Improved Sampling Schedules for Discrete Diffusion Models

Discrete diffusion models have emerged as a powerful paradigm for generative modeling on sequence data; however, the information-theoretic principles governing their reverse processes remain significantly less understood than those of their continuous counterparts. In this work, we bridge this gap by analyzing the reverse process dynamics through the lens of thermodynamic entropy production. We propose the entropy production rate as a rigorous proxy for quantifying information generation, deriving as a byproduct a bound on the Wasserstein distance between intermediate states and the data distribution. Leveraging these insights, we introduce two novel sampling schedules that are uniformly spaced with respect to their corresponding physics-inspired metrics: the Entropic Discrete Schedule (EDS), which is defined by maintaining a constant rate of information gain, and the Wasserstein Discrete Schedule (WDS), which is defined by taking equal steps in terms of the Wasserstein distance. We empirically demonstrate that our proposed schedules significantly outperform state-of-the-art strategies across diverse application domains, including synthetic data, music notation, vision and language modeling, consistently achieving superior performance at a lower computational budget.

The ICASSP 2026 Automatic Song Aesthetics Evaluation Challenge

This paper summarizes the ICASSP 2026 Automatic Song Aesthetics Evaluation (ASAE) Challenge, which focuses on predicting the subjective aesthetic scores of AI-generated songs. The challenge consists of two tracks: Track 1 targets the prediction of the overall musicality score, while Track 2 focuses on predicting five fine-grained aesthetic scores. The challenge attracted strong interest from the research community and received numerous submissions from both academia and industry. Top-performing systems significantly surpassed the official baseline, demonstrating substantial progress in aligning objective metrics with human aesthetic preferences. The outcomes establish a standardized benchmark and advance human-aligned evaluation methodologies for modern music generation systems.

SNC: A Stem-Native Codec for Efficient Lossless Audio Storage with Adaptive Playback Capabilities

Current audio formats present a fundamental trade-off between file size and functionality: lossless formats like FLAC preserve quality but lack adaptability, while lossy formats reduce size at the cost of fidelity and offer no stem-level access.We introduce the Stem-Native Codec (SNC), a novel audio container format that stores music as independently encoded stems plus a low-energy mastering residual. By exploiting the lower information entropy of separated stems compared to mixed audio, SNC achieves a 38.2% file size reduction versus FLAC (7.76 MB vs. 12.55 MB for a 2:18 test track) while maintaining perceptual transparency (STOI = 0.996). Unlike existing formats, SNC enables context-aware adaptive playback, spatial audio rendering, and user-controlled remixing without requiring additional storage. Our experimental validation demonstrates that the stems-plus residual architecture successfully decouples the conflicting requirements of compression efficiency and feature richness, offering a practical path toward next-generation audio distribution systems.

Inverting Self-Organizing Maps: A Unified Activation-Based Framework

Self-Organizing Maps provide topology-preserving projections of high-dimensional data and have been widely used for visualization, clustering, and vector quantization. In this work, we show that the activation pattern of a SOM - the squared distances to its prototypes - can be inverted to recover the exact input under mild geometric conditions. This follows from a classical fact in Euclidean distance geometry: a point in $D$ dimensions is uniquely determined by its distances to $D{+}1$ affinely independent references. We derive the corresponding linear system and characterize the conditions under which the inversion is well-posed. Building upon this mechanism, we introduce the Manifold-Aware Unified SOM Inversion and Control (MUSIC) update rule, which enables controlled, semantically meaningful trajectories in latent space. MUSIC modifies squared distances to selected prototypes while preserving others, resulting in a deterministic geometric flow aligned with the SOM's piecewise-linear structure. Tikhonov regularization stabilizes the update rule and ensures smooth motion on high-dimensional datasets. Unlike variational or probabilistic generative models, MUSIC does not rely on sampling, latent priors, or encoder-decoder architectures. If no perturbation is applied, inversion recovers the exact input; when a target cluster or prototype is specified, MUSIC produces coherent semantic variations while remaining on the data manifold. This leads to a new perspective on data augmentation and controllable latent exploration based solely on prototype geometry. We validate the approach using synthetic Gaussian mixtures, the MNIST and the Faces in the Wild dataset. Across all settings, MUSIC produces smooth, interpretable trajectories that reveal the underlying geometry of the learned manifold, illustrating the advantages of SOM-based inversion over unsupervised clustering.

Uncertainty and Fairness Awareness in LLM-Based Recommendation Systems

Large language models (LLMs) enable powerful zero-shot recommendations by leveraging broad contextual knowledge, yet predictive uncertainty and embedded biases threaten reliability and fairness. This paper studies how uncertainty and fairness evaluations affect the accuracy, consistency, and trustworthiness of LLM-generated recommendations. We introduce a benchmark of curated metrics and a dataset annotated for eight demographic attributes (31 categorical values) across two domains: movies and music. Through in-depth case studies, we quantify predictive uncertainty (via entropy) and demonstrate that Google DeepMind's Gemini 1.5 Flash exhibits systematic unfairness for certain sensitive attributes; measured similarity-based gaps are SNSR at 0.1363 and SNSV at 0.0507. These disparities persist under prompt perturbations such as typographical errors and multilingual inputs. We further integrate personality-aware fairness into the RecLLM evaluation pipeline to reveal personality-linked bias patterns and expose trade-offs between personalization and group fairness. We propose a novel uncertainty-aware evaluation methodology for RecLLMs, present empirical insights from deep uncertainty case studies, and introduce a personality profile-informed fairness benchmark that advances explainability and equity in LLM recommendations. Together, these contributions establish a foundation for safer, more interpretable RecLLMs and motivate future work on multi-model benchmarks and adaptive calibration for trustworthy deployment.

