In this work, we present a symbolic symphony music generation solution, SymphonyNet, based on a permutation invariant language model. To bridge the gap between text generation and symphony generation task, we propose a novel Multi-track Multi-instrument Repeatable (MMR) representation with particular 3-D positional embedding and a modified Byte Pair Encoding algorithm (Music BPE) for music tokens. A novel linear transformer decoder architecture is introduced as a backbone for modeling extra-long sequences of symphony tokens. Meanwhile, we train the decoder to learn automatic orchestration as a joint task by masking instrument information from the input. We also introduce a large-scale symbolic symphony dataset for the advance of symphony generation research. Our empirical results show that our proposed approach can generate coherent, novel, complex and harmonious symphony compared to human composition, which is the pioneer solution for multi-track multi-instrument symbolic music generation.
Recurrent Neural Networks (RNNS) are now widely used on sequence generation tasks due to their ability to learn long-range dependencies and to generate sequences of arbitrary length. However, their left-to-right generation procedure only allows a limited control from a potential user which makes them unsuitable for interactive and creative usages such as interactive music generation. This paper introduces a novel architecture called Anticipation-RNN which possesses the assets of the RNN-based generative models while allowing to enforce user-defined positional constraints. We demonstrate its efficiency on the task of generating melodies satisfying positional constraints in the style of the soprano parts of the J.S. Bach chorale harmonizations. Sampling using the Anticipation-RNN is of the same order of complexity than sampling from the traditional RNN model. This fast and interactive generation of musical sequences opens ways to devise real-time systems that could be used for creative purposes.
Recent years have witnessed a growing interest in research related to the detection of piano pedals from audio signals in the music information retrieval community. However, to our best knowledge, recent generative models for symbolic music have rarely taken piano pedals into account. In this work, we employ the transcription model proposed by Kong et al. to get pedal information from the audio recordings of piano performance in the AILabs1k7 dataset, and then modify the Compound Word Transformer proposed by Hsiao et al. to build a Transformer decoder that generates pedal-related tokens along with other musical tokens. While the work is done by using inferred sustain pedal information as training data, the result shows hope for further improvement and the importance of the involvement of sustain pedal in tasks of piano performance generations.
Generating a complex work of art such as a musical composition requires exhibiting true creativity that depends on a variety of factors that are related to the hierarchy of musical language. Music generation have been faced with Algorithmic methods and recently, with Deep Learning models that are being used in other fields such as Computer Vision. In this paper we want to put into context the existing relationships between AI-based music composition models and human musical composition and creativity processes. We give an overview of the recent Deep Learning models for music composition and we compare these models to the music composition process from a theoretical point of view. We have tried to answer some of the most relevant open questions for this task by analyzing the ability of current Deep Learning models to generate music with creativity or the similarity between AI and human composition processes, among others.
Training a Generative Adversarial Networks (GAN) for a new domain from scratch requires an enormous amount of training data and days of training time. To this end, we propose DAWSON, a Domain Adaptive FewShot Generation FrameworkFor GANs based on meta-learning. A major challenge of applying meta-learning GANs is to obtain gradients for the generator from evaluating it on development sets due to the likelihood-free nature of GANs. To address this challenge, we propose an alternative GAN training procedure that naturally combines the two-step training procedure of GANs and the two-step training procedure of meta-learning algorithms. DAWSON is a plug-and-play framework that supports a broad family of meta-learning algorithms and various GANs with architectural-variants. Based on DAWSON, We also propose MUSIC MATINEE, which is the first few-shot music generation model. Our experiments show that MUSIC MATINEE could quickly adapt to new domains with only tens of songs from the target domains. We also show that DAWSON can learn to generate new digits with only four samples in the MNIST dataset. We release source codes implementation of DAWSON in both PyTorch and Tensorflow, generated music samples on two genres and the lightning video.
With the continuous improvement in various aspects in the field of artificial intelligence, the momentum of artificial intelligence with deep learning capabilities into the field of music is coming. The research purpose of this paper is to design a Bach style music authoring system based on deep learning. We use a LSTM neural network to train serialized and standardized music feature data. By repeated experiments, we find the optimal LSTM model which can generate imitation of Bach music. Finally the generated music is comprehensively evaluated in the form of online audition and Turing test. The repertoires which the music generation system constructed in this article are very close to the style of Bach's original music, and it is relatively difficult for ordinary people to distinguish the musics Bach authored and AI created.
Artificial intelligence (AI) has been widely applied to music generation topics such as continuation, melody/harmony generation, genre transfer and music infilling application. Although with the burst interest to apply AI to music, there are still few interfaces for the musicians to take advantage of the latest progress of the AI technology. This makes those tools less valuable in practice and harder to find its advantage/drawbacks without utilizing them in the real scenario. This work builds a max patch for interactive music infilling application with different levels of control, including track density/polyphony/occupation rate and bar tonal tension control. The user can select the melody/bass/harmony track as the infilling content up to 16 bars. The infilling algorithm is based on the author's previous work, and the interface sends/receives messages to the AI system hosted in the cloud. This interface lowers the barrier of AI technology and can generate different variations of the selected content. Those results can give several alternatives to the musicians' composition, and the interactive process realizes the value of the AI infilling system.
The rise of deep learning technologies has quickly advanced many fields, including that of generative music systems. There exist a number of systems that allow for the generation of good sounding short snippets, yet, these generated snippets often lack an overarching, longer-term structure. In this work, we propose CM-HRNN: a conditional melody generation model based on a hierarchical recurrent neural network. This model allows us to generate melodies with long-term structures based on given chord accompaniments. We also propose a novel, concise event-based representation to encode musical lead sheets while retaining the notes' relative position within the bar with respect to the musical meter. With this new data representation, the proposed architecture can simultaneously model the rhythmic, as well as the pitch structures in an effective way. Melodies generated by the proposed model were extensively evaluated in quantitative experiments as well as a user study to ensure the musical quality of the output as well as to evaluate if they contain repeating patterns. We also compared the system with the state-of-the-art AttentionRNN. This comparison shows that melodies generated by CM-HRNN contain more repeated patterns (i.e., higher compression ratio) and a lower tonal tension (i.e., more tonally concise). Results from our listening test indicate that CM-HRNN outperforms AttentionRNN in terms of long-term structure and overall rating.
We present a method for the generation of Midi files of piano music. The method models the right and left hands using two networks, where the left hand is conditioned on the right hand. This way, the melody is generated before the harmony. The Midi is represented in a way that is invariant to the musical scale, and the melody is represented, for the purpose of conditioning the harmony, by the content of each bar, viewed as a chord. Finally, notes are added randomly, based on this chord representation, in order to enrich the generated audio. Our experiments show a significant improvement over the state of the art for training on such datasets, and demonstrate the contribution of each of the novel components.
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