
Text-to-image (T2I) generation has seen significant progress with diffusion models, enabling generation of photo-realistic images from text prompts. Despite this progress, existing methods still face challenges in following complex text prompts, especially those requiring compositional and multi-step reasoning. Given such complex instructions, SOTA models often make mistakes in faithfully modeling object attributes, and relationships among them. In this work, we present an alternate paradigm for T2I synthesis, decomposing the task of complex multi-step generation into three steps, (a) Generate: we first generate an image using existing diffusion models (b) Plan: we make use of Multi-Modal LLMs (MLLMs) to identify the mistakes in the generated image expressed in terms of individual objects and their properties, and produce a sequence of corrective steps required in the form of an edit-plan. (c) Edit: we make use of an existing text-guided image editing models to sequentially execute our edit-plan over the generated image to get the desired image which is faithful to the original instruction. Our approach derives its strength from the fact that it is modular in nature, is training free, and can be applied over any combination of image generation and editing models. As an added contribution, we also develop a model capable of compositional editing, which further helps improve the overall accuracy of our proposed approach. Our method flexibly trades inference time compute with performance on compositional text prompts. We perform extensive experimental evaluation across 3 benchmarks and 10 T2I models including DALLE-3 and the latest -- SD-3.5-Large. Our approach not only improves the performance of the SOTA models, by upto 3 points, it also reduces the performance gap between weaker and stronger models. $\href{https://dair-iitd.github.io/GraPE/}{https://dair-iitd.github.io/GraPE/}$




Text-to-3D generation is a valuable technology in virtual reality and digital content creation. While recent works have pushed the boundaries of text-to-3D generation, producing high-fidelity 3D objects with inefficient prompts and simulating their physics-grounded motion accurately still remain unsolved challenges. To address these challenges, we present an innovative framework that utilizes the Large Language Model (LLM)-refined prompts and diffusion priors-guided Gaussian Splatting (GS) for generating 3D models with accurate appearances and geometric structures. We also incorporate a continuum mechanics-based deformation map and color regularization to synthesize vivid physics-grounded motion for the generated 3D Gaussians, adhering to the conservation of mass and momentum. By integrating text-to-3D generation with physics-grounded motion synthesis, our framework renders photo-realistic 3D objects that exhibit physics-aware motion, accurately reflecting the behaviors of the objects under various forces and constraints across different materials. Extensive experiments demonstrate that our approach achieves high-quality 3D generations with realistic physics-grounded motion.




4D driving simulation is essential for developing realistic autonomous driving simulators. Despite advancements in existing methods for generating driving scenes, significant challenges remain in view transformation and spatial-temporal dynamic modeling. To address these limitations, we propose a Spatial-Temporal simulAtion for drivinG (Stag-1) model to reconstruct real-world scenes and design a controllable generative network to achieve 4D simulation. Stag-1 constructs continuous 4D point cloud scenes using surround-view data from autonomous vehicles. It decouples spatial-temporal relationships and produces coherent keyframe videos. Additionally, Stag-1 leverages video generation models to obtain photo-realistic and controllable 4D driving simulation videos from any perspective. To expand the range of view generation, we train vehicle motion videos based on decomposed camera poses, enhancing modeling capabilities for distant scenes. Furthermore, we reconstruct vehicle camera trajectories to integrate 3D points across consecutive views, enabling comprehensive scene understanding along the temporal dimension. Following extensive multi-level scene training, Stag-1 can simulate from any desired viewpoint and achieve a deep understanding of scene evolution under static spatial-temporal conditions. Compared to existing methods, our approach shows promising performance in multi-view scene consistency, background coherence, and accuracy, and contributes to the ongoing advancements in realistic autonomous driving simulation. Code: https://github.com/wzzheng/Stag.




This paper studies a combined person reidentification (re-id) method that uses human parsing, analytical feature extraction and similarity estimation schemes. One of its prominent features is its low computational requirements so it can be implemented on edge devices. The method allows direct comparison of specific image regions using interpretable features which consist of color and texture channels. It is proposed to analyze and compare colors in CIE-Lab color space using histogram smoothing for noise reduction. A novel pre-configured latent space (LS) supervised autoencoder (SAE) is proposed for texture analysis which encodes input textures as LS points. This allows to obtain more accurate similarity measures compared to simplistic label comparison. The proposed method also does not rely upon photos or other re-id data for training, which makes it completely re-id dataset-agnostic. The viability of the proposed method is verified by computing rank-1, rank-10, and mAP re-id metrics on Market1501 dataset. The results are comparable to those of conventional deep learning methods and the potential ways to further improve the method are discussed.




