Good Seed Makes a Good Crop: Discovering Secret Seeds in Text-to-Image Diffusion Models

Recent advances in text-to-image (T2I) diffusion models have facilitated creative and photorealistic image synthesis. By varying the random seeds, we can generate various images for a fixed text prompt. Technically, the seed controls the initial noise and, in multi-step diffusion inference, the noise used for reparameterization at intermediate timesteps in the reverse diffusion process. However, the specific impact of the random seed on the generated images remains relatively unexplored. In this work, we conduct a large-scale scientific study into the impact of random seeds during diffusion inference. Remarkably, we reveal that the best 'golden' seed achieved an impressive FID of 21.60, compared to the worst 'inferior' seed's FID of 31.97. Additionally, a classifier can predict the seed number used to generate an image with over 99.9% accuracy in just a few epochs, establishing that seeds are highly distinguishable based on generated images. Encouraged by these findings, we examined the influence of seeds on interpretable visual dimensions. We find that certain seeds consistently produce grayscale images, prominent sky regions, or image borders. Seeds also affect image composition, including object location, size, and depth. Moreover, by leveraging these 'golden' seeds, we demonstrate improved image generation such as high-fidelity inference and diversified sampling. Our investigation extends to inpainting tasks, where we uncover some seeds that tend to insert unwanted text artifacts. Overall, our extensive analyses highlight the importance of selecting good seeds and offer practical utility for image generation.

Detecting Image Attribution for Text-to-Image Diffusion Models in RGB and Beyond

Modern text-to-image (T2I) diffusion models can generate images with remarkable realism and creativity. These advancements have sparked research in fake image detection and attribution, yet prior studies have not fully explored the practical and scientific dimensions of this task. In addition to attributing images to 12 state-of-the-art T2I generators, we provide extensive analyses on what inference stage hyperparameters and image modifications are discernible. Our experiments reveal that initialization seeds are highly detectable, along with other subtle variations in the image generation process to some extent. We further investigate what visual traces are leveraged in image attribution by perturbing high-frequency details and employing mid-level representations of image style and structure. Notably, altering high-frequency information causes only slight reductions in accuracy, and training an attributor on style representations outperforms training on RGB images. Our analyses underscore that fake images are detectable and attributable at various levels of visual granularity than previously explored.

Amodal Completion via Progressive Mixed Context Diffusion

Our brain can effortlessly recognize objects even when partially hidden from view. Seeing the visible of the hidden is called amodal completion; however, this task remains a challenge for generative AI despite rapid progress. We propose to sidestep many of the difficulties of existing approaches, which typically involve a two-step process of predicting amodal masks and then generating pixels. Our method involves thinking outside the box, literally! We go outside the object bounding box to use its context to guide a pre-trained diffusion inpainting model, and then progressively grow the occluded object and trim the extra background. We overcome two technical challenges: 1) how to be free of unwanted co-occurrence bias, which tends to regenerate similar occluders, and 2) how to judge if an amodal completion has succeeded. Our amodal completion method exhibits improved photorealistic completion results compared to existing approaches in numerous successful completion cases. And the best part? It doesn't require any special training or fine-tuning of models.

Perceptual Artifacts Localization for Image Synthesis Tasks

Recent advancements in deep generative models have facilitated the creation of photo-realistic images across various tasks. However, these generated images often exhibit perceptual artifacts in specific regions, necessitating manual correction. In this study, we present a comprehensive empirical examination of Perceptual Artifacts Localization (PAL) spanning diverse image synthesis endeavors. We introduce a novel dataset comprising 10,168 generated images, each annotated with per-pixel perceptual artifact labels across ten synthesis tasks. A segmentation model, trained on our proposed dataset, effectively localizes artifacts across a range of tasks. Additionally, we illustrate its proficiency in adapting to previously unseen models using minimal training samples. We further propose an innovative zoom-in inpainting pipeline that seamlessly rectifies perceptual artifacts in the generated images. Through our experimental analyses, we elucidate several practical downstream applications, such as automated artifact rectification, non-referential image quality evaluation, and abnormal region detection in images. The dataset and code are released.

Fine-Grained Egocentric Hand-Object Segmentation: Dataset, Model, and Applications

Egocentric videos offer fine-grained information for high-fidelity modeling of human behaviors. Hands and interacting objects are one crucial aspect of understanding a viewer's behaviors and intentions. We provide a labeled dataset consisting of 11,243 egocentric images with per-pixel segmentation labels of hands and objects being interacted with during a diverse array of daily activities. Our dataset is the first to label detailed hand-object contact boundaries. We introduce a context-aware compositional data augmentation technique to adapt to out-of-distribution YouTube egocentric video. We show that our robust hand-object segmentation model and dataset can serve as a foundational tool to boost or enable several downstream vision applications, including hand state classification, video activity recognition, 3D mesh reconstruction of hand-object interactions, and video inpainting of hand-object foregrounds in egocentric videos. Dataset and code are available at: https://github.com/owenzlz/EgoHOS

