Handheld Mobile Photography in Very Low Light

Taking photographs in low light using a mobile phone is challenging and rarely produces pleasing results. Aside from the physical limits imposed by read noise and photon shot noise, these cameras are typically handheld, have small apertures and sensors, use mass-produced analog electronics that cannot easily be cooled, and are commonly used to photograph subjects that move, like children and pets. In this paper we describe a system for capturing clean, sharp, colorful photographs in light as low as 0.3~lux, where human vision becomes monochromatic and indistinct. To permit handheld photography without flash illumination, we capture, align, and combine multiple frames. Our system employs "motion metering", which uses an estimate of motion magnitudes (whether due to handshake or moving objects) to identify the number of frames and the per-frame exposure times that together minimize both noise and motion blur in a captured burst. We combine these frames using robust alignment and merging techniques that are specialized for high-noise imagery. To ensure accurate colors in such low light, we employ a learning-based auto white balancing algorithm. To prevent the photographs from looking like they were shot in daylight, we use tone mapping techniques inspired by illusionistic painting: increasing contrast, crushing shadows to black, and surrounding the scene with darkness. All of these processes are performed using the limited computational resources of a mobile device. Our system can be used by novice photographers to produce shareable pictures in a few seconds based on a single shutter press, even in environments so dim that humans cannot see clearly.

Stereoscopic Dark Flash for Low-light Photography

In this work, we present a camera configuration for acquiring "stereoscopic dark flash" images: a simultaneous stereo pair in which one camera is a conventional RGB sensor, but the other camera is sensitive to near-infrared and near-ultraviolet instead of R and B. When paired with a "dark" flash (i.e., one having near-infrared and near-ultraviolet light, but no visible light) this camera allows us to capture the two images in a flash/no-flash image pair at the same time, all while not disturbing any human subjects or onlookers with a dazzling visible flash. We present a hardware prototype of this camera that approximates an idealized camera, and we present an imaging procedure that let us acquire dark flash stereo pairs that closely resemble those we would get from that idealized camera. We then present a technique for fusing these stereo pairs, first by performing registration and warping, and then by using recent advances in hyperspectral image fusion and deep learning to produce a final image. Because our camera configuration and our data acquisition process allow us to capture true low-noise long exposure RGB images alongside our dark flash stereo pairs, our learned model can be trained end-to-end to produce a fused image that retains the color and tone of a real RGB image while having the low-noise properties of a flash image.

Unprocessing Images for Learned Raw Denoising

Machine learning techniques work best when the data used for training resembles the data used for evaluation. This holds true for learned single-image denoising algorithms, which are applied to real raw camera sensor readings but, due to practical constraints, are often trained on synthetic image data. Though it is understood that generalizing from synthetic to real data requires careful consideration of the noise properties of image sensors, the other aspects of a camera's image processing pipeline (gain, color correction, tone mapping, etc) are often overlooked, despite their significant effect on how raw measurements are transformed into finished images. To address this, we present a technique to "unprocess" images by inverting each step of an image processing pipeline, thereby allowing us to synthesize realistic raw sensor measurements from commonly available internet photos. We additionally model the relevant components of an image processing pipeline when evaluating our loss function, which allows training to be aware of all relevant photometric processing that will occur after denoising. By processing and unprocessing model outputs and training data in this way, we are able to train a simple convolutional neural network that has 14%-38% lower error rates and is 9x-18x faster than the previous state of the art on the Darmstadt Noise Dataset, and generalizes to sensors outside of that dataset as well.

MoSculp: Interactive Visualization of Shape and Time

We present a system that allows users to visualize complex human motion via 3D motion sculptures---a representation that conveys the 3D structure swept by a human body as it moves through space. Given an input video, our system computes the motion sculptures and provides a user interface for rendering it in different styles, including the options to insert the sculpture back into the original video, render it in a synthetic scene or physically print it. To provide this end-to-end workflow, we introduce an algorithm that estimates that human's 3D geometry over time from a set of 2D images and develop a 3D-aware image-based rendering approach that embeds the sculpture back into the scene. By automating the process, our system takes motion sculpture creation out of the realm of professional artists, and makes it applicable to a wide range of existing video material. By providing viewers with 3D information, motion sculptures reveal space-time motion information that is difficult to perceive with the naked eye, and allow viewers to interpret how different parts of the object interact over time. We validate the effectiveness of this approach with user studies, finding that our motion sculpture visualizations are significantly more informative about motion than existing stroboscopic and space-time visualization methods.

Seeing Tree Structure from Vibration

Humans recognize object structure from both their appearance and motion; often, motion helps to resolve ambiguities in object structure that arise when we observe object appearance only. There are particular scenarios, however, where neither appearance nor spatial-temporal motion signals are informative: occluding twigs may look connected and have almost identical movements, though they belong to different, possibly disconnected branches. We propose to tackle this problem through spectrum analysis of motion signals, because vibrations of disconnected branches, though visually similar, often have distinctive natural frequencies. We propose a novel formulation of tree structure based on a physics-based link model, and validate its effectiveness by theoretical analysis, numerical simulation, and empirical experiments. With this formulation, we use nonparametric Bayesian inference to reconstruct tree structure from both spectral vibration signals and appearance cues. Our model performs well in recognizing hierarchical tree structure from real-world videos of trees and vessels.

