From Artefact to Insight: Efficient Low-Rank Adaptation of BrushNet for Scanning Probe Microscopy Image Restoration

Scanning Probe Microscopy or SPM offers nanoscale resolution but is frequently marred by structured artefacts such as line scan dropout, gain induced noise, tip convolution, and phase hops. While most available methods treat SPM artefact removal as isolated denoising or interpolation tasks, the generative inpainting perspective remains largely unexplored. In this work, we introduce a diffusion based inpainting framework tailored to scientific grayscale imagery. By fine tuning less than 0.2 percent of BrushNet weights with rank constrained low rank adaptation (LoRA), we adapt a pretrained diffusion model using only 7390 artefact, clean pairs distilled from 739 experimental scans. On our forthcoming public SPM InpBench benchmark, the LoRA enhanced model lifts the Peak Signal to Noise Ratio or PSNR by 6.61 dB and halves the Learned Perceptual Image Patch Similarity or LPIPS relative to zero-shot inference, while matching or slightly surpassing the accuracy of full retraining, trainable on a single GPU instead of four high-memory cards. The approach generalizes across various SPM image channels including height, amplitude and phase, faithfully restores subtle structural details, and suppresses hallucination artefacts inherited from natural image priors. This lightweight framework enables efficient, scalable recovery of irreplaceable SPM images and paves the way for a broader diffusion model adoption in nanoscopic imaging analysis.

Transformer-Based Inpainting for Real-Time 3D Streaming in Sparse Multi-Camera Setups

High-quality 3D streaming from multiple cameras is crucial for immersive experiences in many AR/VR applications. The limited number of views - often due to real-time constraints - leads to missing information and incomplete surfaces in the rendered images. Existing approaches typically rely on simple heuristics for the hole filling, which can result in inconsistencies or visual artifacts. We propose to complete the missing textures using a novel, application-targeted inpainting method independent of the underlying representation as an image-based post-processing step after the novel view rendering. The method is designed as a standalone module compatible with any calibrated multi-camera system. For this we introduce a multi-view aware, transformer-based network architecture using spatio-temporal embeddings to ensure consistency across frames while preserving fine details. Additionally, our resolution-independent design allows adaptation to different camera setups, while an adaptive patch selection strategy balances inference speed and quality, allowing real-time performance. We evaluate our approach against state-of-the-art inpainting techniques under the same real-time constraints and demonstrate that our model achieves the best trade-off between quality and speed, outperforming competitors in both image and video-based metrics.

Reparameterized Tensor Ring Functional Decomposition for Multi-Dimensional Data Recovery

Tensor Ring (TR) decomposition is a powerful tool for high-order data modeling, but is inherently restricted to discrete forms defined on fixed meshgrids. In this work, we propose a TR functional decomposition for both meshgrid and non-meshgrid data, where factors are parameterized by Implicit Neural Representations (INRs). However, optimizing this continuous framework to capture fine-scale details is intrinsically difficult. Through a frequency-domain analysis, we demonstrate that the spectral structure of TR factors determines the frequency composition of the reconstructed tensor and limits the high-frequency modeling capacity. To mitigate this, we propose a reparameterized TR functional decomposition, in which each TR factor is a structured combination of a learnable latent tensor and a fixed basis. This reparameterization is theoretically shown to improve the training dynamics of TR factor learning. We further derive a principled initialization scheme for the fixed basis and prove the Lipschitz continuity of our proposed model. Extensive experiments on image inpainting, denoising, super-resolution, and point cloud recovery demonstrate that our method achieves consistently superior performance over existing approaches. Code is available at https://github.com/YangyangXu2002/RepTRFD.

