This paper presents Paint3D, a novel coarse-to-fine generative framework that is capable of producing high-resolution, lighting-less, and diverse 2K UV texture maps for untextured 3D meshes conditioned on text or image inputs. The key challenge addressed is generating high-quality textures without embedded illumination information, which allows the textures to be re-lighted or re-edited within modern graphics pipelines. To achieve this, our method first leverages a pre-trained depth-aware 2D diffusion model to generate view-conditional images and perform multi-view texture fusion, producing an initial coarse texture map. However, as 2D models cannot fully represent 3D shapes and disable lighting effects, the coarse texture map exhibits incomplete areas and illumination artifacts. To resolve this, we train separate UV Inpainting and UVHD diffusion models specialized for the shape-aware refinement of incomplete areas and the removal of illumination artifacts. Through this coarse-to-fine process, Paint3D can produce high-quality 2K UV textures that maintain semantic consistency while being lighting-less, significantly advancing the state-of-the-art in texturing 3D objects.
We present a novel alignment-before-generation approach to tackle the challenging task of generating general 3D shapes based on 2D images or texts. Directly learning a conditional generative model from images or texts to 3D shapes is prone to producing inconsistent results with the conditions because 3D shapes have an additional dimension whose distribution significantly differs from that of 2D images and texts. To bridge the domain gap among the three modalities and facilitate multi-modal-conditioned 3D shape generation, we explore representing 3D shapes in a shape-image-text-aligned space. Our framework comprises two models: a Shape-Image-Text-Aligned Variational Auto-Encoder (SITA-VAE) and a conditional Aligned Shape Latent Diffusion Model (ASLDM). The former model encodes the 3D shapes into the shape latent space aligned to the image and text and reconstructs the fine-grained 3D neural fields corresponding to given shape embeddings via the transformer-based decoder. The latter model learns a probabilistic mapping function from the image or text space to the latent shape space. Our extensive experiments demonstrate that our proposed approach can generate higher-quality and more diverse 3D shapes that better semantically conform to the visual or textural conditional inputs, validating the effectiveness of the shape-image-text-aligned space for cross-modality 3D shape generation.
In spite of the success on benchmark datasets, most advanced face super-resolution models perform poorly in real scenarios since the remarkable domain gap between the real images and the synthesized training pairs. To tackle this problem, we propose a novel domain-adaptive degradation network for face super-resolution in the wild. This degradation network predicts a flow field along with an intermediate low resolution image. Then, the degraded counterpart is generated by warping the intermediate image. With the preference of capturing motion blur, such a model performs better at preserving identity consistency between the original images and the degraded. We further present the self-conditioned block for super-resolution network. This block takes the input image as a condition term to effectively utilize facial structure information, eliminating the reliance on explicit priors, e.g. facial landmarks or boundary. Our model achieves state-of-the-art performance on both CelebA and real-world face dataset. The former demonstrates the powerful generative ability of our proposed architecture while the latter shows great identity consistency and perceptual quality in real-world images.
Audio-guided face reenactment aims to generate a photorealistic face that has matched facial expression with the input audio. However, current methods can only reenact a special person once the model is trained or need extra operations such as 3D rendering and image post-fusion on the premise of generating vivid faces. To solve the above challenge, we propose a novel \emph{R}eal-time \emph{A}udio-guided \emph{M}ulti-face reenactment approach named \emph{APB2FaceV2}, which can reenact different target faces among multiple persons with corresponding reference face and drive audio signal as inputs. Enabling the model to be trained end-to-end and have a faster speed, we design a novel module named Adaptive Convolution (AdaConv) to infuse audio information into the network, as well as adopt a lightweight network as our backbone so that the network can run in real time on CPU and GPU. Comparison experiments prove the superiority of our approach than existing state-of-the-art methods, and further experiments demonstrate that our method is efficient and flexible for practical applications https://github.com/zhangzjn/APB2FaceV2
Due to the difficulty in generating the effective descriptors which are robust to occlusion and viewpoint changes, place recognition for 3D point cloud remains an open issue. Unlike most of the existing methods that focus on extracting local, global, and statistical features of raw point clouds, our method aims at the semantic level that can be superior in terms of robustness to environmental changes. Inspired by the perspective of humans, who recognize scenes through identifying semantic objects and capturing their relations, this paper presents a novel semantic graph based approach for place recognition. First, we propose a novel semantic graph representation for the point cloud scenes by reserving the semantic and topological information of the raw point cloud. Thus, place recognition is modeled as a graph matching problem. Then we design a fast and effective graph similarity network to compute the similarity. Exhaustive evaluations on the KITTI dataset show that our approach is robust to the occlusion as well as viewpoint changes and outperforms the state-of-the-art methods with a large margin. Our code is available at: \url{https://github.com/kxhit/SG_PR}.