Divergence-Free Diffusion Models for Incompressible Fluid Flows

Generative diffusion models are extensively used in unsupervised and self-supervised machine learning with the aim to generate new samples from a probability distribution estimated with a set of known samples. They have demonstrated impressive results in replicating dense, real-world contents such as images, musical pieces, or human languages. This work investigates their application to the numerical simulation of incompressible fluid flows, with a view toward incorporating physical constraints such as incompressibility in the probabilistic forecasting framework enabled by generative networks. For that purpose, we explore different conditional, score-based diffusion models where the divergence-free constraint is imposed by the Leray spectral projector, and autoregressive conditioning is aimed at stabilizing the forecasted flow snapshots at distant time horizons. The proposed models are run on a benchmark turbulence problem, namely a Kolmogorov flow, which allows for a fairly detailed analytical and numerical treatment and thus simplifies the evaluation of the numerical methods used to simulate it. Numerical experiments of increasing complexity are performed in order to compare the advantages and limitations of the diffusion models we have implemented and appraise their performances, including: (i) in-distribution assessment over the same time horizons and for similar physical conditions as the ones seen during training; (ii) rollout predictions over time horizons unseen during training; and (iii) out-of-distribution tests for forecasting flows markedly different from those seen during training. In particular, these results illustrate the ability of diffusion models to reproduce the main statistical characteristics of Kolmogorov turbulence in scenarios departing from the ones they were trained on.

Assessing the Effectiveness of Membership Inference on Generative Music

Generative AI systems are quickly improving, now able to produce believable output in several modalities including images, text, and audio. However, this fast development has prompted increased scrutiny concerning user privacy and the use of copyrighted works in training. A recent attack on machine-learning models called membership inference lies at the crossroads of these two concerns. The attack is given as input a set of records and a trained model and seeks to identify which of those records may have been used to train the model. On one hand, this attack can be used to identify user data used to train a model, which may violate their privacy especially in sensitive applications such as models trained on medical data. On the other hand, this attack can be used by rights-holders as evidence that a company used their works without permission to train a model. Remarkably, it appears that no work has studied the effect of membership inference attacks (MIA) on generative music. Given that the music industry is worth billions of dollars and artists would stand to gain from being able to determine if their works were being used without permission, we believe this is a pressing issue to study. As such, in this work we begin a preliminary study into whether MIAs are effective on generative music. We study the effect of several existing attacks on MuseGAN, a popular and influential generative music model. Similar to prior work on generative audio MIAs, our findings suggest that music data is fairly resilient to known membership inference techniques.

DARC: Drum accompaniment generation with fine-grained rhythm control

In music creation, rapid prototyping is essential for exploring and refining ideas, yet existing generative tools often fall short when users require both structural control and stylistic flexibility. Prior approaches in stem-to-stem generation can condition on other musical stems but offer limited control over rhythm, and timbre-transfer methods allow users to specify specific rhythms, but cannot condition on musical context. We introduce DARC, a generative drum accompaniment model that conditions both on musical context from other stems and explicit rhythm prompts such as beatboxing or tapping tracks. Using parameter-efficient fine-tuning, we augment STAGE, a state-of-the-art drum stem generator, with fine-grained rhythm control while maintaining musical context awareness.

Predictive Controlled Music

This paper presents a new approach to algorithmic composition, called predictive controlled music (PCM), which combines model predictive control (MPC) with music generation. PCM uses dynamic models to predict and optimize the music generation process, where musical notes are computed in a manner similar to an MPC problem by optimizing a performance measure. A feedforward neural network-based assessment function is used to evaluate the generated musical score, which serves as the objective function of the PCM optimization problem. Furthermore, a recurrent neural network model is employed to capture the relationships among the variables in the musical notes, and this model is then used to define the constraints in the PCM. Similar to MPC, the proposed PCM computes musical notes in a receding-horizon manner, leading to feedback controlled prediction. Numerical examples are presented to illustrate the PCM generation method.

Abusive music and song transformation using GenAI and LLMs

Repeated exposure to violence and abusive content in music and song content can influence listeners' emotions and behaviours, potentially normalising aggression or reinforcing harmful stereotypes. In this study, we explore the use of generative artificial intelligence (GenAI) and Large Language Models (LLMs) to automatically transform abusive words (vocal delivery) and lyrical content in popular music. Rather than simply muting or replacing a single word, our approach transforms the tone, intensity, and sentiment, thus not altering just the lyrics, but how it is expressed. We present a comparative analysis of four selected English songs and their transformed counterparts, evaluating changes through both acoustic and sentiment-based lenses. Our findings indicate that Gen-AI significantly reduces vocal aggressiveness, with acoustic analysis showing improvements in Harmonic to Noise Ratio, Cepstral Peak Prominence, and Shimmer. Sentiment analysis reduced aggression by 63.3-85.6\% across artists, with major improvements in chorus sections (up to 88.6\% reduction). The transformed versions maintained musical coherence while mitigating harmful content, offering a promising alternative to traditional content moderation that avoids triggering the "forbidden fruit" effect, where the censored content becomes more appealing simply because it is restricted. This approach demonstrates the potential for GenAI to create safer listening experiences while preserving artistic expression.