a unified front-end framework for english text-to-speech synthesis

The front-end is a critical component of English text-to-speech (TTS) systems, responsible for extracting linguistic features that are essential for a text-to-speech model to synthesize speech, such as prosodies and phonemes. The English TTS front-end typically consists of a text normalization (TN) module, a prosody word prosody phrase (PWPP) module, and a grapheme-to-phoneme (G2P) module. However, current research on the English TTS front-end focuses solely on individual modules, neglecting the interdependence between them and resulting in sub-optimal performance for each module. Therefore, this paper proposes a unified front-end framework that captures the dependencies among the English TTS front-end modules. Extensive experiments have demonstrated that the proposed method achieves state-of-the-art (SOTA) performance in all modules.

Multi-level Temporal-channel Speaker Retrieval for Robust Zero-shot Voice Conversion

Zero-shot voice conversion (VC) converts source speech into the voice of any desired speaker using only one utterance of the speaker without requiring additional model updates. Typical methods use a speaker representation from a pre-trained speaker verification (SV) model or learn speaker representation during VC training to achieve zero-shot VC. However, existing speaker modeling methods overlook the variation of speaker information richness in temporal and frequency channel dimensions of speech. This insufficient speaker modeling hampers the ability of the VC model to accurately represent unseen speakers who are not in the training dataset. In this study, we present a robust zero-shot VC model with multi-level temporal-channel retrieval, referred to as MTCR-VC. Specifically, to flexibly adapt to the dynamic-variant speaker characteristic in the temporal and channel axis of the speech, we propose a novel fine-grained speaker modeling method, called temporal-channel retrieval (TCR), to find out when and where speaker information appears in speech. It retrieves variable-length speaker representation from both temporal and channel dimensions under the guidance of a pre-trained SV model. Besides, inspired by the hierarchical process of human speech production, the MTCR speaker module stacks several TCR blocks to extract speaker representations from multi-granularity levels. Furthermore, to achieve better speech disentanglement and reconstruction, we introduce a cycle-based training strategy to simulate zero-shot inference recurrently. We adopt perpetual constraints on three aspects, including content, style, and speaker, to drive this process. Experiments demonstrate that MTCR-VC is superior to the previous zero-shot VC methods in modeling speaker timbre while maintaining good speech naturalness.

Universal Source Separation with Weakly Labelled Data

Universal source separation (USS) is a fundamental research task for computational auditory scene analysis, which aims to separate mono recordings into individual source tracks. There are three potential challenges awaiting the solution to the audio source separation task. First, previous audio source separation systems mainly focus on separating one or a limited number of specific sources. There is a lack of research on building a unified system that can separate arbitrary sources via a single model. Second, most previous systems require clean source data to train a separator, while clean source data are scarce. Third, there is a lack of USS system that can automatically detect and separate active sound classes in a hierarchical level. To use large-scale weakly labeled/unlabeled audio data for audio source separation, we propose a universal audio source separation framework containing: 1) an audio tagging model trained on weakly labeled data as a query net; and 2) a conditional source separation model that takes query net outputs as conditions to separate arbitrary sound sources. We investigate various query nets, source separation models, and training strategies and propose a hierarchical USS strategy to automatically detect and separate sound classes from the AudioSet ontology. By solely leveraging the weakly labelled AudioSet, our USS system is successful in separating a wide variety of sound classes, including sound event separation, music source separation, and speech enhancement. The USS system achieves an average signal-to-distortion ratio improvement (SDRi) of 5.57 dB over 527 sound classes of AudioSet; 10.57 dB on the DCASE 2018 Task 2 dataset; 8.12 dB on the MUSDB18 dataset; an SDRi of 7.28 dB on the Slakh2100 dataset; and an SSNR of 9.00 dB on the voicebank-demand dataset. We release the source code at https://github.com/bytedance/uss

WavCaps: A ChatGPT-Assisted Weakly-Labelled Audio Captioning Dataset for Audio-Language Multimodal Research

The advancement of audio-language (AL) multimodal learning tasks has been significant in recent years. However, researchers face challenges due to the costly and time-consuming collection process of existing audio-language datasets, which are limited in size. To address this data scarcity issue, we introduce WavCaps, the first large-scale weakly-labelled audio captioning dataset, comprising approximately 400k audio clips with paired captions. We sourced audio clips and their raw descriptions from web sources and a sound event detection dataset. However, the online-harvested raw descriptions are highly noisy and unsuitable for direct use in tasks such as automated audio captioning. To overcome this issue, we propose a three-stage processing pipeline for filtering noisy data and generating high-quality captions, where ChatGPT, a large language model, is leveraged to filter and transform raw descriptions automatically. We conduct a comprehensive analysis of the characteristics of WavCaps dataset and evaluate it on multiple downstream audio-language multimodal learning tasks. The systems trained on WavCaps outperform previous state-of-the-art (SOTA) models by a significant margin. Our aspiration is for the WavCaps dataset we have proposed to facilitate research in audio-language multimodal learning and demonstrate the potential of utilizing ChatGPT to enhance academic research. Our dataset and codes are available at https://github.com/XinhaoMei/WavCaps.

