In-Context Prompt Editing For Conditional Audio Generation

Distributional shift is a central challenge in the deployment of machine learning models as they can be ill-equipped for real-world data. This is particularly evident in text-to-audio generation where the encoded representations are easily undermined by unseen prompts, which leads to the degradation of generated audio -- the limited set of the text-audio pairs remains inadequate for conditional audio generation in the wild as user prompts are under-specified. In particular, we observe a consistent audio quality degradation in generated audio samples with user prompts, as opposed to training set prompts. To this end, we present a retrieval-based in-context prompt editing framework that leverages the training captions as demonstrative exemplars to revisit the user prompts. We show that the framework enhanced the audio quality across the set of collected user prompts, which were edited with reference to the training captions as exemplars.

Stack-and-Delay: a new codebook pattern for music generation

In language modeling based music generation, a generated waveform is represented by a sequence of hierarchical token stacks that can be decoded either in an auto-regressive manner or in parallel, depending on the codebook patterns. In particular, flattening the codebooks represents the highest quality decoding strategy, while being notoriously slow. To this end, we propose a novel stack-and-delay style of decoding strategy to improve upon the flat pattern decoding where generation speed is four times faster as opposed to vanilla flat decoding. This brings the inference time close to that of the delay decoding strategy, and allows for faster inference on GPU for small batch sizes. For the same inference efficiency budget as the delay pattern, we show that the proposed approach performs better in objective evaluations, almost closing the gap with the flat pattern in terms of quality. The results are corroborated by subjective evaluations which show that samples generated by the new model are slightly more often preferred to samples generated by the competing model given the same text prompts.

Simple and Controllable Music Generation

We tackle the task of conditional music generation. We introduce MusicGen, a single Language Model (LM) that operates over several streams of compressed discrete music representation, i.e., tokens. Unlike prior work, MusicGen is comprised of a single-stage transformer LM together with efficient token interleaving patterns, which eliminates the need for cascading several models, e.g., hierarchically or upsampling. Following this approach, we demonstrate how MusicGen can generate high-quality samples, while being conditioned on textual description or melodic features, allowing better controls over the generated output. We conduct extensive empirical evaluation, considering both automatic and human studies, showing the proposed approach is superior to the evaluated baselines on a standard text-to-music benchmark. Through ablation studies, we shed light over the importance of each of the components comprising MusicGen. Music samples, code, and models are available at https://github.com/facebookresearch/audiocraft.

Self-Supervised Representations for Singing Voice Conversion

A singing voice conversion model converts a song in the voice of an arbitrary source singer to the voice of a target singer. Recently, methods that leverage self-supervised audio representations such as HuBERT and Wav2Vec 2.0 have helped further the state-of-the-art. Though these methods produce more natural and melodic singing outputs, they often rely on confusion and disentanglement losses to render the self-supervised representations speaker and pitch-invariant. In this paper, we circumvent disentanglement training and propose a new model that leverages ASR fine-tuned self-supervised representations as inputs to a HiFi-GAN neural vocoder for singing voice conversion. We experiment with different f0 encoding schemes and show that an f0 harmonic generation module that uses a parallel bank of transposed convolutions (PBTC) alongside ASR fine-tuned Wav2Vec 2.0 features results in the best singing voice conversion quality. Additionally, the model is capable of making a spoken voice sing. We also show that a simple f0 shifting scheme during inference helps retain singer identity and bolsters the performance of our singing voice conversion model. Our results are backed up by extensive MOS studies that compare different ablations and baselines.