Partially spoofed audio detection is a challenging task, lying in the need to accurately locate the authenticity of audio at the frame level. To address this issue, we propose a fine-grained partially spoofed audio detection method, namely Temporal Deepfake Location (TDL), which can effectively capture information of both features and locations. Specifically, our approach involves two novel parts: embedding similarity module and temporal convolution operation. To enhance the identification between the real and fake features, the embedding similarity module is designed to generate an embedding space that can separate the real frames from fake frames. To effectively concentrate on the position information, temporal convolution operation is proposed to calculate the frame-specific similarities among neighboring frames, and dynamically select informative neighbors to convolution. Extensive experiments show that our method outperform baseline models in ASVspoof2019 Partial Spoof dataset and demonstrate superior performance even in the crossdataset scenario. The code is released online.
Singing voice synthesis and singing voice conversion have significantly advanced, revolutionizing musical experiences. However, the rise of "Deepfake Songs" generated by these technologies raises concerns about authenticity. Unlike Audio DeepFake Detection (ADD), the field of song deepfake detection lacks specialized datasets or methods for song authenticity verification. In this paper, we initially construct a Chinese Fake Song Detection (FSD) dataset to investigate the field of song deepfake detection. The fake songs in the FSD dataset are generated by five state-of-the-art singing voice synthesis and singing voice conversion methods. Our initial experiments on FSD revealed the ineffectiveness of existing speech-trained ADD models for the task of song deepFake detection. Thus, we employ the FSD dataset for the training of ADD models. We subsequently evaluate these models under two scenarios: one with the original songs and another with separated vocal tracks. Experiment results show that song-trained ADD models exhibit a 38.58% reduction in average equal error rate compared to speech-trained ADD models on the FSD test set.
In this paper, we propose a novel prosody disentangle method for prosodic Text-to-Speech (TTS) model, which introduces the vector quantization (VQ) method to the auxiliary prosody encoder to obtain the decomposed prosody representations in an unsupervised manner. Rely on its advantages, the speaking styles, such as pitch, speaking velocity, local pitch variance, etc., are decomposed automatically into the latent quantize vectors. We also investigate the internal mechanism of VQ disentangle process by means of a latent variables counter and find that higher value dimensions usually represent prosody information. Experiments show that our model can control the speaking styles of synthesis results by directly manipulating the latent variables. The objective and subjective evaluations illustrated that our model outperforms the popular models.