Audio-Visual Driven Compression for Low-Bitrate Talking Head Videos

Talking head video compression has advanced with neural rendering and keypoint-based methods, but challenges remain, especially at low bit rates, including handling large head movements, suboptimal lip synchronization, and distorted facial reconstructions. To address these problems, we propose a novel audio-visual driven video codec that integrates compact 3D motion features and audio signals. This approach robustly models significant head rotations and aligns lip movements with speech, improving both compression efficiency and reconstruction quality. Experiments on the CelebV-HQ dataset show that our method reduces bitrate by 22% compared to VVC and by 8.5% over state-of-the-art learning-based codec. Furthermore, it provides superior lip-sync accuracy and visual fidelity at comparable bitrates, highlighting its effectiveness in bandwidth-constrained scenarios.

Audio-Sync Video Generation with Multi-Stream Temporal Control

Audio is inherently temporal and closely synchronized with the visual world, making it a naturally aligned and expressive control signal for controllable video generation (e.g., movies). Beyond control, directly translating audio into video is essential for understanding and visualizing rich audio narratives (e.g., Podcasts or historical recordings). However, existing approaches fall short in generating high-quality videos with precise audio-visual synchronization, especially across diverse and complex audio types. In this work, we introduce MTV, a versatile framework for audio-sync video generation. MTV explicitly separates audios into speech, effects, and music tracks, enabling disentangled control over lip motion, event timing, and visual mood, respectively -- resulting in fine-grained and semantically aligned video generation. To support the framework, we additionally present DEMIX, a dataset comprising high-quality cinematic videos and demixed audio tracks. DEMIX is structured into five overlapped subsets, enabling scalable multi-stage training for diverse generation scenarios. Extensive experiments demonstrate that MTV achieves state-of-the-art performance across six standard metrics spanning video quality, text-video consistency, and audio-video alignment. Project page: https://hjzheng.net/projects/MTV/.

SAVVY: Spatial Awareness via Audio-Visual LLMs through Seeing and Hearing

3D spatial reasoning in dynamic, audio-visual environments is a cornerstone of human cognition yet remains largely unexplored by existing Audio-Visual Large Language Models (AV-LLMs) and benchmarks, which predominantly focus on static or 2D scenes. We introduce SAVVY-Bench, the first benchmark for 3D spatial reasoning in dynamic scenes with synchronized spatial audio. SAVVY-Bench is comprised of thousands of relationships involving static and moving objects, and requires fine-grained temporal grounding, consistent 3D localization, and multi-modal annotation. To tackle this challenge, we propose SAVVY, a novel training-free reasoning pipeline that consists of two stages: (i) Egocentric Spatial Tracks Estimation, which leverages AV-LLMs as well as other audio-visual methods to track the trajectories of key objects related to the query using both visual and spatial audio cues, and (ii) Dynamic Global Map Construction, which aggregates multi-modal queried object trajectories and converts them into a unified global dynamic map. Using the constructed map, a final QA answer is obtained through a coordinate transformation that aligns the global map with the queried viewpoint. Empirical evaluation demonstrates that SAVVY substantially enhances performance of state-of-the-art AV-LLMs, setting a new standard and stage for approaching dynamic 3D spatial reasoning in AV-LLMs.

Video Editing for Audio-Visual Dubbing

Visual dubbing, the synchronization of facial movements with new speech, is crucial for making content accessible across different languages, enabling broader global reach. However, current methods face significant limitations. Existing approaches often generate talking faces, hindering seamless integration into original scenes, or employ inpainting techniques that discard vital visual information like partial occlusions and lighting variations. This work introduces EdiDub, a novel framework that reformulates visual dubbing as a content-aware editing task. EdiDub preserves the original video context by utilizing a specialized conditioning scheme to ensure faithful and accurate modifications rather than mere copying. On multiple benchmarks, including a challenging occluded-lip dataset, EdiDub significantly improves identity preservation and synchronization. Human evaluations further confirm its superiority, achieving higher synchronization and visual naturalness scores compared to the leading methods. These results demonstrate that our content-aware editing approach outperforms traditional generation or inpainting, particularly in maintaining complex visual elements while ensuring accurate lip synchronization.

OmniResponse: Online Multimodal Conversational Response Generation in Dyadic Interactions

In this paper, we introduce Online Multimodal Conversational Response Generation (OMCRG), a novel task that aims to online generate synchronized verbal and non-verbal listener feedback, conditioned on the speaker's multimodal input. OMCRG reflects natural dyadic interactions and poses new challenges in achieving synchronization between the generated audio and facial responses of the listener. To address these challenges, we innovatively introduce text as an intermediate modality to bridge the audio and facial responses. We hence propose OmniResponse, a Multimodal Large Language Model (MLLM) that autoregressively generates high-quality multi-modal listener responses. OmniResponse leverages a pretrained LLM enhanced with two novel components: Chrono-Text, which temporally anchors generated text tokens, and TempoVoice, a controllable online TTS module that produces speech synchronized with facial reactions. To support further OMCRG research, we present ResponseNet, a new dataset comprising 696 high-quality dyadic interactions featuring synchronized split-screen videos, multichannel audio, transcripts, and facial behavior annotations. Comprehensive evaluations conducted on ResponseNet demonstrate that OmniResponse significantly outperforms baseline models in terms of semantic speech content, audio-visual synchronization, and generation quality.

