Closing the Loop: PID Feedback Control for Interpretable Activation Steering in Symbolic Music Generation

Transformer-based architectures have significantly advanced the generation of complex symbolic sequences, yet a significant gap remains in achieving fine-grained, interpretable control over discrete signal attributes. This paper investigates the mechanistic interpretability of the Multitrack Music Transformer (MMT) and proposes a framework for deterministic attribute modulation without retraining to bridge this gap via inference-time activation steering. Utilizing the Difference-in-Means (DiffMean) methodology, we isolate latent directions for signal attributes, specifically Pitch and Duration, within the residual stream. We validate the Linear Representation Hypothesis in this domain, achieving high correlation between steering magnitude and attribute shift. To address the inherent feature entanglement in multi-attribute steering, we introduce a Dual Steering framework utilizing Gram-Schmidt Orthogonalization. Experimental results demonstrate that this geometric decoupling reduces conceptual interference and signal degradation compared to naive vector addition, enabling independent deterministic control even against strong autoregressive conditioning.

PHAST-Net: Attention-Guided, Physics-Informed Network for Unified Estimation of Ideal Time-Frequency Representations

We introduce PHAST-Net, an attention-guided, physics-informed network for unified estimation of Ideal Time-Frequency Representations (ITFRs), spanning spectral, tempo-based, metrical, and harmonic representations such as Spectrograms, Tempograms, and Metrograms. PHAST-Net learns an application-general mapping from a constellation of wavelet transforms, the proposed Continuous Log-frequency Adaptive Wavelet Transform (CLAWT), to high-resolution, cross-term-suppressed time-frequency (T-F) representations. The proposed constellation of CLAWTs is selected through Cohen's class kernel analysis to maximise curvature coverage in a logarithmic-frequency T-F plane tailored to harmonic signal structure. PHAST-Net further incorporates a proposed physics-informed auxiliary reprojection loss designed to reconstruct the idealised observed CLAWT constellation from the predicted ITFR and the corresponding Cohen's class kernels during training. This auxiliary objective promotes transform consistency and energy conservation, mitigates pathological target sparsity, and enhances optimisation stability. Attention layers further promote effective cross-term suppression across the input constellation. The log-frequency formulation also enables Harmonic PHAST-Net, which estimates a Harmonic ITFR that isolates fundamental structure, supporting robust fundamental-only representations for speech and music, such as derived fundamental Tempograms and Metrograms. We further introduce Spline-PHAST-Net, which parameterises detected and associated T-F ridges as continuous spline trajectories, enabling arbitrary-grid re-rendering and signal reconstruction. Trained on an effectively unbounded procedurally generated dataset, PHAST-Net demonstrates improved accuracy over established approaches, providing a unified framework for high-resolution, cross-term-robust analysis of speech, music, and broader nonstationary signals.

Odoriko: A Shape-Aware Multimodal Diffusion Framework for Human Motion

Human motion generation has been widely studied across diverse input modalities, text, music, and video, and recent efforts have unified these into single multimodal frameworks. However, while morphological factors such as gender and body shape are known to produce distinct kinematic signatures, no existing unified framework incorporates this into generation, treating all subjects as morphologically equivalent. We present Odoriko, the first unified multimodal motion generation framework that reflects subject bio-morphological information directly in synthesized motion output. Rather than averaging over subject variation, Odoriko generates motion that is consistent with who is moving, not just what they are asked to do, across text, music, and video conditions within a single model. When explicit morphological information is unavailable, Odoriko additionally recovers subject morphology alongside motion, unifying estimation and generation in one framework. Extensive experiments across text-to-motion, music-to-dance, and video-to-motion benchmarks demonstrate that Odoriko matches or exceeds prior specialized models on standard metrics, while enabling morphology-consistent generation that no existing unified framework supports.

Co-policy: Responsive Human-Robot Co-Creation for Musical Performances

Art has long stood as a pivotal expression of human creativity. Embodied artificial intelligence offers a route for generative models to participate in that creativity through physical action rather than disembodied digital content. In robotic music co-creation, it is challenging to connect semantic musical understanding with real-time and physically executable performance. We present Co-policy, a framework for human-robot musical co-creation that separates semantic intent grounding, constrained musical variation, and visuomotor execution. To ground musical semantics, Co-policy uses pre-inference semantic anchors and a fine-tuned Qwen-vl planner (F-Qwen) to transform speech, live musical seeds, and visual observations into structured co-creation plans. To support low-latency execution, Co-policy introduces a Gaussian-Mixture Visuomotor Policy (GMP), implemented as a conditional mixture-density policy that maps target notes and visual context to multimodal robot actions in a single forward pass. Unlike robotic playback systems that merely reproduce user-specified notes, Co-policy generates complementary musical responses under both musical and physical constraints. Real-robot chime experiments, ablations, and expert evaluation show improved intent alignment, execution accuracy, and response frequency over diffusion-policy and ablated baselines, supporting physically grounded action generation as a key requirement for embodied human-AI co-creation.

