Recently, there has been an increasing focus on audio-text cross-modal learning. However, most of the existing audio-text datasets contain only simple descriptions of sound events. Compared with classification labels, the advantages of such descriptions are significantly limited. In this paper, we first analyze the detailed information that human descriptions of audio may contain beyond sound event labels. Based on the analysis, we propose an automatic pipeline for curating audio-text pairs with rich details. Leveraging the property that sounds can be mixed and concatenated in the time domain, we control details in four aspects: temporal relationship, loudness, speaker identity, and occurrence number, in simulating audio mixtures. Corresponding details are transformed into captions by large language models. Audio-text pairs with rich details in text descriptions are thereby obtained. We validate the effectiveness of our pipeline with a small amount of simulated data, demonstrating that the simulated data enables models to learn detailed audio captioning.
Audio and sound generation has garnered significant attention in recent years, with a primary focus on improving the quality of generated audios. However, there has been limited research on enhancing the diversity of generated audio, particularly when it comes to audio generation within specific categories. Current models tend to produce homogeneous audio samples within a category. This work aims to address this limitation by improving the diversity of generated audio with visual information. We propose a clustering-based method, leveraging visual information to guide the model in generating distinct audio content within each category. Results on seven categories indicate that extra visual input can largely enhance audio generation diversity. Audio samples are available at https://zeyuxie29.github.io/DiverseAudioGeneration.
This paper delves into the pioneering exploration of potential communication patterns within dog vocalizations and transcends traditional linguistic analysis barriers, which heavily relies on human priori knowledge on limited datasets to find sound units in dog vocalization. We present a self-supervised approach with HuBERT, enabling the accurate classification of phoneme labels and the identification of vocal patterns that suggest a rudimentary vocabulary within dog vocalizations. Our findings indicate a significant acoustic consistency in these identified canine vocabulary, covering the entirety of observed dog vocalization sequences. We further develop a web-based dog vocalization labeling system. This system can highlight phoneme n-grams, present in the vocabulary, in the dog audio uploaded by users.
Automated audio captioning (AAC) is an important cross-modality translation task, aiming at generating descriptions for audio clips. However, captions generated by previous AAC models have faced ``false-repetition'' errors due to the training objective. In such scenarios, we propose a new task of AAC error correction and hope to reduce such errors by post-processing AAC outputs. To tackle this problem, we use observation-based rules to corrupt captions without errors, for pseudo grammatically-erroneous sentence generation. One pair of corrupted and clean sentences can thus be used for training. We train a neural network-based model on the synthetic error dataset and apply the model to correct real errors in AAC outputs. Results on two benchmark datasets indicate that our approach significantly improves fluency while maintaining semantic information.
Automated audio captioning aims at generating natural language descriptions for given audio clips, not only detecting and classifying sounds, but also summarizing the relationships between audio events. Recent research advances in audio captioning have introduced additional guidance to improve the accuracy of audio events in generated sentences. However, temporal relations between audio events have received little attention while revealing complex relations is a key component in summarizing audio content. Therefore, this paper aims to better capture temporal relationships in caption generation with sound event detection (SED), a task that locates events' timestamps. We investigate the best approach to integrate temporal information in a captioning model and propose a temporal tag system to transform the timestamps into comprehensible relations. Results evaluated by the proposed temporal metrics suggest that great improvement is achieved in terms of temporal relation generation.
Compared with ample visual-text pre-training research, few works explore audio-text pre-training, mostly due to the lack of sufficient parallel audio-text data. Most existing methods incorporate the visual modality as a pivot for audio-text pre-training, which inevitably induces data noise. In this paper, we propose BLAT: Bootstrapping Language-Audio pre-training based on Tag-guided synthetic data. We utilize audio captioning to generate text directly from audio, without the aid of the visual modality so that potential noise from modality mismatch is eliminated. Furthermore, we propose caption generation under the guidance of AudioSet tags, leading to more accurate captions. With the above two improvements, we curate high-quality, large-scale parallel audio-text data, based on which we perform audio-text pre-training. Evaluation on a series of downstream tasks indicates that BLAT achieves SOTA zero-shot classification performance on most datasets and significant performance improvement when fine-tuned on downstream tasks, suggesting the effectiveness of our synthetic data.
Automated audio captioning aims at generating textual descriptions for an audio clip. To evaluate the quality of generated audio captions, previous works directly adopt image captioning metrics like SPICE and CIDEr, without justifying their suitability in this new domain, which may mislead the development of advanced models. This problem is still unstudied due to the lack of human judgment datasets on caption quality. Therefore, we firstly construct two evaluation benchmarks, AudioCaps-Eval and Clotho-Eval. They are established with pairwise comparison instead of absolute rating to achieve better inter-annotator agreement. Current metrics are found in poor correlation with human annotations on these datasets. To overcome their limitations, we propose a metric named FENSE, where we combine the strength of Sentence-BERT in capturing similarity, and a novel Error Detector to penalize erroneous sentences for robustness. On the newly established benchmarks, FENSE outperforms current metrics by 14-25% accuracy. Code, data and web demo available at: https://github.com/blmoistawinde/fense
Automated audio captioning (AAC) aims at generating summarizing descriptions for audio clips. Multitudinous concepts are described in an audio caption, ranging from local information such as sound events to global information like acoustic scenery. Currently, the mainstream paradigm for AAC is the end-to-end encoder-decoder architecture, expecting the encoder to learn all levels of concepts embedded in the audio automatically. This paper first proposes a topic model for audio descriptions, comprehensively analyzing the hierarchical audio topics that are commonly covered. We then explore a transfer learning scheme to access local and global information. Two source tasks are identified to respectively represent local and global information, being Audio Tagging (AT) and Acoustic Scene Classification (ASC). Experiments are conducted on the AAC benchmark dataset Clotho and Audiocaps, amounting to a vast increase in all eight metrics with topic transfer learning. Further, it is discovered that local information and abstract representation learning are more crucial to AAC than global information and temporal relationship learning.