The quantized neural network (QNN) is an efficient approach for network compression and can be widely used in the implementation of FPGAs. This paper proposes a novel learning framework for n-bit QNNs, whose weights are constrained to the power of two. To solve the gradient vanishing problem, we propose a reconstructed gradient function for QNNs in back-propagation algorithm that can directly get the real gradient rather than estimating an approximate gradient of the expected loss. We also propose a novel QNN structure named n-BQ-NN, which uses shift operation to replace the multiply operation and is more suitable for the inference on FPGAs. Furthermore, we also design a shift vector processing element (SVPE) array to replace all 16-bit multiplications with SHIFT operations in convolution operation on FPGAs. We also carry out comparable experiments to evaluate our framework. The experimental results show that the quantized models of ResNet, DenseNet and AlexNet through our learning framework can achieve almost the same accuracies with the original full-precision models. Moreover, when using our learning framework to train our n-BQ-NN from scratch, it can achieve state-of-the-art results compared with typical low-precision QNNs. Experiments on Xilinx ZCU102 platform show that our n-BQ-NN with our SVPE can execute 2.9 times faster than with the vector processing element (VPE) in inference. As the SHIFT operation in our SVPE array will not consume Digital Signal Processings (DSPs) resources on FPGAs, the experiments have shown that the use of SVPE array also reduces average energy consumption to 68.7% of the VPE array with 16-bit.
Recent works have shown how realistic talking face images can be obtained under the supervision of geometry guidance, e.g., facial landmark or boundary. To alleviate the demand for manual annotations, in this paper, we propose a novel self-supervised hybrid model (DAE-GAN) that learns how to reenact face naturally given large amounts of unlabeled videos. Our approach combines two deforming autoencoders with the latest advances in the conditional generation. On the one hand, we adopt the deforming autoencoder to disentangle identity and pose representations. A strong prior in talking face videos is that each frame can be encoded as two parts: one for video-specific identity and the other for various poses. Inspired by that, we utilize a multi-frame deforming autoencoder to learn a pose-invariant embedded face for each video. Meanwhile, a multi-scale deforming autoencoder is proposed to extract pose-related information for each frame. On the other hand, the conditional generator allows for enhancing fine details and overall reality. It leverages the disentangled features to generate photo-realistic and pose-alike face images. We evaluate our model on VoxCeleb1 and RaFD dataset. Experiment results demonstrate the superior quality of reenacted images and the flexibility of transferring facial movements between identities.
Recent face reenactment studies have achieved remarkable success either between two identities or in the many-to-one task. However, existing methods have limited scalability when the target person is not a predefined specific identity. To address this limitation, we present a novel many-to-many face reenactment framework, named FaceSwapNet, which allows transferring facial expressions and movements from one source face to arbitrary targets. Our proposed approach is composed of two main modules: the landmark swapper and the landmark-guided generator. Instead of maintaining independent models for each pair of person, the former module uses two encoders and one decoder to adapt anyone's face landmark to target persons. Using the neutral expression of the target person as a reference image, the latter module leverages geometry information from the swapped landmark to generate photo-realistic and emotion-alike images. In addition, a novel triplet perceptual loss is proposed to force the generator to learn geometry and appearance information simultaneously. We evaluate our model on RaFD dataset and the results demonstrate the superior quality of reenacted images as well as the flexibility of transferring facial movements between identities.