VibE-SVC: Vibrato Extraction with High-frequency F0 Contour for Singing Voice Conversion

Controlling singing style is crucial for achieving an expressive and natural singing voice. Among the various style factors, vibrato plays a key role in conveying emotions and enhancing musical depth. However, modeling vibrato remains challenging due to its dynamic nature, making it difficult to control in singing voice conversion. To address this, we propose VibESVC, a controllable singing voice conversion model that explicitly extracts and manipulates vibrato using discrete wavelet transform. Unlike previous methods that model vibrato implicitly, our approach decomposes the F0 contour into frequency components, enabling precise transfer. This allows vibrato control for enhanced flexibility. Experimental results show that VibE-SVC effectively transforms singing styles while preserving speaker similarity. Both subjective and objective evaluations confirm high-quality conversion.

MAVL: A Multilingual Audio-Video Lyrics Dataset for Animated Song Translation

Lyrics translation requires both accurate semantic transfer and preservation of musical rhythm, syllabic structure, and poetic style. In animated musicals, the challenge intensifies due to alignment with visual and auditory cues. We introduce Multilingual Audio-Video Lyrics Benchmark for Animated Song Translation (MAVL), the first multilingual, multimodal benchmark for singable lyrics translation. By integrating text, audio, and video, MAVL enables richer and more expressive translations than text-only approaches. Building on this, we propose Syllable-Constrained Audio-Video LLM with Chain-of-Thought SylAVL-CoT, which leverages audio-video cues and enforces syllabic constraints to produce natural-sounding lyrics. Experimental results demonstrate that SylAVL-CoT significantly outperforms text-based models in singability and contextual accuracy, emphasizing the value of multimodal, multilingual approaches for lyrics translation.

TCSinger 2: Customizable Multilingual Zero-shot Singing Voice Synthesis

Customizable multilingual zero-shot singing voice synthesis (SVS) has various potential applications in music composition and short video dubbing. However, existing SVS models overly depend on phoneme and note boundary annotations, limiting their robustness in zero-shot scenarios and producing poor transitions between phonemes and notes. Moreover, they also lack effective multi-level style control via diverse prompts. To overcome these challenges, we introduce TCSinger 2, a multi-task multilingual zero-shot SVS model with style transfer and style control based on various prompts. TCSinger 2 mainly includes three key modules: 1) Blurred Boundary Content (BBC) Encoder, predicts duration, extends content embedding, and applies masking to the boundaries to enable smooth transitions. 2) Custom Audio Encoder, uses contrastive learning to extract aligned representations from singing, speech, and textual prompts. 3) Flow-based Custom Transformer, leverages Cus-MOE, with F0 supervision, enhancing both the synthesis quality and style modeling of the generated singing voice. Experimental results show that TCSinger 2 outperforms baseline models in both subjective and objective metrics across multiple related tasks.

Designing Child-Friendly AI Interfaces: Six Developmentally-Appropriate Design Insights from Analysing Disney Animation

To build AI interfaces that children can intuitively understand and use, designers need a design grammar that truly serves children's developmental needs. This paper bridges Artificial Intelligence design for children -- an emerging field still defining its best practices -- and children's animation, a well-established field with decades of experience in engaging young viewers through emotionally resonant, cognitively accessible storytelling. Pairing Piagetian developmental theory with design pattern extraction from 52 works of Disney animation, the paper presents six design insights transferable to child-centred AI interface design: (1) emotional expressiveness and visual clarity, (2) musical and auditory scaffolding, (3) audiovisual synchrony for emotional comfort, (4) sidekick-style personas, (5) support for symbolic play and imaginative exploration, and (6) predictable and scaffolded interaction structures. These strategies -- long refined in Disney animation -- function as multimodal scaffolds for attention, understanding, and emotional attunement, thereby forming a structured design grammar familiar to children and transferable to AI interface design. By reframing cinematic storytelling as design logic for AI, the paper offers heuristics for crafting intuitive AI interfaces that align with children's cognitive stages and emotional needs. The work contributes to design theory by showing how sensory, affective and narrative techniques can inform developmentally attuned AI design for children. Future directions include empirical testing, cultural adaptation, and participatory co-design.