Professional photo editing remains challenging, requiring extensive knowledge of imaging pipelines and significant expertise. With the ubiquity of smartphone photography, there is an increasing demand for accessible yet sophisticated image editing solutions. While recent deep learning approaches, particularly style transfer methods, have attempted to automate this process, they often struggle with output fidelity, editing control, and complex retouching capabilities. We propose a novel retouch transfer approach that learns from professional edits through before-after image pairs, enabling precise replication of complex editing operations. To facilitate this research direction, we introduce a comprehensive Photo Retouching Dataset comprising 100,000 high-quality images edited using over 170 professional Adobe Lightroom presets. We develop a context-aware Implicit Neural Representation that learns to apply edits adaptively based on image content and context, requiring no pretraining and capable of learning from a single example. Our method extracts implicit transformations from reference edits and adaptively applies them to new images. Through extensive evaluation, we demonstrate that our approach not only surpasses existing methods in photo retouching but also enhances performance in related image reconstruction tasks like Gamut Mapping and Raw Reconstruction. By bridging the gap between professional editing capabilities and automated solutions, our work presents a significant step toward making sophisticated photo editing more accessible while maintaining high-fidelity results. Check the $\href{https://omaralezaby.github.io/inretouch}{Project\ Page}$ for more Results and information about Code and Dataset availability.




We present Turbo3D, an ultra-fast text-to-3D system capable of generating high-quality Gaussian splatting assets in under one second. Turbo3D employs a rapid 4-step, 4-view diffusion generator and an efficient feed-forward Gaussian reconstructor, both operating in latent space. The 4-step, 4-view generator is a student model distilled through a novel Dual-Teacher approach, which encourages the student to learn view consistency from a multi-view teacher and photo-realism from a single-view teacher. By shifting the Gaussian reconstructor's inputs from pixel space to latent space, we eliminate the extra image decoding time and halve the transformer sequence length for maximum efficiency. Our method demonstrates superior 3D generation results compared to previous baselines, while operating in a fraction of their runtime.




We propose 4Real-Video, a novel framework for generating 4D videos, organized as a grid of video frames with both time and viewpoint axes. In this grid, each row contains frames sharing the same timestep, while each column contains frames from the same viewpoint. We propose a novel two-stream architecture. One stream performs viewpoint updates on columns, and the other stream performs temporal updates on rows. After each diffusion transformer layer, a synchronization layer exchanges information between the two token streams. We propose two implementations of the synchronization layer, using either hard or soft synchronization. This feedforward architecture improves upon previous work in three ways: higher inference speed, enhanced visual quality (measured by FVD, CLIP, and VideoScore), and improved temporal and viewpoint consistency (measured by VideoScore and Dust3R-Confidence).




We introduce a novel continual learning problem: how to sequentially update the weights of a personalized 2D and 3D generative face model as new batches of photos in different appearances, styles, poses, and lighting are captured regularly. We observe that naive sequential fine-tuning of the model leads to catastrophic forgetting of past representations of the individual's face. We then demonstrate that a simple random sampling-based experience replay method is effective at mitigating catastrophic forgetting when a relatively large number of images can be stored and replayed. However, for long-term deployment of these models with relatively smaller storage, this simple random sampling-based replay technique also forgets past representations. Thus, we introduce a novel experience replay algorithm that combines random sampling with StyleGAN's latent space to represent the buffer as an optimal convex hull. We observe that our proposed convex hull-based experience replay is more effective in preventing forgetting than a random sampling baseline and the lower bound.




While Gaussian Splatting (GS) demonstrates efficient and high-quality scene rendering and small area surface extraction ability, it falls short in handling large-scale aerial image surface extraction tasks. To overcome this, we present ULSR-GS, a framework dedicated to high-fidelity surface extraction in ultra-large-scale scenes, addressing the limitations of existing GS-based mesh extraction methods. Specifically, we propose a point-to-photo partitioning approach combined with a multi-view optimal view matching principle to select the best training images for each sub-region. Additionally, during training, ULSR-GS employs a densification strategy based on multi-view geometric consistency to enhance surface extraction details. Experimental results demonstrate that ULSR-GS outperforms other state-of-the-art GS-based works on large-scale aerial photogrammetry benchmark datasets, significantly improving surface extraction accuracy in complex urban environments. Project page: https://ulsrgs.github.io.




Nowadays, many tools are used to facilitate forensic tasks about data extraction and data analysis. In particular, some tools leverage Artificial Intelligence (AI) to automatically label examined data into specific categories (\ie, drugs, weapons, nudity). However, this raises a serious concern about the robustness of the employed AI algorithms against adversarial attacks. Indeed, some people may need to hide specific data to AI-based digital forensics tools, thus manipulating the content so that the AI system does not recognize the offensive/prohibited content and marks it at as suspicious to the analyst. This could be seen as an anti-forensics attack scenario. For this reason, we analyzed two of the most important forensics tools employing AI for data classification: Magnet AI, used by Magnet Axiom, and Excire Photo AI, used by X-Ways Forensics. We made preliminary tests using about $200$ images, other $100$ sent in $3$ chats about pornography and teenage nudity, drugs and weapons to understand how the tools label them. Moreover, we loaded some deepfake images (images generated by AI forging real ones) of some actors to understand if they would be classified in the same category as the original images. From our preliminary study, we saw that the AI algorithm is not robust enough, as we expected since these topics are still open research problems. For example, some sexual images were not categorized as nudity, and some deepfakes were categorized as the same real person, while the human eye can see the clear nudity image or catch the difference between the deepfakes. Building on these results and other state-of-the-art works, we provide some suggestions for improving how digital forensics analysis tool leverage AI and their robustness against adversarial attacks or different scenarios than the trained one.