Evaluating the Impact of AI-Powered Audiovisual Personalization on Learner Emotion, Focus, and Learning Outcomes

Independent learners often struggle with sustaining focus and emotional regulation in unstructured or distracting settings. Although some rely on ambient aids such as music, ASMR, or visual backgrounds to support concentration, these tools are rarely integrated into cohesive, learner-centered systems. Moreover, existing educational technologies focus primarily on content adaptation and feedback, overlooking the emotional and sensory context in which learning takes place. Large language models have demonstrated powerful multimodal capabilities including the ability to generate and adapt text, audio, and visual content. Educational research has yet to fully explore their potential in creating personalized audiovisual learning environments. To address this gap, we introduce an AI-powered system that uses LLMs to generate personalized multisensory study environments. Users select or generate customized visual themes (e.g., abstract vs. realistic, static vs. animated) and auditory elements (e.g., white noise, ambient ASMR, familiar vs. novel sounds) to create immersive settings aimed at reducing distraction and enhancing emotional stability. Our primary research question investigates how combinations of personalized audiovisual elements affect learner cognitive load and engagement. Using a mixed-methods design that incorporates biometric measures and performance outcomes, this study evaluates the effectiveness of LLM-driven sensory personalization. The findings aim to advance emotionally responsive educational technologies and extend the application of multimodal LLMs into the sensory dimension of self-directed learning.

Note-Level Singing Melody Transcription for Time-Aligned Musical Score Generation

Automatic music transcription converts audio recordings into symbolic representations, facilitating music analysis, retrieval, and generation. A musical note is characterized by pitch, onset, and offset in an audio domain, whereas it is defined in terms of pitch and note value in a musical score domain. A time-aligned score, derived from timing information along with pitch and note value, allows matching a part of the score with the corresponding part of the music audio, enabling various applications. In this paper, we consider an extended version of the traditional note-level transcription task that recognizes onset, offset, and pitch, through including extraction of additional note value to generate a time-aligned score from an audio input. To address this new challenge, we propose an end-to-end framework that integrates recognition of the note value, pitch, and temporal information. This approach avoids error accumulation inherent in multi-stage methods and enhances accuracy through mutual reinforcement. Our framework employs tokenized representations specifically targeted for this task, through incorporating note value information. Furthermore, we introduce a pseudo-labeling technique to address a scarcity problem of annotated note value data. This technique produces approximate note value labels from existing datasets for the traditional note-level transcription. Experimental results demonstrate the superior performance of the proposed model in note-level transcription tasks when compared to existing state-of-the-art approaches. We also introduce new evaluation metrics that assess both temporal and note value aspects to demonstrate the robustness of the model. Moreover, qualitative assessments via visualized musical scores confirmed the effectiveness of our model in capturing the note values.

ComposeOn Academy: Transforming Melodic Ideas into Complete Compositions Integrating Music Learning

Music composition has long been recognized as a significant art form. However, existing digital audio workstations and music production software often present high entry barriers for users lacking formal musical training. To address this, we introduce ComposeOn, a music theory-based tool designed for users with limited musical knowledge. ComposeOn enables users to easily extend their melodic ideas into complete compositions and offers simple editing features. By integrating music theory, it explains music creation at beginner, intermediate, and advanced levels. Our user study (N=10) compared ComposeOn with the baseline method, Suno AI, demonstrating that ComposeOn provides a more accessible and enjoyable composing and learning experience for individuals with limited musical skills. ComposeOn bridges the gap between theory and practice, offering an innovative solution as both a composition aid and music education platform. The study also explores the differences between theory-based music creation and generative music, highlighting the former's advantages in personal expression and learning.

ReaLJam: Real-Time Human-AI Music Jamming with Reinforcement Learning-Tuned Transformers

Recent advances in generative artificial intelligence (AI) have created models capable of high-quality musical content generation. However, little consideration is given to how to use these models for real-time or cooperative jamming musical applications because of crucial required features: low latency, the ability to communicate planned actions, and the ability to adapt to user input in real-time. To support these needs, we introduce ReaLJam, an interface and protocol for live musical jamming sessions between a human and a Transformer-based AI agent trained with reinforcement learning. We enable real-time interactions using the concept of anticipation, where the agent continually predicts how the performance will unfold and visually conveys its plan to the user. We conduct a user study where experienced musicians jam in real-time with the agent through ReaLJam. Our results demonstrate that ReaLJam enables enjoyable and musically interesting sessions, and we uncover important takeaways for future work.

X-Dancer: Expressive Music to Human Dance Video Generation

We present X-Dancer, a novel zero-shot music-driven image animation pipeline that creates diverse and long-range lifelike human dance videos from a single static image. As its core, we introduce a unified transformer-diffusion framework, featuring an autoregressive transformer model that synthesize extended and music-synchronized token sequences for 2D body, head and hands poses, which then guide a diffusion model to produce coherent and realistic dance video frames. Unlike traditional methods that primarily generate human motion in 3D, X-Dancer addresses data limitations and enhances scalability by modeling a wide spectrum of 2D dance motions, capturing their nuanced alignment with musical beats through readily available monocular videos. To achieve this, we first build a spatially compositional token representation from 2D human pose labels associated with keypoint confidences, encoding both large articulated body movements (e.g., upper and lower body) and fine-grained motions (e.g., head and hands). We then design a music-to-motion transformer model that autoregressively generates music-aligned dance pose token sequences, incorporating global attention to both musical style and prior motion context. Finally we leverage a diffusion backbone to animate the reference image with these synthesized pose tokens through AdaIN, forming a fully differentiable end-to-end framework. Experimental results demonstrate that X-Dancer is able to produce both diverse and characterized dance videos, substantially outperforming state-of-the-art methods in term of diversity, expressiveness and realism. Code and model will be available for research purposes.

