Track Mix Generation on Music Streaming Services using Transformers

This paper introduces Track Mix, a personalized playlist generation system released in 2022 on the music streaming service Deezer. Track Mix automatically generates "mix" playlists inspired by initial music tracks, allowing users to discover music similar to their favorite content. To generate these mixes, we consider a Transformer model trained on millions of track sequences from user playlists. In light of the growing popularity of Transformers in recent years, we analyze the advantages, drawbacks, and technical challenges of using such a model for mix generation on the service, compared to a more traditional collaborative filtering approach. Since its release, Track Mix has been generating playlists for millions of users daily, enhancing their music discovery experience on Deezer.

Personalized Popular Music Generation Using Imitation and Structure

Many practices have been presented in music generation recently. While stylistic music generation using deep learning techniques has became the main stream, these models still struggle to generate music with high musicality, different levels of music structure, and controllability. In addition, more application scenarios such as music therapy require imitating more specific musical styles from a few given music examples, rather than capturing the overall genre style of a large data corpus. To address requirements that challenge current deep learning methods, we propose a statistical machine learning model that is able to capture and imitate the structure, melody, chord, and bass style from a given example seed song. An evaluation using 10 pop songs shows that our new representations and methods are able to create high-quality stylistic music that is similar to a given input song. We also discuss potential uses of our approach in music evaluation and music therapy.

How good are variational autoencoders at transfer learning?

Variational autoencoders (VAEs) are used for transfer learning across various research domains such as music generation or medical image analysis. However, there is no principled way to assess before transfer which components to retrain or whether transfer learning is likely to help on a target task. We propose to explore this question through the lens of representational similarity. Specifically, using Centred Kernel Alignment (CKA) to evaluate the similarity of VAEs trained on different datasets, we show that encoders' representations are generic but decoders' specific. Based on these insights, we discuss the implications for selecting which components of a VAE to retrain and propose a method to visually assess whether transfer learning is likely to help on classification tasks.

Structure-Enhanced Pop Music Generation via Harmony-Aware Learning

Automatically composing pop music with a satisfactory structure is an attractive but challenging topic. Although the musical structure is easy to be perceived by human, it is difficult to be described clearly and defined accurately. And it is still far from being solved that how we should model the structure in pop music generation. In this paper, we propose to leverage harmony-aware learning for structure-enhanced pop music generation. On the one hand, one of the participants of harmony, chord, represents the harmonic set of multiple notes, which is integrated closely with the spatial structure of music, texture. On the other hand, the other participant of harmony, chord progression, usually accompanies with the development of the music, which promotes the temporal structure of music, form. Besides, when chords evolve into chord progression, the texture and the form can be bridged by the harmony naturally, which contributes to the joint learning of the two structures. Furthermore, we propose the Harmony-Aware Hierarchical Music Transformer (HAT), which can exploit the structure adaptively from the music, and interact on the music tokens at multiple levels to enhance the signals of the structure in various musical elements. Results of subjective and objective evaluations demonstrate that HAT significantly improves the quality of generated music, especially in the structureness.

DiffDance: Cascaded Human Motion Diffusion Model for Dance Generation

When hearing music, it is natural for people to dance to its rhythm. Automatic dance generation, however, is a challenging task due to the physical constraints of human motion and rhythmic alignment with target music. Conventional autoregressive methods introduce compounding errors during sampling and struggle to capture the long-term structure of dance sequences. To address these limitations, we present a novel cascaded motion diffusion model, DiffDance, designed for high-resolution, long-form dance generation. This model comprises a music-to-dance diffusion model and a sequence super-resolution diffusion model. To bridge the gap between music and motion for conditional generation, DiffDance employs a pretrained audio representation learning model to extract music embeddings and further align its embedding space to motion via contrastive loss. During training our cascaded diffusion model, we also incorporate multiple geometric losses to constrain the model outputs to be physically plausible and add a dynamic loss weight that adaptively changes over diffusion timesteps to facilitate sample diversity. Through comprehensive experiments performed on the benchmark dataset AIST++, we demonstrate that DiffDance is capable of generating realistic dance sequences that align effectively with the input music. These results are comparable to those achieved by state-of-the-art autoregressive methods.

