Audio-Sync Video Generation with Multi-Stream Temporal Control

Audio is inherently temporal and closely synchronized with the visual world, making it a naturally aligned and expressive control signal for controllable video generation (e.g., movies). Beyond control, directly translating audio into video is essential for understanding and visualizing rich audio narratives (e.g., Podcasts or historical recordings). However, existing approaches fall short in generating high-quality videos with precise audio-visual synchronization, especially across diverse and complex audio types. In this work, we introduce MTV, a versatile framework for audio-sync video generation. MTV explicitly separates audios into speech, effects, and music tracks, enabling disentangled control over lip motion, event timing, and visual mood, respectively -- resulting in fine-grained and semantically aligned video generation. To support the framework, we additionally present DEMIX, a dataset comprising high-quality cinematic videos and demixed audio tracks. DEMIX is structured into five overlapped subsets, enabling scalable multi-stage training for diverse generation scenarios. Extensive experiments demonstrate that MTV achieves state-of-the-art performance across six standard metrics spanning video quality, text-video consistency, and audio-video alignment. Project page: https://hjzheng.net/projects/MTV/.

LoopGen: Training-Free Loopable Music Generation

Loops--short audio segments designed for seamless repetition--are central to many music genres, particularly those rooted in dance and electronic styles. However, current generative music models struggle to produce truly loopable audio, as generating a short waveform alone does not guarantee a smooth transition from its endpoint back to its start, often resulting in audible discontinuities. Loops--short audio segments designed for seamless repetition--are central to many music genres, particularly those rooted in dance and electronic styles. However, current generative music models struggle to produce truly loopable audio, as generating a short waveform alone does not guarantee a smooth transition from its endpoint back to its start, often resulting in audible discontinuities. We address this gap by modifying a non-autoregressive model (MAGNeT) to generate tokens in a circular pattern, letting the model attend to the beginning of the audio when creating its ending. This inference-only approach results in generations that are aware of future context and loop naturally, without the need for any additional training or data. We evaluate the consistency of loop transitions by computing token perplexity around the seam of the loop, observing a 55% improvement. Blind listening tests further confirm significant perceptual gains over baseline methods, improving mean ratings by 70%. Taken together, these results highlight the effectiveness of inference-only approaches in improving generative models and underscore the advantages of non-autoregressive methods for context-aware music generation.

Of All StrIPEs: Investigating Structure-informed Positional Encoding for Efficient Music Generation

While music remains a challenging domain for generative models like Transformers, a two-pronged approach has recently proved successful: inserting musically-relevant structural information into the positional encoding (PE) module and using kernel approximation techniques based on Random Fourier Features (RFF) to lower the computational cost from quadratic to linear. Yet, it is not clear how such RFF-based efficient PEs compare with those based on rotation matrices, such as Rotary Positional Encoding (RoPE). In this paper, we present a unified framework based on kernel methods to analyze both families of efficient PEs. We use this framework to develop a novel PE method called RoPEPool, capable of extracting causal relationships from temporal sequences. Using RFF-based PEs and rotation-based PEs, we demonstrate how seemingly disparate PEs can be jointly studied by considering the content-context interactions they induce. For empirical validation, we use a symbolic music generation task, namely, melody harmonization. We show that RoPEPool, combined with highly-informative structural priors, outperforms all methods.

Do Music Preferences Reflect Cultural Values? A Cross-National Analysis Using Music Embedding and World Values Survey

This study explores the extent to which national music preferences reflect underlying cultural values. We collected long-term popular music data from YouTube Music Charts across 62 countries, encompassing both Western and non-Western regions, and extracted audio embeddings using the CLAP model. To complement these quantitative representations, we generated semantic captions for each track using LP-MusicCaps and GPT-based summarization. Countries were clustered based on contrastive embeddings that highlight deviations from global musical norms. The resulting clusters were projected into a two-dimensional space via t-SNE for visualization and evaluated against cultural zones defined by the World Values Survey (WVS). Statistical analyses, including MANOVA and chi-squared tests, confirmed that music-based clusters exhibit significant alignment with established cultural groupings. Furthermore, residual analysis revealed consistent patterns of overrepresentation, suggesting non-random associations between specific clusters and cultural zones. These findings indicate that national-level music preferences encode meaningful cultural signals and can serve as a proxy for understanding global cultural boundaries.