Inpainting at Modern Camera Resolution by Guided PatchMatch with Auto-Curation

Recently, deep models have established SOTA performance for low-resolution image inpainting, but they lack fidelity at resolutions associated with modern cameras such as 4K or more, and for large holes. We contribute an inpainting benchmark dataset of photos at 4K and above representative of modern sensors. We demonstrate a novel framework that combines deep learning and traditional methods. We use an existing deep inpainting model LaMa to fill the hole plausibly, establish three guide images consisting of structure, segmentation, depth, and apply a multiply-guided PatchMatch to produce eight candidate upsampled inpainted images. Next, we feed all candidate inpaintings through a novel curation module that chooses a good inpainting by column summation on an 8x8 antisymmetric pairwise preference matrix. Our framework's results are overwhelmingly preferred by users over 8 strong baselines, with improvements of quantitative metrics up to 7.4 over the best baseline LaMa, and our technique when paired with 4 different SOTA inpainting backbones improves each such that ours is overwhelmingly preferred by users over a strong super-res baseline.

Perceptual Artifacts Localization for Inpainting

Image inpainting is an essential task for multiple practical applications like object removal and image editing. Deep GAN-based models greatly improve the inpainting performance in structures and textures within the hole, but might also generate unexpected artifacts like broken structures or color blobs. Users perceive these artifacts to judge the effectiveness of inpainting models, and retouch these imperfect areas to inpaint again in a typical retouching workflow. Inspired by this workflow, we propose a new learning task of automatic segmentation of inpainting perceptual artifacts, and apply the model for inpainting model evaluation and iterative refinement. Specifically, we first construct a new inpainting artifacts dataset by manually annotating perceptual artifacts in the results of state-of-the-art inpainting models. Then we train advanced segmentation networks on this dataset to reliably localize inpainting artifacts within inpainted images. Second, we propose a new interpretable evaluation metric called Perceptual Artifact Ratio (PAR), which is the ratio of objectionable inpainted regions to the entire inpainted area. PAR demonstrates a strong correlation with real user preference. Finally, we further apply the generated masks for iterative image inpainting by combining our approach with multiple recent inpainting methods. Extensive experiments demonstrate the consistent decrease of artifact regions and inpainting quality improvement across the different methods.

Nested Scale Editing for Conditional Image Synthesis

We propose an image synthesis approach that provides stratified navigation in the latent code space. With a tiny amount of partial or very low-resolution image, our approach can consistently out-perform state-of-the-art counterparts in terms of generating the closest sampled image to the ground truth. We achieve this through scale-independent editing while expanding scale-specific diversity. Scale-independence is achieved with a nested scale disentanglement loss. Scale-specific diversity is created by incorporating a progressive diversification constraint. We introduce semantic persistency across the scales by sharing common latent codes. Together they provide better control of the image synthesis process. We evaluate the effectiveness of our proposed approach through various tasks, including image outpainting, image superresolution, and cross-domain image translation.

Deep Image Blending

Image composition is an important operation to create visual content. Among image composition tasks, image blending aims to seamlessly blend an object from a source image onto a target image with lightly mask adjustment. A popular approach is Poisson image blending, which enforces the gradient domain smoothness in the composite image. However, this approach only considers the boundary pixels of target image, and thus can not adapt to texture of target image. In addition, the colors of the target image often seep through the original source object too much causing a significant loss of content of the source object. We propose a Poisson blending loss that achieves the same purpose of Poisson image blending. In addition, we jointly optimize the proposed Poisson blending loss as well as the style and content loss computed from a deep network, and reconstruct the blending region by iteratively updating the pixels using the L-BFGS solver. In the blending image, we not only smooth out gradient domain of the blending boundary but also add consistent texture into the blending region. User studies show that our method outperforms strong baselines as well as state-of-the-art approaches when placing objects onto both paintings and real-world images.

Multimodal Image Outpainting With Regularized Normalized Diversification

In this paper, we study the problem of generating a set ofrealistic and diverse backgrounds when given only a smallforeground region. We refer to this task as image outpaint-ing. The technical challenge of this task is to synthesize notonly plausible but also diverse image outputs. Traditionalgenerative adversarial networks suffer from mode collapse.While recent approaches propose to maximize orpreserve the pairwise distance between generated sampleswith respect to their latent distance, they do not explicitlyprevent the diverse samples of different conditional inputsfrom collapsing. Therefore, we propose a new regulariza-tion method to encourage diverse sampling in conditionalsynthesis. In addition, we propose a feature pyramid dis-criminator to improve the image quality. Our experimen-tal results show that our model can produce more diverseimages without sacrificing visual quality compared to state-of-the-arts approaches in both the CelebA face dataset and the Cityscape scene dataset.