dLLM-ASR: A Faster Diffusion LLM-based Framework for Speech Recognition

Automatic speech recognition (ASR) systems based on large language models (LLMs) achieve superior performance by leveraging pretrained LLMs as decoders, but their token-by-token generation mechanism leads to inference latency that grows linearly with sequence length. Meanwhile, discrete diffusion large language models (dLLMs) offer a promising alternative, enabling high-quality parallel sequence generation with pretrained decoders. However, directly applying native text-oriented dLLMs to ASR leads to a fundamental mismatch between open-ended text generation and the acoustically conditioned transcription paradigm required by ASR. As a result, it introduces unnecessary difficulty and computational redundancy, such as denoising from pure noise, inflexible generation lengths, and fixed denoising steps. We propose dLLM-ASR, an efficient dLLM-based ASR framework that formulates dLLM's decoding as a prior-guided and adaptive denoising process. It leverages an ASR prior to initialize the denoising process and provide an anchor for sequence length. Building upon this prior, length-adaptive pruning dynamically removes redundant tokens, while confidence-based denoising allows converged tokens to exit the denoising loop early, enabling token-level adaptive computation. Experiments demonstrate that dLLM-ASR achieves recognition accuracy comparable to autoregressive LLM-based ASR systems and delivers a 4.44$\times$ inference speedup, establishing a practical and efficient paradigm for ASR.

The ICASSP 2026 Automatic Song Aesthetics Evaluation Challenge

This paper summarizes the ICASSP 2026 Automatic Song Aesthetics Evaluation (ASAE) Challenge, which focuses on predicting the subjective aesthetic scores of AI-generated songs. The challenge consists of two tracks: Track 1 targets the prediction of the overall musicality score, while Track 2 focuses on predicting five fine-grained aesthetic scores. The challenge attracted strong interest from the research community and received numerous submissions from both academia and industry. Top-performing systems significantly surpassed the official baseline, demonstrating substantial progress in aligning objective metrics with human aesthetic preferences. The outcomes establish a standardized benchmark and advance human-aligned evaluation methodologies for modern music generation systems.

SongEval: A Benchmark Dataset for Song Aesthetics Evaluation

Aesthetics serve as an implicit and important criterion in song generation tasks that reflect human perception beyond objective metrics. However, evaluating the aesthetics of generated songs remains a fundamental challenge, as the appreciation of music is highly subjective. Existing evaluation metrics, such as embedding-based distances, are limited in reflecting the subjective and perceptual aspects that define musical appeal. To address this issue, we introduce SongEval, the first open-source, large-scale benchmark dataset for evaluating the aesthetics of full-length songs. SongEval includes over 2,399 songs in full length, summing up to more than 140 hours, with aesthetic ratings from 16 professional annotators with musical backgrounds. Each song is evaluated across five key dimensions: overall coherence, memorability, naturalness of vocal breathing and phrasing, clarity of song structure, and overall musicality. The dataset covers both English and Chinese songs, spanning nine mainstream genres. Moreover, to assess the effectiveness of song aesthetic evaluation, we conduct experiments using SongEval to predict aesthetic scores and demonstrate better performance than existing objective evaluation metrics in predicting human-perceived musical quality.

DiffRhythm: Blazingly Fast and Embarrassingly Simple End-to-End Full-Length Song Generation with Latent Diffusion

Recent advancements in music generation have garnered significant attention, yet existing approaches face critical limitations. Some current generative models can only synthesize either the vocal track or the accompaniment track. While some models can generate combined vocal and accompaniment, they typically rely on meticulously designed multi-stage cascading architectures and intricate data pipelines, hindering scalability. Additionally, most systems are restricted to generating short musical segments rather than full-length songs. Furthermore, widely used language model-based methods suffer from slow inference speeds. To address these challenges, we propose DiffRhythm, the first latent diffusion-based song generation model capable of synthesizing complete songs with both vocal and accompaniment for durations of up to 4m45s in only ten seconds, maintaining high musicality and intelligibility. Despite its remarkable capabilities, DiffRhythm is designed to be simple and elegant: it eliminates the need for complex data preparation, employs a straightforward model structure, and requires only lyrics and a style prompt during inference. Additionally, its non-autoregressive structure ensures fast inference speeds. This simplicity guarantees the scalability of DiffRhythm. Moreover, we release the complete training code along with the pre-trained model on large-scale data to promote reproducibility and further research.