PCIE_Interaction Solution for Ego4D Social Interaction Challenge

This report presents our team's PCIE_Interaction solution for the Ego4D Social Interaction Challenge at CVPR 2025, addressing both Looking At Me (LAM) and Talking To Me (TTM) tasks. The challenge requires accurate detection of social interactions between subjects and the camera wearer, with LAM relying exclusively on face crop sequences and TTM combining speaker face crops with synchronized audio segments. In the LAM track, we employ face quality enhancement and ensemble methods. For the TTM task, we extend visual interaction analysis by fusing audio and visual cues, weighted by a visual quality score. Our approach achieved 0.81 and 0.71 mean average precision (mAP) on the LAM and TTM challenges leader board. Code is available at https://github.com/KanokphanL/PCIE_Ego4D_Social_Interaction

Let Them Talk: Audio-Driven Multi-Person Conversational Video Generation

Audio-driven human animation methods, such as talking head and talking body generation, have made remarkable progress in generating synchronized facial movements and appealing visual quality videos. However, existing methods primarily focus on single human animation and struggle with multi-stream audio inputs, facing incorrect binding problems between audio and persons. Additionally, they exhibit limitations in instruction-following capabilities. To solve this problem, in this paper, we propose a novel task: Multi-Person Conversational Video Generation, and introduce a new framework, MultiTalk, to address the challenges during multi-person generation. Specifically, for audio injection, we investigate several schemes and propose the Label Rotary Position Embedding (L-RoPE) method to resolve the audio and person binding problem. Furthermore, during training, we observe that partial parameter training and multi-task training are crucial for preserving the instruction-following ability of the base model. MultiTalk achieves superior performance compared to other methods on several datasets, including talking head, talking body, and multi-person datasets, demonstrating the powerful generation capabilities of our approach.

Towards Video to Piano Music Generation with Chain-of-Perform Support Benchmarks

Generating high-quality piano audio from video requires precise synchronization between visual cues and musical output, ensuring accurate semantic and temporal alignment.However, existing evaluation datasets do not fully capture the intricate synchronization required for piano music generation. A comprehensive benchmark is essential for two primary reasons: (1) existing metrics fail to reflect the complexity of video-to-piano music interactions, and (2) a dedicated benchmark dataset can provide valuable insights to accelerate progress in high-quality piano music generation. To address these challenges, we introduce the CoP Benchmark Dataset-a fully open-sourced, multimodal benchmark designed specifically for video-guided piano music generation. The proposed Chain-of-Perform (CoP) benchmark offers several compelling features: (1) detailed multimodal annotations, enabling precise semantic and temporal alignment between video content and piano audio via step-by-step Chain-of-Perform guidance; (2) a versatile evaluation framework for rigorous assessment of both general-purpose and specialized video-to-piano generation tasks; and (3) full open-sourcing of the dataset, annotations, and evaluation protocols. The dataset is publicly available at https://github.com/acappemin/Video-to-Audio-and-Piano, with a continuously updated leaderboard to promote ongoing research in this domain.

FaceEditTalker: Interactive Talking Head Generation with Facial Attribute Editing

Recent advances in audio-driven talking head generation have achieved impressive results in lip synchronization and emotional expression. However, they largely overlook the crucial task of facial attribute editing. This capability is crucial for achieving deep personalization and expanding the range of practical applications, including user-tailored digital avatars, engaging online education content, and brand-specific digital customer service. In these key domains, the flexible adjustment of visual attributes-such as hairstyle, accessories, and subtle facial features is essential for aligning with user preferences, reflecting diverse brand identities, and adapting to varying contextual demands. In this paper, we present FaceEditTalker, a unified framework that enables controllable facial attribute manipulation while generating high-quality, audio-synchronized talking head videos. Our method consists of two key components: an image feature space editing module, which extracts semantic and detail features and allows flexible control over attributes like expression, hairstyle, and accessories; and an audio-driven video generation module, which fuses these edited features with audio-guided facial landmarks to drive a diffusion-based generator. This design ensures temporal coherence, visual fidelity, and identity preservation across frames. Extensive experiments on public datasets demonstrate that our method outperforms state-of-the-art approaches in lip-sync accuracy, video quality, and attribute controllability. Project page: https://peterfanfan.github.io/FaceEditTalker/

OmniSync: Towards Universal Lip Synchronization via Diffusion Transformers

Lip synchronization is the task of aligning a speaker's lip movements in video with corresponding speech audio, and it is essential for creating realistic, expressive video content. However, existing methods often rely on reference frames and masked-frame inpainting, which limit their robustness to identity consistency, pose variations, facial occlusions, and stylized content. In addition, since audio signals provide weaker conditioning than visual cues, lip shape leakage from the original video will affect lip sync quality. In this paper, we present OmniSync, a universal lip synchronization framework for diverse visual scenarios. Our approach introduces a mask-free training paradigm using Diffusion Transformer models for direct frame editing without explicit masks, enabling unlimited-duration inference while maintaining natural facial dynamics and preserving character identity. During inference, we propose a flow-matching-based progressive noise initialization to ensure pose and identity consistency, while allowing precise mouth-region editing. To address the weak conditioning signal of audio, we develop a Dynamic Spatiotemporal Classifier-Free Guidance (DS-CFG) mechanism that adaptively adjusts guidance strength over time and space. We also establish the AIGC-LipSync Benchmark, the first evaluation suite for lip synchronization in diverse AI-generated videos. Extensive experiments demonstrate that OmniSync significantly outperforms prior methods in both visual quality and lip sync accuracy, achieving superior results in both real-world and AI-generated videos.