COMET: Concept Space Dissection of the Modality Gap in Audio-Text Multimodal Contrastive Embeddings

Contrastive Language-Audio Pretraining (CLAP) models are widely used for audio understanding and support modality-agnostic condition swapping in many zero-shot applications. However, their performance is heavily affected by the modality gap between audio and text embeddings. Existing explanations mainly attribute this gap to the cone effect, treating it as a shift between mean embeddings, yet correcting the mean alone yields only limited improvements. Alternative hypotheses, such as information imbalance and dimensionality collapse, have also been proposed, but they remain insufficiently verified and have not been thoroughly studied in the audio domain. Meanwhile, several works attempt to decompose multimodal contrastive embeddings into interpretable concepts, but none explicitly analyze the modality gap from the perspective of concept decomposition. In this work, we introduce COMET (Concept space Organization and Modality gap Explanation with PLS-SVD Transformation), a novel partial least squares singular value decomposition (PLS-SVD) framework for CLAP that unveils a broader perspective of the modality gap. Our framework reveals that only a small, interpretable subset of axes, which captures shared concepts, contributes substantially to similarity computation, and that the mean component represents only partially the modality gap. Building on this insight, we propose a simple spectral truncation method that mitigates the modality gap in a training-free manner. The method enables zero-shot audio captioning with condition swapping to approach fully supervised performance, without requiring large auxiliary memory banks or expensive computation. At the same time, it achieves substantial embedding dimensionality reduction while preserving strong performance on retrieval and audio captioning tasks.

RFM-Editing: Rectified Flow Matching for Text-guided Audio Editing

Diffusion models have shown remarkable progress in text-to-audio generation. However, text-guided audio editing remains in its early stages. This task focuses on modifying the target content within an audio signal while preserving the rest, thus demanding precise localization and faithful editing according to the text prompt. Existing training-based and zero-shot methods that rely on full-caption or costly optimization often struggle with complex editing or lack practicality. In this work, we propose a novel end-to-end efficient rectified flow matching-based diffusion framework for audio editing, and construct a dataset featuring overlapping multi-event audio to support training and benchmarking in complex scenarios. Experiments show that our model achieves faithful semantic alignment without requiring auxiliary captions or masks, while maintaining competitive editing quality across metrics.

Teacher-Guided Pseudo Supervision and Cross-Modal Alignment for Audio-Visual Video Parsing

Weakly-supervised audio-visual video parsing (AVVP) seeks to detect audible, visible, and audio-visual events without temporal annotations. Previous work has emphasized refining global predictions through contrastive or collaborative learning, but neglected stable segment-level supervision and class-aware cross-modal alignment. To address this, we propose two strategies: (1) an exponential moving average (EMA)-guided pseudo supervision framework that generates reliable segment-level masks via adaptive thresholds or top-k selection, offering stable temporal guidance beyond video-level labels; and (2) a class-aware cross-modal agreement (CMA) loss that aligns audio and visual embeddings at reliable segment-class pairs, ensuring consistency across modalities while preserving temporal structure. Evaluations on LLP and UnAV-100 datasets shows that our method achieves state-of-the-art (SOTA) performance across multiple metrics.