MAGIC-Enhanced Keyword Prompting for Zero-Shot Audio Captioning with CLIP Models

Automated Audio Captioning (AAC) generates captions for audio clips but faces challenges due to limited datasets compared to image captioning. To overcome this, we propose the zero-shot AAC system that leverages pre-trained models, eliminating the need for extensive training. Our approach uses a pre-trained audio CLIP model to extract auditory features and generate a structured prompt, which guides a Large Language Model (LLM) in caption generation. Unlike traditional greedy decoding, our method refines token selection through the audio CLIP model, ensuring alignment with the audio content. Experimental results demonstrate a 35% improvement in NLG mean score (from 4.7 to 7.3) using MAGIC search with the WavCaps model. The performance is heavily influenced by the audio-text matching model and keyword selection, with optimal results achieved using a single keyword prompt, and a 50% performance drop when no keyword list is used.

Jamendo-QA: A Large-Scale Music Question Answering Dataset

We introduce Jamendo-QA, a large-scale dataset for Music Question Answering (Music-QA). The dataset is built on freely licensed tracks from the Jamendo platform and is automatically annotated using the Qwen-Omni model. Jamendo-QA provides question-answer pairs and captions aligned with music audio, enabling both supervised training and zero-shot evaluation. Our resource aims to fill the gap of music-specific QA datasets and foster further research in music understanding, retrieval, and generative applications. In addition to its scale, Jamendo-QA covers a diverse range of genres, instruments, and metadata attributes, allowing robust model benchmarking across varied musical contexts. We also provide detailed dataset statistics and highlight potential biases such as genre and gender imbalance to guide fair evaluation. We position Jamendo-QA as a scalable and publicly available benchmark that can facilitate future research in music understanding, multimodal modeling, and fair evaluation of music-oriented QA systems.

RFM-Editing: Rectified Flow Matching for Text-guided Audio Editing

Diffusion models have shown remarkable progress in text-to-audio generation. However, text-guided audio editing remains in its early stages. This task focuses on modifying the target content within an audio signal while preserving the rest, thus demanding precise localization and faithful editing according to the text prompt. Existing training-based and zero-shot methods that rely on full-caption or costly optimization often struggle with complex editing or lack practicality. In this work, we propose a novel end-to-end efficient rectified flow matching-based diffusion framework for audio editing, and construct a dataset featuring overlapping multi-event audio to support training and benchmarking in complex scenarios. Experiments show that our model achieves faithful semantic alignment without requiring auxiliary captions or masks, while maintaining competitive editing quality across metrics.

VeS: Teaching Pixels to Listen Without Supervision

Recent dense audio-visual (AV) models achieve impressive retrieval and emergent localization, but almost all evidence comes from English-centric, caption-rich web video. It is unclear whether these objectives survive in low-resource, code-switched, and noisy multilingual settings that typify developing regions. We show they do**-**and that the choice of aggregation function becomes even more critical. Using a multilingual subset of Project Vaani spanning dozens of Indian languages and dialectal variants, we compare three contrastive objectives: (i) a global mean-pooled loss (CLIP-style), (ii) a dense max-mean token matcher (DenseAV-style), and (iii) a simple hybrid (motivated by frozen-vision alignment strategies). The dense objective delivers a +59% relative R@1 (Audio Visual) improvement over global pooling and substantially lower mean/median ranks, while consistently producing sharp zero-shot localization heatmaps of spoken objects-despite keeping the vision backbone entirely frozen (no LoRA / partial fine-tuning). Our results demonstrate that dense token routing is not a luxury of high-resource English corpora; it is more decisive when annotations and acoustic cleanliness are scarce. We release the codebase and trained models.

ARC-Hunyuan-Video-7B: Structured Video Comprehension of Real-World Shorts

Real-world user-generated short videos, especially those distributed on platforms such as WeChat Channel and TikTok, dominate the mobile internet. However, current large multimodal models lack essential temporally-structured, detailed, and in-depth video comprehension capabilities, which are the cornerstone of effective video search and recommendation, as well as emerging video applications. Understanding real-world shorts is actually challenging due to their complex visual elements, high information density in both visuals and audio, and fast pacing that focuses on emotional expression and viewpoint delivery. This requires advanced reasoning to effectively integrate multimodal information, including visual, audio, and text. In this work, we introduce ARC-Hunyuan-Video, a multimodal model that processes visual, audio, and textual signals from raw video inputs end-to-end for structured comprehension. The model is capable of multi-granularity timestamped video captioning and summarization, open-ended video question answering, temporal video grounding, and video reasoning. Leveraging high-quality data from an automated annotation pipeline, our compact 7B-parameter model is trained through a comprehensive regimen: pre-training, instruction fine-tuning, cold start, reinforcement learning (RL) post-training, and final instruction fine-tuning. Quantitative evaluations on our introduced benchmark ShortVid-Bench and qualitative comparisons demonstrate its strong performance in real-world video comprehension, and it supports zero-shot or fine-tuning with a few samples for diverse downstream applications. The real-world production deployment of our model has yielded tangible and measurable improvements in user engagement and satisfaction, a success supported by its remarkable efficiency, with stress tests indicating an inference time of just 10 seconds for a one-minute video on H20 GPU.