SkyReels-V4: Multi-modal Video-Audio Generation, Inpainting and Editing model

SkyReels V4 is a unified multi modal video foundation model for joint video audio generation, inpainting, and editing. The model adopts a dual stream Multimodal Diffusion Transformer (MMDiT) architecture, where one branch synthesizes video and the other generates temporally aligned audio, while sharing a powerful text encoder based on the Multimodal Large Language Models (MMLM). SkyReels V4 accepts rich multi modal instructions, including text, images, video clips, masks, and audio references. By combining the MMLMs multi modal instruction following capability with in context learning in the video branch MMDiT, the model can inject fine grained visual guidance under complex conditioning, while the audio branch MMDiT simultaneously leverages audio references to guide sound generation. On the video side, we adopt a channel concatenation formulation that unifies a wide range of inpainting style tasks, such as image to video, video extension, and video editing under a single interface, and naturally extends to vision referenced inpainting and editing via multi modal prompts. SkyReels V4 supports up to 1080p resolution, 32 FPS, and 15 second duration, enabling high fidelity, multi shot, cinema level video generation with synchronized audio. To make such high resolution, long-duration generation computationally feasible, we introduce an efficiency strategy: Joint generation of low resolution full sequences and high-resolution keyframes, followed by dedicated super-resolution and frame interpolation models. To our knowledge, SkyReels V4 is the first video foundation model that simultaneously supports multi-modal input, joint video audio generation, and a unified treatment of generation, inpainting, and editing, while maintaining strong efficiency and quality at cinematic resolutions and durations.

Artifact Removal and Image Restoration in AFM:A Structured Mask-Guided Directional Inpainting Approach

Atomic Force Microscopy (AFM) enables high-resolution surface imaging at the nanoscale, yet the output is often degraded by artifacts introduced by environmental noise, scanning imperfections, and tip-sample interactions. To address this challenge, a lightweight and fully automated framework for artifact detection and restoration in AFM image analysis is presented. The pipeline begins with a classification model that determines whether an AFM image contains artifacts. If necessary, a lightweight semantic segmentation network, custom-designed and trained on AFM data, is applied to generate precise artifact masks. These masks are adaptively expanded based on their structural orientation and then inpainted using a directional neighbor-based interpolation strategy to preserve 3D surface continuity. A localized Gaussian smoothing operation is then applied for seamless restoration. The system is integrated into a user-friendly GUI that supports real-time parameter adjustments and batch processing. Experimental results demonstrate the effective artifact removal while preserving nanoscale structural details, providing a robust, geometry-aware solution for high-fidelity AFM data interpretation.

Trajectory Stitching for Solving Inverse Problems with Flow-Based Models

Flow-based generative models have emerged as powerful priors for solving inverse problems. One option is to directly optimize the initial latent code (noise), such that the flow output solves the inverse problem. However, this requires backpropagating through the entire generative trajectory, incurring high memory costs and numerical instability. We propose MS-Flow, which represents the trajectory as a sequence of intermediate latent states rather than a single initial code. By enforcing the flow dynamics locally and coupling segments through trajectory-matching penalties, MS-Flow alternates between updating intermediate latent states and enforcing consistency with observed data. This reduces memory consumption while improving reconstruction quality. We demonstrate the effectiveness of MS-Flow over existing methods on image recovery and inverse problems, including inpainting, super-resolution, and computed tomography.

Thinking inside the Convolution for Image Inpainting: Reconstructing Texture via Structure under Global and Local Side

Image inpainting has earned substantial progress, owing to the encoder-and-decoder pipeline, which is benefited from the Convolutional Neural Networks (CNNs) with convolutional downsampling to inpaint the masked regions semantically from the known regions within the encoder, coupled with an upsampling process from the decoder for final inpainting output. Recent studies intuitively identify the high-frequency structure and low-frequency texture to be extracted by CNNs from the encoder, and subsequently for a desirable upsampling recovery. However, the existing arts inevitably overlook the information loss for both structure and texture feature maps during the convolutional downsampling process, hence suffer from a non-ideal upsampling output. In this paper, we systematically answer whether and how the structure and texture feature map can mutually help to alleviate the information loss during the convolutional downsampling. Given the structure and texture feature maps, we adopt the statistical normalization and denormalization strategy for the reconstruction guidance during the convolutional downsampling process. The extensive experimental results validate its advantages to the state-of-the-arts over the images from low-to-high resolutions including 256*256 and 512*512, especially holds by substituting all the encoders by ours. Our code is available at https://github.com/htyjers/ConvInpaint-TSGL

OpenSubject: Leveraging Video-Derived Identity and Diversity Priors for Subject-driven Image Generation and Manipulation

