Audio-Visual Learning (AVL) is one fundamental task of multi-modality learning and embodied intelligence, displaying the vital role in scene understanding and interaction. However, previous researchers mostly focus on exploring downstream tasks from a coarse-grained perspective (e.g., audio-visual correspondence, sound source localization, and audio-visual event localization). Considering providing more specific scene perception details, we newly define a fine-grained Audio-Visual Learning task, termed Region-Aware Sound Source Understanding (RA-SSU), which aims to achieve region-aware, frame-level, and high-quality sound source understanding. To support this goal, we innovatively construct two corresponding datasets, i.e. fine-grained Music (f-Music) and fine-grained Lifescene (f-Lifescene), each containing annotated sound source masks and frame-by-frame textual descriptions. The f-Music dataset includes 3,976 samples across 22 scene types related to specific application scenarios, focusing on music scenes with complex instrument mixing. The f-Lifescene dataset contains 6,156 samples across 61 types representing diverse sounding objects in life scenarios. Moreover, we propose SSUFormer, a Sound-Source Understanding TransFormer benchmark that facilitates both the sound source segmentation and sound region description with a multi-modal input and multi-modal output architecture. Specifically, we design two modules for this framework, Mask Collaboration Module (MCM) and Mixture of Hierarchical-prompted Experts (MoHE), to respectively enhance the accuracy and enrich the elaboration of the sound source description. Extensive experiments are conducted on our two datasets to verify the feasibility of the task, evaluate the availability of the datasets, and demonstrate the superiority of the SSUFormer, which achieves SOTA performance on the Sound Source Understanding benchmark.
Addressing the challenges of fragmented task definitions and the heterogeneity of unstructured data in multimodal parsing, this paper proposes the Omni Parsing framework. This framework establishes a Unified Taxonomy covering documents, images, and audio-visual streams, introducing a progressive parsing paradigm that bridges perception and cognition. Specifically, the framework integrates three hierarchical levels: 1) Holistic Detection, which achieves precise spatial-temporal grounding of objects or events to establish a geometric baseline for perception; 2) Fine-grained Recognition, which performs symbolization (e.g., OCR/ASR) and attribute extraction on localized objects to complete structured entity parsing; and 3) Multi-level Interpreting, which constructs a reasoning chain from local semantics to global logic. A pivotal advantage of this framework is its evidence anchoring mechanism, which enforces a strict alignment between high-level semantic descriptions and low-level facts. This enables ``evidence-based'' logical induction, transforming unstructured signals into standardized knowledge that is locatable, enumerable, and traceable. Building on this foundation, we constructed a standardized dataset and released the Logics-Parsing-Omni model, which successfully converts complex audio-visual signals into machine-readable structured knowledge. Experiments demonstrate that fine-grained perception and high-level cognition are synergistic, effectively enhancing model reliability. Furthermore, to quantitatively evaluate these capabilities, we introduce OmniParsingBench. Code, models and the benchmark are released at https://github.com/alibaba/Logics-Parsing/tree/master/Logics-Parsing-Omni.
In this paper, we present WISE, an open-source audiovisual search engine which integrates a range of multimodal retrieval capabilities into a single, practical tool accessible to users without machine learning expertise. WISE supports natural-language and reverse-image queries at both the scene level (e.g. empty street) and object level (e.g. horse) across images and videos; face-based search for specific individuals; audio retrieval of acoustic events using text (e.g. wood creak) or an audio file; search over automatically transcribed speech; and filtering by user-provided metadata. Rich insights can be obtained by combining queries across modalities -- for example, retrieving German trains from a historical archive by applying the object query "train" and the metadata query "Germany", or searching for a face in a place. By employing vector search techniques, WISE can scale to support efficient retrieval over millions of images or thousands of hours of video. Its modular architecture facilitates the integration of new models. WISE can be deployed locally for private or sensitive collections, and has been applied to various real-world use cases. Our code is open-source and available at https://gitlab.com/vgg/wise/wise.
