PianoVAM: A Multimodal Piano Performance Dataset

The multimodal nature of music performance has driven increasing interest in data beyond the audio domain within the music information retrieval (MIR) community. This paper introduces PianoVAM, a comprehensive piano performance dataset that includes videos, audio, MIDI, hand landmarks, fingering labels, and rich metadata. The dataset was recorded using a Disklavier piano, capturing audio and MIDI from amateur pianists during their daily practice sessions, alongside synchronized top-view videos in realistic and varied performance conditions. Hand landmarks and fingering labels were extracted using a pretrained hand pose estimation model and a semi-automated fingering annotation algorithm. We discuss the challenges encountered during data collection and the alignment process across different modalities. Additionally, we describe our fingering annotation method based on hand landmarks extracted from videos. Finally, we present benchmarking results for both audio-only and audio-visual piano transcription using the PianoVAM dataset and discuss additional potential applications.

PianoBind: A Multimodal Joint Embedding Model for Pop-piano Music

Solo piano music, despite being a single-instrument medium, possesses significant expressive capabilities, conveying rich semantic information across genres, moods, and styles. However, current general-purpose music representation models, predominantly trained on large-scale datasets, often struggle to captures subtle semantic distinctions within homogeneous solo piano music. Furthermore, existing piano-specific representation models are typically unimodal, failing to capture the inherently multimodal nature of piano music, expressed through audio, symbolic, and textual modalities. To address these limitations, we propose PianoBind, a piano-specific multimodal joint embedding model. We systematically investigate strategies for multi-source training and modality utilization within a joint embedding framework optimized for capturing fine-grained semantic distinctions in (1) small-scale and (2) homogeneous piano datasets. Our experimental results demonstrate that PianoBind learns multimodal representations that effectively capture subtle nuances of piano music, achieving superior text-to-music retrieval performance on in-domain and out-of-domain piano datasets compared to general-purpose music joint embedding models. Moreover, our design choices offer reusable insights for multimodal representation learning with homogeneous datasets beyond piano music.

Can Large Language Models Predict Audio Effects Parameters from Natural Language?

In music production, manipulating audio effects (Fx) parameters through natural language has the potential to reduce technical barriers for non-experts. We present LLM2Fx, a framework leveraging Large Language Models (LLMs) to predict Fx parameters directly from textual descriptions without requiring task-specific training or fine-tuning. Our approach address the text-to-effect parameter prediction (Text2Fx) task by mapping natural language descriptions to the corresponding Fx parameters for equalization and reverberation. We demonstrate that LLMs can generate Fx parameters in a zero-shot manner that elucidates the relationship between timbre semantics and audio effects in music production. To enhance performance, we introduce three types of in-context examples: audio Digital Signal Processing (DSP) features, DSP function code, and few-shot examples. Our results demonstrate that LLM-based Fx parameter generation outperforms previous optimization approaches, offering competitive performance in translating natural language descriptions to appropriate Fx settings. Furthermore, LLMs can serve as text-driven interfaces for audio production, paving the way for more intuitive and accessible music production tools.

Dialogue in Resonance: An Interactive Music Piece for Piano and Real-Time Automatic Transcription System

This paper presents <Dialogue in Resonance>, an interactive music piece for a human pianist and a computer-controlled piano that integrates real-time automatic music transcription into a score-driven framework. Unlike previous approaches that primarily focus on improvisation-based interactions, our work establishes a balanced framework that combines composed structure with dynamic interaction. Through real-time automatic transcription as its core mechanism, the computer interprets and responds to the human performer's input in real time, creating a musical dialogue that balances compositional intent with live interaction while incorporating elements of unpredictability. In this paper, we present the development process from composition to premiere performance, including technical implementation, rehearsal process, and performance considerations.

KAD: No More FAD! An Effective and Efficient Evaluation Metric for Audio Generation

Although being widely adopted for evaluating generated audio signals, the Fr\'echet Audio Distance (FAD) suffers from significant limitations, including reliance on Gaussian assumptions, sensitivity to sample size, and high computational complexity. As an alternative, we introduce the Kernel Audio Distance (KAD), a novel, distribution-free, unbiased, and computationally efficient metric based on Maximum Mean Discrepancy (MMD). Through analysis and empirical validation, we demonstrate KAD's advantages: (1) faster convergence with smaller sample sizes, enabling reliable evaluation with limited data; (2) lower computational cost, with scalable GPU acceleration; and (3) stronger alignment with human perceptual judgments. By leveraging advanced embeddings and characteristic kernels, KAD captures nuanced differences between real and generated audio. Open-sourced in the kadtk toolkit, KAD provides an efficient, reliable, and perceptually aligned benchmark for evaluating generative audio models.

