PHALAR: Phasors for Learned Musical Audio Representations

Stem retrieval, the task of matching missing stems to a given audio submix, is a key challenge currently limited by models that discard temporal information. We introduce PHALAR, a contrastive framework achieving a relative accuracy increase of up to $\approx 70\%$ over the state-of-the-art while requiring $<50\%$ of the parameters and a 7$\times$ training speedup. By utilizing a Learned Spectral Pooling layer and a complex-valued head, PHALAR enforces pitch-equivariant and phase-equivariant biases. PHALAR establishes new retrieval state-of-the-art across MoisesDB, Slakh, and ChocoChorales, correlating significantly higher with human coherence judgment than semantic baselines. Finally, zero-shot beat tracking and linear chord probing confirm that PHALAR captures robust musical structures beyond the retrieval task.

Multi-objective Evolutionary Merging Enables Efficient Reasoning Models

Reasoning models have demonstrated remarkable capabilities in solving complex problems by leveraging long chains of thought. However, this more deliberate reasoning comes with substantial computational overhead at inference time. The Long-to-Short (L2S) reasoning problem seeks to maintain high accuracy using fewer tokens, but current training-free model merging approaches rely on scalarized, fixed-hyperparameter arithmetic methods that are highly brittle and force suboptimal compromises. To address this gap, we introduce Evo-L2S, a novel framework that formulates L2S reasoning as a multi-objective optimization challenge. By leveraging evolutionary model merging, Evo-L2S explicitly optimizes the trade-off between accuracy and output length to produce a robust Pareto front of merged models. To make this search computationally tractable for large language models, we propose an entropy-based subset sampling technique that drastically reduces the overhead of fitness estimation. Comprehensive experiments across 1.5B, 7B, and 14B parameter scales on six mathematical reasoning benchmarks demonstrate that Evo-L2S can reduce the length of generated reasoning traces by over 50% while preserving, or even improving, the problem-solving accuracy of the original reasoning models.

Multi-Way Representation Alignment

The Platonic Representation Hypothesis suggests that independently trained neural networks converge to increasingly similar latent spaces. However, current strategies for mapping these representations are inherently pairwise, scaling quadratically with the number of models and failing to yield a consistent global reference. In this paper, we study the alignment of $M \ge 3$ models. We first adapt Generalized Procrustes Analysis (GPA) to construct a shared orthogonal universe that preserves the internal geometry essential for tasks like model stitching. We then show that strict isometric alignment is suboptimal for retrieval, where agreement-maximizing methods like Canonical Correlation Analysis (CCA) typically prevail. To bridge this gap, we finally propose Geometry-Corrected Procrustes Alignment (GCPA), which establishes a robust GPA-based universe followed by a post-hoc correction for directional mismatch. Extensive experiments demonstrate that GCPA consistently improves any-to-any retrieval while retaining a practical shared reference space.

Membership and Dataset Inference Attacks on Large Audio Generative Models

Generative audio models, based on diffusion and autoregressive architectures, have advanced rapidly in both quality and expressiveness. This progress, however, raises pressing copyright concerns, as such models are often trained on vast corpora of artistic and commercial works. A central question is whether one can reliably verify if an artist's material was included in training, thereby providing a means for copyright holders to protect their content. In this work, we investigate the feasibility of such verification through membership inference attacks (MIA) on open-source generative audio models, which attempt to determine whether a specific audio sample was part of the training set. Our empirical results show that membership inference alone is of limited effectiveness at scale, as the per-sample membership signal is weak for models trained on large and diverse datasets. However, artists and media owners typically hold collections of works rather than isolated samples. Building on prior work in text and vision domains, in this work we focus on dataset inference (DI), which aggregates diverse membership evidence across multiple samples. We find that DI is successful in the audio domain, offering a more practical mechanism for assessing whether an artist's works contributed to model training. Our results suggest DI as a promising direction for copyright protection and dataset accountability in the era of large audio generative models.

Model Merging Improves Zero-Shot Generalization in Bioacoustic Foundation Models

Foundation models capable of generalizing across species and tasks represent a promising new frontier in bioacoustics, with NatureLM being one of the most prominent examples. While its domain-specific fine-tuning yields strong performance on bioacoustic benchmarks, we observe that it also introduces trade-offs in instruction-following flexibility. For instance, NatureLM achieves high accuracy when prompted for either the common or scientific name individually, but its accuracy drops significantly when both are requested in a single prompt. We address this by applying a simple model merging strategy that interpolates NatureLM with its base language model, recovering instruction-following capabilities with minimal loss of domain expertise. Finally, we show that the merged model exhibits markedly stronger zero-shot generalization, achieving over a 200% relative improvement and setting a new state-of-the-art in closed-set zero-shot classification of unseen species.