LongDanceDiff: Long-term Dance Generation with Conditional Diffusion Model

Dancing with music is always an essential human art form to express emotion. Due to the high temporal-spacial complexity, long-term 3D realist dance generation synchronized with music is challenging. Existing methods suffer from the freezing problem when generating long-term dances due to error accumulation and training-inference discrepancy. To address this, we design a conditional diffusion model, LongDanceDiff, for this sequence-to-sequence long-term dance generation, addressing the challenges of temporal coherency and spatial constraint. LongDanceDiff contains a transformer-based diffusion model, where the input is a concatenation of music, past motions, and noised future motions. This partial noising strategy leverages the full-attention mechanism and learns the dependencies among music and past motions. To enhance the diversity of generated dance motions and mitigate the freezing problem, we introduce a mutual information minimization objective that regularizes the dependency between past and future motions. We also address common visual quality issues in dance generation, such as foot sliding and unsmooth motion, by incorporating spatial constraints through a Global-Trajectory Modulation (GTM) layer and motion perceptual losses, thereby improving the smoothness and naturalness of motion generation. Extensive experiments demonstrate a significant improvement in our approach over the existing state-of-the-art methods. We plan to release our codes and models soon.

AudioLDM 2: Learning Holistic Audio Generation with Self-supervised Pretraining

Although audio generation shares commonalities across different types of audio, such as speech, music, and sound effects, designing models for each type requires careful consideration of specific objectives and biases that can significantly differ from those of other types. To bring us closer to a unified perspective of audio generation, this paper proposes a framework that utilizes the same learning method for speech, music, and sound effect generation. Our framework introduces a general representation of audio, called language of audio (LOA). Any audio can be translated into LOA based on AudioMAE, a self-supervised pre-trained representation learning model. In the generation process, we translate any modalities into LOA by using a GPT-2 model, and we perform self-supervised audio generation learning with a latent diffusion model conditioned on LOA. The proposed framework naturally brings advantages such as in-context learning abilities and reusable self-supervised pretrained AudioMAE and latent diffusion models. Experiments on the major benchmarks of text-to-audio, text-to-music, and text-to-speech demonstrate new state-of-the-art or competitive performance to previous approaches. Our demo and code are available at https://audioldm.github.io/audioldm2.

Quantized GAN for Complex Music Generation from Dance Videos

We present Dance2Music-GAN (D2M-GAN), a novel adversarial multi-modal framework that generates complex musical samples conditioned on dance videos. Our proposed framework takes dance video frames and human body motion as input, and learns to generate music samples that plausibly accompany the corresponding input. Unlike most existing conditional music generation works that generate specific types of mono-instrumental sounds using symbolic audio representations (e.g., MIDI), and that heavily rely on pre-defined musical synthesizers, in this work we generate dance music in complex styles (e.g., pop, breakdancing, etc.) by employing a Vector Quantized (VQ) audio representation, and leverage both its generality and the high abstraction capacity of its symbolic and continuous counterparts. By performing an extensive set of experiments on multiple datasets, and following a comprehensive evaluation protocol, we assess the generative quality of our approach against several alternatives. The quantitative results, which measure the music consistency, beats correspondence, and music diversity, clearly demonstrate the effectiveness of our proposed method. Last but not least, we curate a challenging dance-music dataset of in-the-wild TikTok videos, which we use to further demonstrate the efficacy of our approach in real-world applications - and which we hope to serve as a starting point for relevant future research.

LooPy: A Research-Friendly Mix Framework for Music Information Retrieval on Electronic Dance Music

Music information retrieval (MIR) has gone through an explosive development with the advancement of deep learning in recent years. However, music genres like electronic dance music (EDM) has always been relatively less investigated compared to others. Considering its wide range of applications, we present a Python package for automated EDM audio generation as an infrastructure for MIR for EDM songs, to mitigate the difficulty of acquiring labelled data. It is a convenient tool that could be easily concatenated to the end of many symbolic music generation pipelines. Inside this package, we provide a framework to build professional-level templates that could render a well-produced track from specified melody and chords, or produce massive tracks given only a specific key by our probabilistic symbolic melody generator. Experiments show that our mixes could achieve the same quality of the original reference songs produced by world-famous artists, with respect to both subjective and objective criteria. Our code is accessible in this repository: https://github.com/Gariscat/loopy and the official site of the project is also online https://loopy4edm.com .

A Comprehensive Survey on Deep Music Generation: Multi-level Representations, Algorithms, Evaluations, and Future Directions

The utilization of deep learning techniques in generating various contents (such as image, text, etc.) has become a trend. Especially music, the topic of this paper, has attracted widespread attention of countless researchers.The whole process of producing music can be divided into three stages, corresponding to the three levels of music generation: score generation produces scores, performance generation adds performance characteristics to the scores, and audio generation converts scores with performance characteristics into audio by assigning timbre or generates music in audio format directly. Previous surveys have explored the network models employed in the field of automatic music generation. However, the development history, the model evolution, as well as the pros and cons of same music generation task have not been clearly illustrated. This paper attempts to provide an overview of various composition tasks under different music generation levels, covering most of the currently popular music generation tasks using deep learning. In addition, we summarize the datasets suitable for diverse tasks, discuss the music representations, the evaluation methods as well as the challenges under different levels, and finally point out several future directions.