TALKPLAY: Multimodal Music Recommendation with Large Language Models

We present TalkPlay, a multimodal music recommendation system that reformulates the recommendation task as large language model token generation. TalkPlay represents music through an expanded token vocabulary that encodes multiple modalities - audio, lyrics, metadata, semantic tags, and playlist co-occurrence. Using these rich representations, the model learns to generate recommendations through next-token prediction on music recommendation conversations, that requires learning the associations natural language query and response, as well as music items. In other words, the formulation transforms music recommendation into a natural language understanding task, where the model's ability to predict conversation tokens directly optimizes query-item relevance. Our approach eliminates traditional recommendation-dialogue pipeline complexity, enabling end-to-end learning of query-aware music recommendations. In the experiment, TalkPlay is successfully trained and outperforms baseline methods in various aspects, demonstrating strong context understanding as a conversational music recommender.

FlashSR: One-step Versatile Audio Super-resolution via Diffusion Distillation

Versatile audio super-resolution (SR) is the challenging task of restoring high-frequency components from low-resolution audio with sampling rates between 4kHz and 32kHz in various domains such as music, speech, and sound effects. Previous diffusion-based SR methods suffer from slow inference due to the need for a large number of sampling steps. In this paper, we introduce FlashSR, a single-step diffusion model for versatile audio super-resolution aimed at producing 48kHz audio. FlashSR achieves fast inference by utilizing diffusion distillation with three objectives: distillation loss, adversarial loss, and distribution-matching distillation loss. We further enhance performance by proposing the SR Vocoder, which is specifically designed for SR models operating on mel-spectrograms. FlashSR demonstrates competitive performance with the current state-of-the-art model in both objective and subjective evaluations while being approximately 22 times faster.

D3RM: A Discrete Denoising Diffusion Refinement Model for Piano Transcription

Diffusion models have been widely used in the generative domain due to their convincing performance in modeling complex data distributions. Moreover, they have shown competitive results on discriminative tasks, such as image segmentation. While diffusion models have also been explored for automatic music transcription, their performance has yet to reach a competitive level. In this paper, we focus on discrete diffusion model's refinement capabilities and present a novel architecture for piano transcription. Our model utilizes Neighborhood Attention layers as the denoising module, gradually predicting the target high-resolution piano roll, conditioned on the finetuned features of a pretrained acoustic model. To further enhance refinement, we devise a novel strategy which applies distinct transition states during training and inference stage of discrete diffusion models. Experiments on the MAESTRO dataset show that our approach outperforms previous diffusion-based piano transcription models and the baseline model in terms of F1 score. Our code is available in https://github.com/hanshounsu/d3rm.

Predicting User Intents and Musical Attributes from Music Discovery Conversations

Intent classification is a text understanding task that identifies user needs from input text queries. While intent classification has been extensively studied in various domains, it has not received much attention in the music domain. In this paper, we investigate intent classification models for music discovery conversation, focusing on pre-trained language models. Rather than only predicting functional needs: intent classification, we also include a task for classifying musical needs: musical attribute classification. Additionally, we propose a method of concatenating previous chat history with just single-turn user queries in the input text, allowing the model to understand the overall conversation context better. Our proposed model significantly improves the F1 score for both user intent and musical attribute classification, and surpasses the zero-shot and few-shot performance of the pretrained Llama 3 model.

Music Discovery Dialogue Generation Using Human Intent Analysis and Large Language Models

A conversational music retrieval system can help users discover music that matches their preferences through dialogue. To achieve this, a conversational music retrieval system should seamlessly engage in multi-turn conversation by 1) understanding user queries and 2) responding with natural language and retrieved music. A straightforward solution would be a data-driven approach utilizing such conversation logs. However, few datasets are available for the research and are limited in terms of volume and quality. In this paper, we present a data generation framework for rich music discovery dialogue using a large language model (LLM) and user intents, system actions, and musical attributes. This is done by i) dialogue intent analysis using grounded theory, ii) generating attribute sequences via cascading database filtering, and iii) generating utterances using large language models. By applying this framework to the Million Song dataset, we create LP-MusicDialog, a Large Language Model based Pseudo Music Dialogue dataset, containing over 288k music conversations using more than 319k music items. Our evaluation shows that the synthetic dataset is competitive with an existing, small human dialogue dataset in terms of dialogue consistency, item relevance, and naturalness. Furthermore, using the dataset, we train a conversational music retrieval model and show promising results.