Tune It Up: Music Genre Transfer and Prediction

Deep generative models have been used in style transfer tasks for images. In this study, we adapt and improve CycleGAN model to perform music style transfer on Jazz and Classic genres. By doing so, we aim to easily generate new songs, cover music to different music genres and reduce the arrangements needed in those processes. We train and use music genre classifier to assess the performance of the transfer models. To that end, we obtain 87.7% accuracy with Multi-layer Perceptron algorithm. To improve our style transfer baseline, we add auxiliary discriminators and triplet loss to our model. According to our experiments, we obtain the best accuracies as 69.4% in Jazz to Classic task and 39.3% in Classic to Jazz task with our developed genre classifier. We also run a subjective experiment and results of it show that the overall performance of our transfer model is good and it manages to conserve melody of inputs on the transferred outputs. Our code is available at https://github.com/ fidansamet/tune-it-up

YuE: Scaling Open Foundation Models for Long-Form Music Generation

We tackle the task of long-form music generation--particularly the challenging \textbf{lyrics-to-song} problem--by introducing YuE, a family of open foundation models based on the LLaMA2 architecture. Specifically, YuE scales to trillions of tokens and generates up to five minutes of music while maintaining lyrical alignment, coherent musical structure, and engaging vocal melodies with appropriate accompaniment. It achieves this through (1) track-decoupled next-token prediction to overcome dense mixture signals, (2) structural progressive conditioning for long-context lyrical alignment, and (3) a multitask, multiphase pre-training recipe to converge and generalize. In addition, we redesign the in-context learning technique for music generation, enabling versatile style transfer (e.g., converting Japanese city pop into an English rap while preserving the original accompaniment) and bidirectional generation. Through extensive evaluation, we demonstrate that YuE matches or even surpasses some of the proprietary systems in musicality and vocal agility. In addition, fine-tuning YuE enables additional controls and enhanced support for tail languages. Furthermore, beyond generation, we show that YuE's learned representations can perform well on music understanding tasks, where the results of YuE match or exceed state-of-the-art methods on the MARBLE benchmark. Keywords: lyrics2song, song generation, long-form, foundation model, music generation

ImprovNet: Generating Controllable Musical Improvisations with Iterative Corruption Refinement

Deep learning has enabled remarkable advances in style transfer across various domains, offering new possibilities for creative content generation. However, in the realm of symbolic music, generating controllable and expressive performance-level style transfers for complete musical works remains challenging due to limited datasets, especially for genres such as jazz, and the lack of unified models that can handle multiple music generation tasks. This paper presents ImprovNet, a transformer-based architecture that generates expressive and controllable musical improvisations through a self-supervised corruption-refinement training strategy. ImprovNet unifies multiple capabilities within a single model: it can perform cross-genre and intra-genre improvisations, harmonize melodies with genre-specific styles, and execute short prompt continuation and infilling tasks. The model's iterative generation framework allows users to control the degree of style transfer and structural similarity to the original composition. Objective and subjective evaluations demonstrate ImprovNet's effectiveness in generating musically coherent improvisations while maintaining structural relationships with the original pieces. The model outperforms Anticipatory Music Transformer in short continuation and infilling tasks and successfully achieves recognizable genre conversion, with 79\% of participants correctly identifying jazz-style improvisations. Our code and demo page can be found at https://github.com/keshavbhandari/improvnet.

Everyone-Can-Sing: Zero-Shot Singing Voice Synthesis and Conversion with Speech Reference

We propose a unified framework for Singing Voice Synthesis (SVS) and Conversion (SVC), addressing the limitations of existing approaches in cross-domain SVS/SVC, poor output musicality, and scarcity of singing data. Our framework enables control over multiple aspects, including language content based on lyrics, performance attributes based on a musical score, singing style and vocal techniques based on a selector, and voice identity based on a speech sample. The proposed zero-shot learning paradigm consists of one SVS model and two SVC models, utilizing pre-trained content embeddings and a diffusion-based generator. The proposed framework is also trained on mixed datasets comprising both singing and speech audio, allowing singing voice cloning based on speech reference. Experiments show substantial improvements in timbre similarity and musicality over state-of-the-art baselines, providing insights into other low-data music tasks such as instrumental style transfer. Examples can be found at: everyone-can-sing.github.io.

Music2Fail: Transfer Music to Failed Recorder Style

The goal of music style transfer is to convert a music performance by one instrument into another while keeping the musical contents unchanged. In this paper, we investigate another style transfer scenario called ``failed-music style transfer''. Unlike the usual music style transfer where the content remains the same and only the instrumental characteristics are changed, this scenario seeks to transfer the music from the source instrument to the target instrument which is deliberately performed off-pitch. Our work attempts to transfer normally played music into off-pitch recorder music, which we call ``failed-style recorder'', and study the results of the conversion. To carry out this work, we have also proposed a dataset of failed-style recorders for this task, called ``FR109 Dataset''. Such an experiment explores the music style transfer task in a more expressive setting, as the generated audio should sound like an ``off-pitch recorder'' while maintaining a certain degree of naturalness.

A Training-Free Approach for Music Style Transfer with Latent Diffusion Models

Music style transfer, while offering exciting possibilities for personalized music generation, often requires extensive training or detailed textual descriptions. This paper introduces a novel training-free approach leveraging pre-trained Latent Diffusion Models (LDMs). By manipulating the self-attention features of the LDM, we effectively transfer the style of reference music onto content music without additional training. Our method achieves superior style transfer and melody preservation compared to existing methods. This work opens new creative avenues for personalized music generation.