Effective multimodal fusion requires mechanisms that can capture complex cross-modal dependencies while remaining computationally scalable for real-world deployment. Existing audio-visual fusion approaches face a fundamental trade-off: attention-based methods effectively model cross-modal relationships but incur quadratic computational complexity that prevents hierarchical, multi-scale architectures, while efficient fusion strategies rely on simplistic concatenation that fails to extract complementary cross-modal information. We introduce CMQKA, a novel cross-modal fusion mechanism that achieves linear O(N) complexity through efficient binary operations, enabling scalable hierarchical fusion previously infeasible with conventional attention. CMQKA employs bidirectional cross-modal Query-Key attention to extract complementary spatiotemporal features and uses learnable residual fusion to preserve modality-specific characteristics while enriching representations with cross-modal information. Building upon CMQKA, we present SNNergy, an energy-efficient multimodal fusion framework with a hierarchical architecture that processes inputs through progressively decreasing spatial resolutions and increasing semantic abstraction. This multi-scale fusion capability allows the framework to capture both local patterns and global context across modalities. Implemented with event-driven binary spike operations, SNNergy achieves remarkable energy efficiency while maintaining fusion effectiveness and establishing new state-of-the-art results on challenging audio-visual benchmarks, including CREMA-D, AVE, and UrbanSound8K-AV, significantly outperforming existing multimodal fusion baselines. Our framework advances multimodal fusion by introducing a scalable fusion mechanism that enables hierarchical cross-modal integration with practical energy efficiency for real-world audio-visual intelligence systems.
BickGraphing is a browser based research tool that enables visual inspection of acoustic recordings. The tool was built in support of visualizing crop feeding pest sounds in support of the Insect Eavesdropper project; however, it is widely applicable to all audiovisualizations in research. It allows multiple uploads of large .wav files, computes waveforms and spectrograms locally, and supports interactive exploration of audio events in time and frequency. The application is implemented as a SvelteKit and TypeScript web app with a client side signal processing pipeline using WebAssembly compiled FFmpeg and custom FFT utilities. The software is released on an open Git repository (https://github.com/bicklabuw/BickGraphing) and archived under a standard MIT license and can be reused for rapid visual quality checks of .wav recordings in insect bioacoustics and related fields. BickGraphing has the potential to be a local, easy to use coding free visualization platform for audio data in research.
Sound event localization and detection with distance estimation (3D SELD) in video involves identifying active sound events at each time frame while estimating their spatial coordinates. This multimodal task requires joint reasoning across semantic, spatial, and temporal dimensions, a challenge that single models often struggle to address effectively. To tackle this, we introduce the Team of Specialists (ToS) ensemble framework, which integrates three complementary sub-networks: a spatio-linguistic model, a spatio-temporal model, and a tempo-linguistic model. Each sub-network specializes in a unique pair of dimensions, contributing distinct insights to the final prediction, akin to a collaborative team with diverse expertise. ToS has been benchmarked against state-of-the-art audio-visual models for 3D SELD on the DCASE2025 Task 3 Stereo SELD development set, consistently outperforming existing methods across key metrics. Future work will extend this proof of concept by strengthening the specialists with appropriate tasks, training, and pre-training curricula.
Sound effects build an essential layer of multimodal storytelling, shaping the emotional atmosphere and the narrative semantics of videos. Despite recent advancement in video-text-to-audio (VT2A), the current formulation faces three key limitations: First, an imbalance between visual and textual conditioning that leads to visual dominance; Second, the absence of a concrete definition for fine-grained controllable generation; Third, weak instruction understanding and following, as existing datasets rely on brief categorical tags. To address these limitations, we introduce EchoFoley, a new task designed for video-grounded sound generation with both event level local control and hierarchical semantic control. Our symbolic representation for sounding events specifies when, what, and how each sound is produced within a video or instruction, enabling fine-grained controls like sound generation, insertion, and editing. To support this task, we construct EchoFoley-6k, a large-scale, expert-curated benchmark containing over 6,000 video-instruction-annotation triplets. Building upon this foundation, we propose EchoVidia a sounding-event-centric agentic generation framework with slow-fast thinking strategy. Experiments show that EchoVidia surpasses recent VT2A models by 40.7% in controllability and 12.5% in perceptual quality.