Despite the promising progress in subject-driven image generation, current models often deviate from the reference identities and struggle in complex scenes with multiple subjects. To address this challenge, we introduce OpenSubject, a video-derived large-scale corpus with 2.5M samples and 4.35M images for subject-driven generation and manipulation. The dataset is built with a four-stage pipeline that exploits cross-frame identity priors. (i) Video Curation. We apply resolution and aesthetic filtering to obtain high-quality clips. (ii) Cross-Frame Subject Mining and Pairing. We utilize vision-language model (VLM)-based category consensus, local grounding, and diversity-aware pairing to select image pairs. (iii) Identity-Preserving Reference Image Synthesis. We introduce segmentation map-guided outpainting to synthesize the input images for subject-driven generation and box-guided inpainting to generate input images for subject-driven manipulation, together with geometry-aware augmentations and irregular boundary erosion. (iv) Verification and Captioning. We utilize a VLM to validate synthesized samples, re-synthesize failed samples based on stage (iii), and then construct short and long captions. In addition, we introduce a benchmark covering subject-driven generation and manipulation, and then evaluate identity fidelity, prompt adherence, manipulation consistency, and background consistency with a VLM judge. Extensive experiments show that training with OpenSubject improves generation and manipulation performance, particularly in complex scenes.

InstantViR: Real-Time Video Inverse Problem Solver with Distilled Diffusion Prior

Video inverse problems are fundamental to streaming, telepresence, and AR/VR, where high perceptual quality must coexist with tight latency constraints. Diffusion-based priors currently deliver state-of-the-art reconstructions, but existing approaches either adapt image diffusion models with ad hoc temporal regularizers - leading to temporal artifacts - or rely on native video diffusion models whose iterative posterior sampling is far too slow for real-time use. We introduce InstantViR, an amortized inference framework for ultra-fast video reconstruction powered by a pre-trained video diffusion prior. We distill a powerful bidirectional video diffusion model (teacher) into a causal autoregressive student that maps a degraded video directly to its restored version in a single forward pass, inheriting the teacher's strong temporal modeling while completely removing iterative test-time optimization. The distillation is prior-driven: it only requires the teacher diffusion model and known degradation operators, and does not rely on externally paired clean/noisy video data. To further boost throughput, we replace the video-diffusion backbone VAE with a high-efficiency LeanVAE via an innovative teacher-space regularized distillation scheme, enabling low-latency latent-space processing. Across streaming random inpainting, Gaussian deblurring and super-resolution, InstantViR matches or surpasses the reconstruction quality of diffusion-based baselines while running at over 35 FPS on NVIDIA A100 GPUs, achieving up to 100 times speedups over iterative video diffusion solvers. These results show that diffusion-based video reconstruction is compatible with real-time, interactive, editable, streaming scenarios, turning high-quality video restoration into a practical component of modern vision systems.

AvatarTex: High-Fidelity Facial Texture Reconstruction from Single-Image Stylized Avatars

We present AvatarTex, a high-fidelity facial texture reconstruction framework capable of generating both stylized and photorealistic textures from a single image. Existing methods struggle with stylized avatars due to the lack of diverse multi-style datasets and challenges in maintaining geometric consistency in non-standard textures. To address these limitations, AvatarTex introduces a novel three-stage diffusion-to-GAN pipeline. Our key insight is that while diffusion models excel at generating diversified textures, they lack explicit UV constraints, whereas GANs provide a well-structured latent space that ensures style and topology consistency. By integrating these strengths, AvatarTex achieves high-quality topology-aligned texture synthesis with both artistic and geometric coherence. Specifically, our three-stage pipeline first completes missing texture regions via diffusion-based inpainting, refines style and structure consistency using GAN-based latent optimization, and enhances fine details through diffusion-based repainting. To address the need for a stylized texture dataset, we introduce TexHub, a high-resolution collection of 20,000 multi-style UV textures with precise UV-aligned layouts. By leveraging TexHub and our structured diffusion-to-GAN pipeline, AvatarTex establishes a new state-of-the-art in multi-style facial texture reconstruction. TexHub will be released upon publication to facilitate future research in this field.