The GigaMIDI Dataset with Features for Expressive Music Performance Detection

The Musical Instrument Digital Interface (MIDI), introduced in 1983, revolutionized music production by allowing computers and instruments to communicate efficiently. MIDI files encode musical instructions compactly, facilitating convenient music sharing. They benefit Music Information Retrieval (MIR), aiding in research on music understanding, computational musicology, and generative music. The GigaMIDI dataset contains over 1.4 million unique MIDI files, encompassing 1.8 billion MIDI note events and over 5.3 million MIDI tracks. GigaMIDI is currently the largest collection of symbolic music in MIDI format available for research purposes under fair dealing. Distinguishing between non-expressive and expressive MIDI tracks is challenging, as MIDI files do not inherently make this distinction. To address this issue, we introduce a set of innovative heuristics for detecting expressive music performance. These include the Distinctive Note Velocity Ratio (DNVR) heuristic, which analyzes MIDI note velocity; the Distinctive Note Onset Deviation Ratio (DNODR) heuristic, which examines deviations in note onset times; and the Note Onset Median Metric Level (NOMML) heuristic, which evaluates onset positions relative to metric levels. Our evaluation demonstrates these heuristics effectively differentiate between non-expressive and expressive MIDI tracks. Furthermore, after evaluation, we create the most substantial expressive MIDI dataset, employing our heuristic, NOMML. This curated iteration of GigaMIDI encompasses expressively-performed instrument tracks detected by NOMML, containing all General MIDI instruments, constituting 31% of the GigaMIDI dataset, totalling 1,655,649 tracks.

Music-Driven Legged Robots: Synchronized Walking to Rhythmic Beats

We address the challenge of effectively controlling the locomotion of legged robots by incorporating precise frequency and phase characteristics, which is often ignored in locomotion policies that do not account for the periodic nature of walking. We propose a hierarchical architecture that integrates a low-level phase tracker, oscillators, and a high-level phase modulator. This controller allows quadruped robots to walk in a natural manner that is synchronized with external musical rhythms. Our method generates diverse gaits across different frequencies and achieves real-time synchronization with music in the physical world. This research establishes a foundational framework for enabling real-time execution of accurate rhythmic motions in legged robots. Video is available at website: https://music-walker.github.io/.

Detect All-Type Deepfake Audio: Wavelet Prompt Tuning for Enhanced Auditory Perception

The rapid advancement of audio generation technologies has escalated the risks of malicious deepfake audio across speech, sound, singing voice, and music, threatening multimedia security and trust. While existing countermeasures (CMs) perform well in single-type audio deepfake detection (ADD), their performance declines in cross-type scenarios. This paper is dedicated to studying the alltype ADD task. We are the first to comprehensively establish an all-type ADD benchmark to evaluate current CMs, incorporating cross-type deepfake detection across speech, sound, singing voice, and music. Then, we introduce the prompt tuning self-supervised learning (PT-SSL) training paradigm, which optimizes SSL frontend by learning specialized prompt tokens for ADD, requiring 458x fewer trainable parameters than fine-tuning (FT). Considering the auditory perception of different audio types,we propose the wavelet prompt tuning (WPT)-SSL method to capture type-invariant auditory deepfake information from the frequency domain without requiring additional training parameters, thereby enhancing performance over FT in the all-type ADD task. To achieve an universally CM, we utilize all types of deepfake audio for co-training. Experimental results demonstrate that WPT-XLSR-AASIST achieved the best performance, with an average EER of 3.58% across all evaluation sets. The code is available online.

Video Motion Graphs

We present Video Motion Graphs, a system designed to generate realistic human motion videos. Using a reference video and conditional signals such as music or motion tags, the system synthesizes new videos by first retrieving video clips with gestures matching the conditions and then generating interpolation frames to seamlessly connect clip boundaries. The core of our approach is HMInterp, a robust Video Frame Interpolation (VFI) model that enables seamless interpolation of discontinuous frames, even for complex motion scenarios like dancing. HMInterp i) employs a dual-branch interpolation approach, combining a Motion Diffusion Model for human skeleton motion interpolation with a diffusion-based video frame interpolation model for final frame generation. ii) adopts condition progressive training to effectively leverage identity strong and weak conditions, such as images and pose. These designs ensure both high video texture quality and accurate motion trajectory. Results show that our Video Motion Graphs outperforms existing generative- and retrieval-based methods for multi-modal conditioned human motion video generation. Project page can be found at https://h-liu1997.github.io/Video-Motion-Graphs/

Coupling the Heart to Musical Machines

Biofeedback is being used more recently as a general control paradigm for human-computer interfaces (HCIs). While biofeedback especially from breath has seen increasing uptake as a controller for novel musical interfaces, new interfaces for musical expression (NIMEs), the community has not given as much attention to the heart. The heart is just as intimate a part of music as breath and it is argued that the heart determines our perception of time and so indirectly our perception of music. Inspired by this I demonstrate a photoplethysmogram (PPG)-based NIME controller using heart rate as a 1D control parameter to transform the qualities of sounds in real-time over a Bluetooth wireless HCI. I apply time scaling to "warp" audio buffers inbound to the sound card, and play these transformed audio buffers back to the listener wearing the PPG sensor, creating a hypothetical perceptual biofeedback loop: changes in sound change heart rate to change PPG measurements to change sound. I discuss how a sound-heart-PPG biofeedback loop possibly affords greater control and/or variety of movements with a 1D controller, how controlling the space and/or time scale of sound playback with biofeedback makes for possibilities in performance ambience, and I briefly discuss generative latent spaces as a possible way to extend a 1D PPG control space.