Visual Dynamics: Stochastic Future Generation via Layered Cross Convolutional Networks

We study the problem of synthesizing a number of likely future frames from a single input image. In contrast to traditional methods that have tackled this problem in a deterministic or non-parametric way, we propose to model future frames in a probabilistic manner. Our probabilistic model makes it possible for us to sample and synthesize many possible future frames from a single input image. To synthesize realistic movement of objects, we propose a novel network structure, namely a Cross Convolutional Network; this network encodes image and motion information as feature maps and convolutional kernels, respectively. In experiments, our model performs well on synthetic data, such as 2D shapes and animated game sprites, and on real-world video frames. We present analyses of the learned network representations, showing it is implicitly learning a compact encoding of object appearance and motion. We also demonstrate a few of its applications, including visual analogy-making and video extrapolation.

Pix3D: Dataset and Methods for Single-Image 3D Shape Modeling

We study 3D shape modeling from a single image and make contributions to it in three aspects. First, we present Pix3D, a large-scale benchmark of diverse image-shape pairs with pixel-level 2D-3D alignment. Pix3D has wide applications in shape-related tasks including reconstruction, retrieval, viewpoint estimation, etc. Building such a large-scale dataset, however, is highly challenging; existing datasets either contain only synthetic data, or lack precise alignment between 2D images and 3D shapes, or only have a small number of images. Second, we calibrate the evaluation criteria for 3D shape reconstruction through behavioral studies, and use them to objectively and systematically benchmark cutting-edge reconstruction algorithms on Pix3D. Third, we design a novel model that simultaneously performs 3D reconstruction and pose estimation; our multi-task learning approach achieves state-of-the-art performance on both tasks.

3D Interpreter Networks for Viewer-Centered Wireframe Modeling

Understanding 3D object structure from a single image is an important but challenging task in computer vision, mostly due to the lack of 3D object annotations to real images. Previous research tackled this problem by either searching for a 3D shape that best explains 2D annotations, or training purely on synthetic data with ground truth 3D information. In this work, we propose 3D INterpreter Networks (3D-INN), an end-to-end trainable framework that sequentially estimates 2D keypoint heatmaps and 3D object skeletons and poses. Our system learns from both 2D-annotated real images and synthetic 3D data. This is made possible mainly by two technical innovations. First, heatmaps of 2D keypoints serve as an intermediate representation to connect real and synthetic data. 3D-INN is trained on real images to estimate 2D keypoint heatmaps from an input image; it then predicts 3D object structure from heatmaps using knowledge learned from synthetic 3D shapes. By doing so, 3D-INN benefits from the variation and abundance of synthetic 3D objects, without suffering from the domain difference between real and synthesized images, often due to imperfect rendering. Second, we propose a Projection Layer, mapping estimated 3D structure back to 2D. During training, it ensures 3D-INN to predict 3D structure whose projection is consistent with the 2D annotations to real images. Experiments show that the proposed system performs well on both 2D keypoint estimation and 3D structure recovery. We also demonstrate that the recovered 3D information has wide vision applications, such as image retrieval.

Video Enhancement with Task-Oriented Flow

Many video processing algorithms rely on optical flow to register different frames within a sequence. However, a precise estimation of optical flow is often neither tractable nor optimal for a particular task. In this paper, we propose task-oriented flow (TOFlow), a flow representation tailored for specific video processing tasks. We design a neural network with a motion estimation component and a video processing component. These two parts can be jointly trained in a self-supervised manner to facilitate learning of the proposed TOFlow. We demonstrate that TOFlow outperforms the traditional optical flow on three different video processing tasks: frame interpolation, video denoising/deblocking, and video super-resolution. We also introduce Vimeo-90K, a large-scale, high-quality video dataset for video processing to better evaluate the proposed algorithm.

MarrNet: 3D Shape Reconstruction via 2.5D Sketches

3D object reconstruction from a single image is a highly under-determined problem, requiring strong prior knowledge of plausible 3D shapes. This introduces challenges for learning-based approaches, as 3D object annotations are scarce in real images. Previous work chose to train on synthetic data with ground truth 3D information, but suffered from domain adaptation when tested on real data. In this work, we propose MarrNet, an end-to-end trainable model that sequentially estimates 2.5D sketches and 3D object shape. Our disentangled, two-step formulation has three advantages. First, compared to full 3D shape, 2.5D sketches are much easier to be recovered from a 2D image; models that recover 2.5D sketches are also more likely to transfer from synthetic to real data. Second, for 3D reconstruction from 2.5D sketches, systems can learn purely from synthetic data. This is because we can easily render realistic 2.5D sketches without modeling object appearance variations in real images, including lighting, texture, etc. This further relieves the domain adaptation problem. Third, we derive differentiable projective functions from 3D shape to 2.5D sketches; the framework is therefore end-to-end trainable on real images, requiring no human annotations. Our model achieves state-of-the-art performance on 3D shape reconstruction.