Omnimodal large language models have made significant strides in unifying audio and visual modalities; however, they often lack the fine-grained cross-modal understanding and have difficulty with multimodal alignment. To address these limitations, we introduce OmniAgent, a fully audio-guided active perception agent that dynamically orchestrates specialized tools to achieve more fine-grained audio-visual reasoning. Unlike previous works that rely on rigid, static workflows and dense frame-captioning, this paper demonstrates a paradigm shift from passive response generation to active multimodal inquiry. OmniAgent employs dynamic planning to autonomously orchestrate tool invocation on demand, strategically concentrating perceptual attention on task-relevant cues. Central to our approach is a novel coarse-to-fine audio-guided perception paradigm, which leverages audio cues to localize temporal events and guide subsequent reasoning. Extensive empirical evaluations on three audio-video understanding benchmarks demonstrate that OmniAgent achieves state-of-the-art performance, surpassing leading open-source and proprietary models by substantial margins of 10% - 20% accuracy.
The Dense Audio-Visual Event Localization (DAVEL) task aims to temporally localize events in untrimmed videos that occur simultaneously in both the audio and visual modalities. This paper explores DAVEL under a new and more challenging weakly-supervised setting (W-DAVEL task), where only video-level event labels are provided and the temporal boundaries of each event are unknown. We address W-DAVEL by exploiting \textit{cross-modal salient anchors}, which are defined as reliable timestamps that are well predicted under weak supervision and exhibit highly consistent event semantics across audio and visual modalities. Specifically, we propose a \textit{Mutual Event Agreement Evaluation} module, which generates an agreement score by measuring the discrepancy between the predicted audio and visual event classes. Then, the agreement score is utilized in a \textit{Cross-modal Salient Anchor Identification} module, which identifies the audio and visual anchor features through global-video and local temporal window identification mechanisms. The anchor features after multimodal integration are fed into an \textit{Anchor-based Temporal Propagation} module to enhance event semantic encoding in the original temporal audio and visual features, facilitating better temporal localization under weak supervision. We establish benchmarks for W-DAVEL on both the UnAV-100 and ActivityNet1.3 datasets. Extensive experiments demonstrate that our method achieves state-of-the-art performance.
Audio-visual sound source localization (AV-SSL) identifies the position of a sound source by exploiting the complementary strengths of auditory and visual signals. However, existing AV-SSL methods encounter three major challenges: 1) inability to selectively isolate the target sound source in multi-source scenarios, 2) misalignment between semantic visual features and spatial acoustic features, and 3) overreliance on paired audio-visual data. To overcome these limitations, we introduce Cross-Instance Audio-Visual Localization (CI-AVL), a novel task that leverages images from different instances of the same sound event category to localize target sound sources, thereby reducing dependence on paired data while enhancing generalization capabilities. Our proposed VP-SelDoA tackles this challenging task through a semantic-level modality fusion and employs a Frequency-Temporal ConMamba architecture to generate target-selective masks for sound isolation. We further develop a Semantic-Spatial Matching mechanism that aligns the heterogeneous semantic and spatial features via integrated cross- and self-attention mechanisms. To facilitate the CI-AVL research, we construct a large-scale dataset named VGG-SSL, comprising 13,981 spatial audio clips across 296 sound event categories. Extensive experiments show that our proposed method outperforms state-of-the-art audio-visual localization methods, achieving a mean absolute error (MAE) of 12.04 and an accuracy (ACC) of 78.23%.