Jointist: Simultaneous Improvement of Multi-instrument Transcription and Music Source Separation via Joint Training

In this paper, we introduce Jointist, an instrument-aware multi-instrument framework that is capable of transcribing, recognizing, and separating multiple musical instruments from an audio clip. Jointist consists of an instrument recognition module that conditions the other two modules: a transcription module that outputs instrument-specific piano rolls, and a source separation module that utilizes instrument information and transcription results. The joint training of the transcription and source separation modules serves to improve the performance of both tasks. The instrument module is optional and can be directly controlled by human users. This makes Jointist a flexible user-controllable framework. Our challenging problem formulation makes the model highly useful in the real world given that modern popular music typically consists of multiple instruments. Its novelty, however, necessitates a new perspective on how to evaluate such a model. In our experiments, we assess the proposed model from various aspects, providing a new evaluation perspective for multi-instrument transcription. Our subjective listening study shows that Jointist achieves state-of-the-art performance on popular music, outperforming existing multi-instrument transcription models such as MT3. We conducted experiments on several downstream tasks and found that the proposed method improved transcription by more than 1 percentage points (ppt.), source separation by 5 SDR, downbeat detection by 1.8 ppt., chord recognition by 1.4 ppt., and key estimation by 1.4 ppt., when utilizing transcription results obtained from Jointist. Demo available at \url{https://jointist.github.io/Demo}.

Ontology-aware Learning and Evaluation for Audio Tagging

This study defines a new evaluation metric for audio tagging tasks to overcome the limitation of the conventional mean average precision (mAP) metric, which treats different kinds of sound as independent classes without considering their relations. Also, due to the ambiguities in sound labeling, the labels in the training and evaluation set are not guaranteed to be accurate and exhaustive, which poses challenges for robust evaluation with mAP. The proposed metric, ontology-aware mean average precision (OmAP) addresses the weaknesses of mAP by utilizing the AudioSet ontology information during the evaluation. Specifically, we reweight the false positive events in the model prediction based on the ontology graph distance to the target classes. The OmAP measure also provides more insights into model performance by evaluations with different coarse-grained levels in the ontology graph. We conduct human evaluations and demonstrate that OmAP is more consistent with human perception than mAP. To further verify the importance of utilizing the ontology information, we also propose a novel loss function (OBCE) that reweights binary cross entropy (BCE) loss based on the ontology distance. Our experiment shows that OBCE can improve both mAP and OmAP metrics on the AudioSet tagging task.

Binaural Rendering of Ambisonic Signals by Neural Networks

Binaural rendering of ambisonic signals is of broad interest to virtual reality and immersive media. Conventional methods often require manually measured Head-Related Transfer Functions (HRTFs). To address this issue, we collect a paired ambisonic-binaural dataset and propose a deep learning framework in an end-to-end manner. Experimental results show that neural networks outperform the conventional method in objective metrics and achieve comparable subjective metrics. To validate the proposed framework, we experimentally explore different settings of the input features, model structures, output features, and loss functions. Our proposed system achieves an SDR of 7.32 and MOSs of 3.83, 3.58, 3.87, 3.58 in quality, timbre, localization, and immersion dimensions.

Visually-Aware Audio Captioning With Adaptive Audio-Visual Attention

Audio captioning is the task of generating captions that describe the content of audio clips. In the real world, many objects produce similar sounds. It is difficult to identify these auditory ambiguous sound events with access to audio information only. How to accurately recognize ambiguous sounds is a major challenge for audio captioning systems. In this work, inspired by the audio-visual multi-modal perception of human beings, we propose visually-aware audio captioning, which makes use of visual information to help the recognition of ambiguous sounding objects. Specifically, we introduce an off-the-shelf visual encoder to process the video inputs, and incorporate the extracted visual features into an audio captioning system. Furthermore, to better exploit complementary contexts from redundant audio-visual streams, we propose an audio-visual attention mechanism that integrates audio and visual information adaptively according to their confidence levels. Experimental results on AudioCaps, the largest publicly available audio captioning dataset, show that the proposed method achieves significant improvement over a strong baseline audio captioning system and is on par with the state-of-the-art result.

Streaming Voice Conversion Via Intermediate Bottleneck Features And Non-streaming Teacher Guidance

Streaming voice conversion (VC) is the task of converting the voice of one person to another in real-time. Previous streaming VC methods use phonetic posteriorgrams (PPGs) extracted from automatic speech recognition (ASR) systems to represent speaker-independent information. However, PPGs lack the prosody and vocalization information of the source speaker, and streaming PPGs contain undesired leaked timbre of the source speaker. In this paper, we propose to use intermediate bottleneck features (IBFs) to replace PPGs. VC systems trained with IBFs retain more prosody and vocalization information of the source speaker. Furthermore, we propose a non-streaming teacher guidance (TG) framework that addresses the timbre leakage problem. Experiments show that our proposed IBFs and the TG framework achieve a state-of-the-art streaming VC naturalness of 3.85, a content consistency of 3.77, and a timbre similarity of 3.77 under a future receptive field of 160 ms which significantly outperform previous streaming VC systems.

Simple Pooling Front-ends For Efficient Audio Classification

Recently, there has been increasing interest in building efficient audio neural networks for on-device scenarios. While most existing approaches are designed to reduce the size of audio neural networks using methods such as model pruning. In this work, we show that instead of reducing model size using complex methods, eliminating the temporal redundancy in the input audio features (e.g., Mel-spectrogram) could be an effective approach for efficient audio classification. To do so, we proposed a family of simple pooling front-ends (SimPFs) which use simple non-parametric pooling operations to reduce the redundant information within the Mel-spectrogram. We perform extensive experiments on four audio classification tasks to evaluate the performance of SimPFs. Experimental results show that SimPFs can achieve a reduction in more than half of the FLOPs for off-the-shelf audio neural networks, with negligible degradation or even decent improvement in audio classification performance.