parallelized prediction with a fixed delay to accelerate inference speed. Our experiments demonstrate that the proposed framework achieves higher synthesis quality and better preserves expressive content compared to baseline. This suggests that scaling up compression via multi-codebook modeling is a promising direction for high-fidelity, general-purpose speech and audio generation.

Level Generation with Quantum Reservoir Computing

Reservoir computing is a form of machine learning particularly suited for time series analysis, including forecasting predictions. We take an implementation of \emph{quantum} reservoir computing that was initially designed to generate variants of musical scores and adapt it to create levels of Super Mario Bros. Motivated by our analysis of these levels, we develop a new Roblox \textit{obby} where the courses can be generated in real time on superconducting qubit hardware, and investigate some of the constraints placed by such real-time generation.

Unified Cross-modal Translation of Score Images, Symbolic Music, and Performance Audio

Music exists in various modalities, such as score images, symbolic scores, MIDI, and audio. Translations between each modality are established as core tasks of music information retrieval, such as automatic music transcription (audio-to-MIDI) and optical music recognition (score image to symbolic score). However, most past work on multimodal translation trains specialized models on individual translation tasks. In this paper, we propose a unified approach, where we train a general-purpose model on many translation tasks simultaneously. Two key factors make this unified approach viable: a new large-scale dataset and the tokenization of each modality. Firstly, we propose a new dataset that consists of more than 1,300 hours of paired audio-score image data collected from YouTube videos, which is an order of magnitude larger than any existing music modal translation datasets. Secondly, our unified tokenization framework discretizes score images, audio, MIDI, and MusicXML into a sequence of tokens, enabling a single encoder-decoder Transformer to tackle multiple cross-modal translation as one coherent sequence-to-sequence task. Experimental results confirm that our unified multitask model improves upon single-task baselines in several key areas, notably reducing the symbol error rate for optical music recognition from 24.58% to a state-of-the-art 13.67%, while similarly substantial improvements are observed across the other translation tasks. Notably, our approach achieves the first successful score-image-conditioned audio generation, marking a significant breakthrough in cross-modal music generation.

Calliope: An Online Generative Music System for Symbolic Multi-Track Composition

With the rise of artificial intelligence in recent years, there has been a rapid increase in its application towards creative domains, including music. There exist many systems built that apply machine learning approaches to the problem of computer-assisted music composition (CAC). Calliope is a web application that assists users in performing a variety of multi-track composition tasks in the symbolic domain. The user can upload (Musical Instrument Digital Interface) MIDI files, visualize and edit MIDI tracks, and generate partial (via bar in-filling) or complete multi-track content using the Multi-Track Music Machine (MMM). Generation of new MIDI excerpts can be done in batch and can be combined with active playback listening for an enhanced assisted-composition workflow. The user can export generated MIDI materials or directly stream MIDI playback from the system to their favorite Digital Audio Workstation (DAW). We present a demonstration of the system, its features, generative parameters and describe the co-creative workflows that it affords.

GlobalMood: A cross-cultural benchmark for music emotion recognition

Human annotations of mood in music are essential for music generation and recommender systems. However, existing datasets predominantly focus on Western songs with mood terms derived from English, which may limit generalizability across diverse linguistic and cultural backgrounds. To address this, we introduce `GlobalMood', a novel cross-cultural benchmark dataset comprising 1,180 songs sampled from 59 countries, with large-scale annotations collected from 2,519 individuals across five culturally and linguistically distinct locations: U.S., France, Mexico, S. Korea, and Egypt. Rather than imposing predefined mood categories, we implement a bottom-up, participant-driven approach to organically elicit culturally specific music-related mood terms. We then recruit another pool of human participants to collect 988,925 ratings for these culture-specific descriptors. Our analysis confirms the presence of a valence-arousal structure shared across cultures, yet also reveals significant divergences in how certain mood terms, despite being dictionary equivalents, are perceived cross-culturally. State-of-the-art multimodal models benefit substantially from fine-tuning on our cross-culturally balanced dataset, as evidenced by improved alignment with human evaluations - particularly in non-English contexts. More broadly, our findings inform the ongoing debate on the universality versus cultural specificity of emotional descriptors, and our methodology can contribute to other multimodal and cross-lingual research.

DPN-GAN: Inducing Periodic Activations in Generative Adversarial Networks for High-Fidelity Audio Synthesis

In recent years, generative adversarial networks (GANs) have made significant progress in generating audio sequences. However, these models typically rely on bandwidth-limited mel-spectrograms, which constrain the resolution of generated audio sequences, and lead to mode collapse during conditional generation. To address this issue, we propose Deformable Periodic Network based GAN (DPN-GAN), a novel GAN architecture that incorporates a kernel-based periodic ReLU activation function to induce periodic bias in audio generation. This innovative approach enhances the model's ability to capture and reproduce intricate audio patterns. In particular, our proposed model features a DPN module for multi-resolution generation utilizing deformable convolution operations, allowing for adaptive receptive fields that improve the quality and fidelity of the synthetic audio. Additionally, we enhance the discriminator network using deformable convolution to better distinguish between real and generated samples, further refining the audio quality. We trained two versions of the model: DPN-GAN small (38.67M parameters) and DPN-GAN large (124M parameters). For evaluation, we use five different datasets, covering both speech synthesis and music generation tasks, to demonstrate the efficiency of the DPN-GAN. The experimental results demonstrate that DPN-GAN delivers superior performance on both out-of-distribution and noisy data, showcasing its robustness and adaptability. Trained across various datasets, DPN-GAN outperforms state-of-the-art GAN architectures on standard evaluation metrics, and exhibits increased robustness in synthesized audio.

Audio-Sync Video Generation with Multi-Stream Temporal Control

Audio is inherently temporal and closely synchronized with the visual world, making it a naturally aligned and expressive control signal for controllable video generation (e.g., movies). Beyond control, directly translating audio into video is essential for understanding and visualizing rich audio narratives (e.g., Podcasts or historical recordings). However, existing approaches fall short in generating high-quality videos with precise audio-visual synchronization, especially across diverse and complex audio types. In this work, we introduce MTV, a versatile framework for audio-sync video generation. MTV explicitly separates audios into speech, effects, and music tracks, enabling disentangled control over lip motion, event timing, and visual mood, respectively -- resulting in fine-grained and semantically aligned video generation. To support the framework, we additionally present DEMIX, a dataset comprising high-quality cinematic videos and demixed audio tracks. DEMIX is structured into five overlapped subsets, enabling scalable multi-stage training for diverse generation scenarios. Extensive experiments demonstrate that MTV achieves state-of-the-art performance across six standard metrics spanning video quality, text-video consistency, and audio-video alignment. Project page: https://hjzheng.net/projects/MTV/.