Towards audio language modeling -- an overview

Neural audio codecs are initially introduced to compress audio data into compact codes to reduce transmission latency. Researchers recently discovered the potential of codecs as suitable tokenizers for converting continuous audio into discrete codes, which can be employed to develop audio language models (LMs). Numerous high-performance neural audio codecs and codec-based LMs have been developed. The paper aims to provide a thorough and systematic overview of the neural audio codec models and codec-based LMs.

Codec-SUPERB: An In-Depth Analysis of Sound Codec Models

The sound codec's dual roles in minimizing data transmission latency and serving as tokenizers underscore its critical importance. Recent years have witnessed significant developments in codec models. The ideal sound codec should preserve content, paralinguistics, speakers, and audio information. However, the question of which codec achieves optimal sound information preservation remains unanswered, as in different papers, models are evaluated on their selected experimental settings. This study introduces Codec-SUPERB, an acronym for Codec sound processing Universal PERformance Benchmark. It is an ecosystem designed to assess codec models across representative sound applications and signal-level metrics rooted in sound domain knowledge.Codec-SUPERB simplifies result sharing through an online leaderboard, promoting collaboration within a community-driven benchmark database, thereby stimulating new development cycles for codecs. Furthermore, we undertake an in-depth analysis to offer insights into codec models from both application and signal perspectives, diverging from previous codec papers mainly concentrating on signal-level comparisons. Finally, we will release codes, the leaderboard, and data to accelerate progress within the community.

Multimodal Transformer Distillation for Audio-Visual Synchronization

Audio-visual synchronization aims to determine whether the mouth movements and speech in the video are synchronized. VocaLiST reaches state-of-the-art performance by incorporating multimodal Transformers to model audio-visual interact information. However, it requires high computing resources, making it impractical for real-world applications. This paper proposed an MTDVocaLiST model, which is trained by our proposed multimodal Transformer distillation (MTD) loss. MTD loss enables MTDVocaLiST model to deeply mimic the cross-attention distribution and value-relation in the Transformer of VocaLiST. Our proposed method is effective in two aspects: From the distillation method perspective, MTD loss outperforms other strong distillation baselines. From the distilled model's performance perspective: 1) MTDVocaLiST outperforms similar-size SOTA models, SyncNet, and PM models by 15.69% and 3.39%; 2) MTDVocaLiST reduces the model size of VocaLiST by 83.52%, yet still maintaining similar performance.

Push-Pull: Characterizing the Adversarial Robustness for Audio-Visual Active Speaker Detection

Audio-visual active speaker detection (AVASD) is well-developed, and now is an indispensable front-end for several multi-modal applications. However, to the best of our knowledge, the adversarial robustness of AVASD models hasn't been investigated, not to mention the effective defense against such attacks. In this paper, we are the first to reveal the vulnerability of AVASD models under audio-only, visual-only, and audio-visual adversarial attacks through extensive experiments. What's more, we also propose a novel audio-visual interaction loss (AVIL) for making attackers difficult to find feasible adversarial examples under an allocated attack budget. The loss aims at pushing the inter-class embeddings to be dispersed, namely non-speech and speech clusters, sufficiently disentangled, and pulling the intra-class embeddings as close as possible to keep them compact. Experimental results show the AVIL outperforms the adversarial training by 33.14 mAP (%) under multi-modal attacks.

Training strategy for a lightweight countermeasure model for automatic speaker verification

The countermeasure (CM) model is developed to protect Automatic Speaker Verification (ASV) systems from spoof attacks and prevent resulting personal information leakage. Based on practicality and security considerations, the CM model is usually deployed on edge devices, which have more limited computing resources and storage space than cloud-based systems. This work proposes training strategies for a lightweight CM model for ASV, using generalized end-to-end (GE2E) pre-training and adversarial fine-tuning to improve performance, and applying knowledge distillation (KD) to reduce the size of the CM model. In the evaluation phase of the ASVspoof 2021 Logical Access task, the lightweight ResNetSE model reaches min t-DCF 0.2695 and EER 3.54%. Compared to the teacher model, the lightweight student model only uses 22.5% of parameters and 21.1% of multiply and accumulate operands of the teacher model.

Singer separation for karaoke content generation

Due to the rapid development of deep learning, we can now successfully separate singing voice from mono audio music. However, this separation can only extract human voices from other musical instruments, which is undesirable for karaoke content generation applications that only require the separation of lead singers. For this karaoke application, we need to separate the music containing male and female duets into two vocals, or extract a single lead vocal from the music containing vocal harmony. For this reason, we propose in this article to use a singer separation system, which generates karaoke content for one or two separated lead singers. In particular, we introduced three models for the singer separation task and designed an automatic model selection scheme to distinguish how many lead singers are in the song. We also collected a large enough data set, MIR-SingerSeparation, which has been publicly released to advance the frontier of this research. Our singer separation is most suitable for sentimental ballads and can be directly applied to karaoke content generation. As far as we know, this is the first singer-separation work for real-world karaoke applications.