AC/DC: LLM-based Audio Comprehension via Dialogue Continuation

We propose an instruction-following audio comprehension model that leverages the dialogue continuation ability of large language models (LLMs). Instead of directly generating target captions in training data, the proposed method trains a model to produce responses as if the input caption triggered a dialogue. This dialogue continuation training mitigates the caption variation problem. Learning to continue a dialogue effectively captures the caption's meaning beyond its surface-level words. As a result, our model enables zero-shot instruction-following capability without multitask instruction tuning, even trained solely on audio captioning datasets. Experiments on AudioCaps, WavCaps, and Clotho datasets with AudioBench audio-scene question-answering tests demonstrate our model's ability to follow various unseen instructions.

TACOS: Temporally-aligned Audio CaptiOnS for Language-Audio Pretraining

Learning to associate audio with textual descriptions is valuable for a range of tasks, including pretraining, zero-shot classification, audio retrieval, audio captioning, and text-conditioned audio generation. Existing contrastive language-audio pretrained models are typically trained using global, clip-level descriptions, which provide only weak temporal supervision. We hypothesize that CLAP-like language-audio models - particularly, if they are expected to produce frame-level embeddings - can benefit from a stronger temporal supervision. To confirm our hypothesis, we curate a novel dataset of approximately 12,000 audio recordings from Freesound, each annotated with single-sentence free-text descriptions linked to a specific temporal segment in an audio recording. We use large language models to clean these annotations by removing references to non-audible events, transcribed speech, typos, and annotator language bias. We further propose a frame-wise contrastive training strategy that learns to align text descriptions with temporal regions in an audio recording and demonstrate that our model has better temporal text-audio alignment abilities compared to models trained only on global captions when evaluated on the AudioSet Strong benchmark. The dataset and our source code are available on Zenodo and GitHub, respectively.

AudSemThinker: Enhancing Audio-Language Models through Reasoning over Semantics of Sound

Audio-language models have shown promising results in various sound understanding tasks, yet they remain limited in their ability to reason over the fine-grained semantics of sound. In this paper, we present AudSemThinker, a model whose reasoning is structured around a framework of auditory semantics inspired by human cognition. To support this, we introduce AudSem, a novel dataset specifically curated for semantic descriptor reasoning in audio-language models. AudSem addresses the persistent challenge of data contamination in zero-shot evaluations by providing a carefully filtered collection of audio samples paired with captions generated through a robust multi-stage pipeline. Our experiments demonstrate that AudSemThinker outperforms state-of-the-art models across multiple training settings, highlighting its strength in semantic audio reasoning. Both AudSemThinker and the AudSem dataset are released publicly.

Sat2Sound: A Unified Framework for Zero-Shot Soundscape Mapping

We present Sat2Sound, a multimodal representation learning framework for soundscape mapping, designed to predict the distribution of sounds at any location on Earth. Existing methods for this task rely on satellite image and paired geotagged audio samples, which often fail to capture the diversity of sound sources at a given location. To address this limitation, we enhance existing datasets by leveraging a Vision-Language Model (VLM) to generate semantically rich soundscape descriptions for locations depicted in satellite images. Our approach incorporates contrastive learning across audio, audio captions, satellite images, and satellite image captions. We hypothesize that there is a fixed set of soundscape concepts shared across modalities. To this end, we learn a shared codebook of soundscape concepts and represent each sample as a weighted average of these concepts. Sat2Sound achieves state-of-the-art performance in cross-modal retrieval between satellite image and audio on two datasets: GeoSound and SoundingEarth. Additionally, building on Sat2Sound's ability to retrieve detailed soundscape captions, we introduce a novel application: location-based soundscape synthesis, which enables immersive acoustic experiences. Our code and models will be publicly available.

FocusedAD: Character-centric Movie Audio Description

Movie Audio Description (AD) aims to narrate visual content during dialogue-free segments, particularly benefiting blind and visually impaired (BVI) audiences. Compared with general video captioning, AD demands plot-relevant narration with explicit character name references, posing unique challenges in movie understanding.To identify active main characters and focus on storyline-relevant regions, we propose FocusedAD, a novel framework that delivers character-centric movie audio descriptions. It includes: (i) a Character Perception Module(CPM) for tracking character regions and linking them to names; (ii) a Dynamic Prior Module(DPM) that injects contextual cues from prior ADs and subtitles via learnable soft prompts; and (iii) a Focused Caption Module(FCM) that generates narrations enriched with plot-relevant details and named characters. To overcome limitations in character identification, we also introduce an automated pipeline for building character query banks. FocusedAD achieves state-of-the-art performance on multiple benchmarks, including strong zero-shot results on MAD-eval-Named and our newly proposed Cinepile-AD dataset. Code and data will be released at https://github.com/Thorin215/FocusedAD .