Implicit Inversion turns CLIP into a Decoder

CLIP is a discriminative model trained to align images and text in a shared embedding space. Due to its multimodal structure, it serves as the backbone of many generative pipelines, where a decoder is trained to map from the shared space back to images. In this work, we show that image synthesis is nevertheless possible using CLIP alone -- without any decoder, training, or fine-tuning. Our approach optimizes a frequency-aware implicit neural representation that encourages coarse-to-fine generation by stratifying frequencies across network layers. To stabilize this inverse mapping, we introduce adversarially robust initialization, a lightweight Orthogonal Procrustes projection to align local text and image embeddings, and a blending loss that anchors outputs to natural image statistics. Without altering CLIP's weights, this framework unlocks capabilities such as text-to-image generation, style transfer, and image reconstruction. These findings suggest that discriminative models may hold untapped generative potential, hidden in plain sight.

Update Your Transformer to the Latest Release: Re-Basin of Task Vectors

Foundation models serve as the backbone for numerous specialized models developed through fine-tuning. However, when the underlying pretrained model is updated or retrained (e.g., on larger and more curated datasets), the fine-tuned model becomes obsolete, losing its utility and requiring retraining. This raises the question: is it possible to transfer fine-tuning to a new release of the model? In this work, we investigate how to transfer fine-tuning to a new checkpoint without having to re-train, in a data-free manner. To do so, we draw principles from model re-basin and provide a recipe based on weight permutations to re-base the modifications made to the original base model, often called task vector. In particular, our approach tailors model re-basin for Transformer models, taking into account the challenges of residual connections and multi-head attention layers. Specifically, we propose a two-level method rooted in spectral theory, initially permuting the attention heads and subsequently adjusting parameters within select pairs of heads. Through extensive experiments on visual and textual tasks, we achieve the seamless transfer of fine-tuned knowledge to new pre-trained backbones without relying on a single training step or datapoint. Code is available at https://github.com/aimagelab/TransFusion.

Mergenetic: a Simple Evolutionary Model Merging Library

Model merging allows combining the capabilities of existing models into a new one - post hoc, without additional training. This has made it increasingly popular thanks to its low cost and the availability of libraries that support merging on consumer GPUs. Recent work shows that pairing merging with evolutionary algorithms can boost performance, but no framework currently supports flexible experimentation with such strategies in language models. We introduce Mergenetic, an open-source library for evolutionary model merging. Mergenetic enables easy composition of merging methods and evolutionary algorithms while incorporating lightweight fitness estimators to reduce evaluation costs. We describe its design and demonstrate that Mergenetic produces competitive results across tasks and languages using modest hardware.

STAGE: Stemmed Accompaniment Generation through Prefix-Based Conditioning

Recent advances in generative models have made it possible to create high-quality, coherent music, with some systems delivering production-level output. Yet, most existing models focus solely on generating music from scratch, limiting their usefulness for musicians who want to integrate such models into a human, iterative composition workflow. In this paper we introduce STAGE, our STemmed Accompaniment GEneration model, fine-tuned from the state-of-the-art MusicGen to generate single-stem instrumental accompaniments conditioned on a given mixture. Inspired by instruction-tuning methods for language models, we extend the transformer's embedding matrix with a context token, enabling the model to attend to a musical context through prefix-based conditioning. Compared to the baselines, STAGE yields accompaniments that exhibit stronger coherence with the input mixture, higher audio quality, and closer alignment with textual prompts. Moreover, by conditioning on a metronome-like track, our framework naturally supports tempo-constrained generation, achieving state-of-the-art alignment with the target rhythmic structure--all without requiring any additional tempo-specific module. As a result, STAGE offers a practical, versatile tool for interactive music creation that can be readily adopted by musicians in real-world workflows.

LoopGen: Training-Free Loopable Music Generation

Loops--short audio segments designed for seamless repetition--are central to many music genres, particularly those rooted in dance and electronic styles. However, current generative music models struggle to produce truly loopable audio, as generating a short waveform alone does not guarantee a smooth transition from its endpoint back to its start, often resulting in audible discontinuities. Loops--short audio segments designed for seamless repetition--are central to many music genres, particularly those rooted in dance and electronic styles. However, current generative music models struggle to produce truly loopable audio, as generating a short waveform alone does not guarantee a smooth transition from its endpoint back to its start, often resulting in audible discontinuities. We address this gap by modifying a non-autoregressive model (MAGNeT) to generate tokens in a circular pattern, letting the model attend to the beginning of the audio when creating its ending. This inference-only approach results in generations that are aware of future context and loop naturally, without the need for any additional training or data. We evaluate the consistency of loop transitions by computing token perplexity around the seam of the loop, observing a 55% improvement. Blind listening tests further confirm significant perceptual gains over baseline methods, improving mean ratings by 70%. Taken together, these results highlight the effectiveness of inference-only approaches in improving generative models and underscore the advantages of non-autoregressive methods for context-aware music generation.