Generation of Musical Timbres using a Text-Guided Diffusion Model

In recent years, text-to-audio systems have achieved remarkable success, enabling the generation of complete audio segments directly from text descriptions. While these systems also facilitate music creation, the element of human creativity and deliberate expression is often limited. In contrast, the present work allows composers, arrangers, and performers to create the basic building blocks for music creation: audio of individual musical notes for use in electronic instruments and DAWs. Through text prompts, the user can specify the timbre characteristics of the audio. We introduce a system that combines a latent diffusion model and multi-modal contrastive learning to generate musical timbres conditioned on text descriptions. By jointly generating the magnitude and phase of the spectrogram, our method eliminates the need for subsequently running a phase retrieval algorithm, as related methods do. Audio examples, source code, and a web app are available at https://wxuanyuan.github.io/Musical-Note-Generation/

Detecting Musical Deepfakes

The proliferation of Text-to-Music (TTM) platforms has democratized music creation, enabling users to effortlessly generate high-quality compositions. However, this innovation also presents new challenges to musicians and the broader music industry. This study investigates the detection of AI-generated songs using the FakeMusicCaps dataset by classifying audio as either deepfake or human. To simulate real-world adversarial conditions, tempo stretching and pitch shifting were applied to the dataset. Mel spectrograms were generated from the modified audio, then used to train and evaluate a convolutional neural network. In addition to presenting technical results, this work explores the ethical and societal implications of TTM platforms, arguing that carefully designed detection systems are essential to both protecting artists and unlocking the positive potential of generative AI in music.

U-SAM: An audio language Model for Unified Speech, Audio, and Music Understanding

The text generation paradigm for audio tasks has opened new possibilities for unified audio understanding. However, existing models face significant challenges in achieving a comprehensive understanding across diverse audio types, such as speech, general audio events, and music. Furthermore, their exclusive reliance on cross-entropy loss for alignment often falls short, as it treats all tokens equally and fails to account for redundant audio features, leading to weaker cross-modal alignment. To deal with the above challenges, this paper introduces U-SAM, an advanced audio language model that integrates specialized encoders for speech, audio, and music with a pre-trained large language model (LLM). U-SAM employs a Mixture of Experts (MoE) projector for task-aware feature fusion, dynamically routing and integrating the domain-specific encoder outputs. Additionally, U-SAM incorporates a Semantic-Aware Contrastive Loss Module, which explicitly identifies redundant audio features under language supervision and rectifies their semantic and spectral representations to enhance cross-modal alignment. Extensive experiments demonstrate that U-SAM consistently outperforms both specialized models and existing audio language models across multiple benchmarks. Moreover, it exhibits emergent capabilities on unseen tasks, showcasing its generalization potential. Code is available (https://github.com/Honee-W/U-SAM/).

JaccDiv: A Metric and Benchmark for Quantifying Diversity of Generated Marketing Text in the Music Industry

Online platforms are increasingly interested in using Data-to-Text technologies to generate content and help their users. Unfortunately, traditional generative methods often fall into repetitive patterns, resulting in monotonous galleries of texts after only a few iterations. In this paper, we investigate LLM-based data-to-text approaches to automatically generate marketing texts that are of sufficient quality and diverse enough for broad adoption. We leverage Language Models such as T5, GPT-3.5, GPT-4, and LLaMa2 in conjunction with fine-tuning, few-shot, and zero-shot approaches to set a baseline for diverse marketing texts. We also introduce a metric JaccDiv to evaluate the diversity of a set of texts. This research extends its relevance beyond the music industry, proving beneficial in various fields where repetitive automated content generation is prevalent.

Kling-Foley: Multimodal Diffusion Transformer for High-Quality Video-to-Audio Generation

We propose Kling-Foley, a large-scale multimodal Video-to-Audio generation model that synthesizes high-quality audio synchronized with video content. In Kling-Foley, we introduce multimodal diffusion transformers to model the interactions between video, audio, and text modalities, and combine it with a visual semantic representation module and an audio-visual synchronization module to enhance alignment capabilities. Specifically, these modules align video conditions with latent audio elements at the frame level, thereby improving semantic alignment and audio-visual synchronization. Together with text conditions, this integrated approach enables precise generation of video-matching sound effects. In addition, we propose a universal latent audio codec that can achieve high-quality modeling in various scenarios such as sound effects, speech, singing, and music. We employ a stereo rendering method that imbues synthesized audio with a spatial presence. At the same time, in order to make up for the incomplete types and annotations of the open-source benchmark, we also open-source an industrial-level benchmark Kling-Audio-Eval. Our experiments show that Kling-Foley trained with the flow matching objective achieves new audio-visual SOTA performance among public models in terms of distribution matching, semantic alignment, temporal alignment and audio quality.

Semantics-Aware Human Motion Generation from Audio Instructions

Recent advances in interactive technologies have highlighted the prominence of audio signals for semantic encoding. This paper explores a new task, where audio signals are used as conditioning inputs to generate motions that align with the semantics of the audio. Unlike text-based interactions, audio provides a more natural and intuitive communication method. However, existing methods typically focus on matching motions with music or speech rhythms, which often results in a weak connection between the semantics of the audio and generated motions. We propose an end-to-end framework using a masked generative transformer, enhanced by a memory-retrieval attention module to handle sparse and lengthy audio inputs. Additionally, we enrich existing datasets by converting descriptions into conversational style and generating corresponding audio with varied speaker identities. Experiments demonstrate the effectiveness and efficiency of the proposed framework, demonstrating that audio instructions can convey semantics similar to text while providing more practical and user-friendly interactions.