TuneJury: An Open Metric for Improving Music Generation Preference Alignment

We introduce TuneJury, an open, instance-level pairwise reward model for text-to-music that predicts a music preference score from a text prompt and an audio clip. The released checkpoint is trained on publicly available human-preference labels covering arena-style (A vs. B) votes, metric-alignment preference pairs, crowdsourced pairwise comparisons, and expert aesthetic ratings. The predicted score margin between two clips is well calibrated on our held-out test split, supporting data filtering via a simple score threshold. TuneJury generalizes to both held-out test pairs and out-of-distribution benchmarks, remaining competitive with prior baselines on the latter. For generators released after training, we introduce anchor calibration, a post-hoc, per-system Bradley-Terry calibration that recovers agreement at substantially better data efficiency than from-scratch retraining. The same frozen reward drives consistent reward-axis gains across three downstream applications: inference-time best-of-N selection, DITTO-style latent optimization, and expert-iteration post-training. TuneJury is available at https://github.com/yonghyunk1m/TuneJury.

Music Playlist Captioning at Scale with Large Language Models

Music streaming services such as Deezer often recommend personalized playlists to users. Playlist captioning, which involves describing these playlists in natural language, is essential for helping users understand the content behind each recommendation, yet remains challenging at scale. This paper presents the automatic playlist captioning system deployed on Deezer in 2025 to address this challenge. Leveraging recent advances in large language models (LLMs) to generate descriptive captions from diverse data sources in a controlled manner, this system now powers the Daily Mix feature, used by millions of users. This deployment has led to significant improvements in user engagement, highlighting how the semantic framing of an unchanged recommendation shapes user perception in online personalized experiences.

Beyond Artifacts: Towards Generalizable Synthetic Song Detection via Music-Intrinsic Features

The rapid advancement of AI music generators highlights the urgent need for reliable Synthetic Song Detection (SSD). Existing SSD methods often rely on low-level artifacts or fixed feature assumptions, struggling to capture generator-agnostic cues. To address this, we propose Sofia (Synthetic-song detection framework via music features), a flexible framework that models music-intrinsic attributes via feature-specific experts and an adaptive Mixture-of-Experts (MoE) module. By configuring Sofia with representative Vocal, Audio-effect, Global structure features, and their combinations, we present their individual and complementary contributions. To comprehensively evaluate our framework, we further construct MUSIC8K, a challenging benchmark featuring lastest emerging generators and realistic audio perturbations. Experiments show that Sofia learns generator-agnostic representations from music-intrinsic features, improving the F1 score by 18.5 points over the strongest baseline on MUSIC8K-O while maintaining strong robustness.

SingFox: A Multi-Lingual Singfake Detection Corpus

In this work, we introduce SingFox, a comprehensive and large-scale dataset specifically designed to support robust evaluation of singing deepfake detection and source tracing systems. SingFox is divided into six distinct tracks (T1--T6), each targeting a unique form of novelty, ranging from language diversity (global and Indian) to genre-specific music and alternative fake generation methods. The dataset encompasses over 113,802 audio clips across 20 languages, totaling more than 126.32 hours of audio data and featuring 1,150 singers. Each track is designed to emulate real-world scenarios and evaluate how reliably models perform under different conditions, thereby assessing their robustness. SingFox aims to foster reproducibility and accelerate research in singing deepfake detection by providing a reliable benchmark for both the singfake detection task and the source verification task (model explainability). Experimental results show a highest accuracy of 77.84\% in cross-dataset evaluation settings. All code and resources required to reproduce the dataset are publicly available at https://github.com/Arth-Shah/SingFox.

UnityShots: Memory-Driven Multi-Shot Audio-Video Generation with Boundary-Aware Gating

Generating a coherent multi-shot video requires structured cross-shot memory. Subject appearance, scene context, and speaker identity must persist across cuts. Existing approaches either train end-to-end over fixed-length sequences and cannot scale, generate shot-by-shot with memory banks that grow linearly, or orchestrate pretrained generators under an LLM planner without a multi-shot-aware backbone. We present UnityShots, a memory-driven multi-shot audio-video generation system built on LTX-2.3, trained on annotated cinematic and music-video shots. The video stream maintains two fixed-size slots, a long-term memory (LTM) slot anchored to the opening shot and a short-term memory (STM) slot holding the immediately preceding tail, both updated at every cut by a boundary-conditioned gate that fuses visual cut probability and beat-tracker signals. The audio stream injects a reference speaker token at every shot to preserve vocal timbre without a sliding audio bank. A discrete cut-type prior, learned through AdaLN, becomes an inference-time control knob over transition strength. We release a benchmark of $200$ multi-cultural multi-shot sequences spanning six ethnic regions and ten or more languages, with per-shot reference identities, reference audio, and per-boundary transition labels. Evaluated across I2V, T2V, and R2V conditioning modes, UnityShots leads open-source baselines on every cross-shot coherence metric and matches the strongest closed-source system on the multi-shot axes.

Velocity Prediction in Automatic Guitar Transcription

Automatic Music Transcription (AMT) models have achieved a high level of success in polyphonic transcription of various instruments. Velocity, typically a measure of note intensity, is less commonly predicted in these models due to the absence of velocity labels in available datasets and lack of a proper definition for instruments other than piano. We present a methodology and model for velocity prediction in Automatic Guitar Transcription (AGT) which uses virtual instruments to generate synthetic training data with velocity labels. We first pretrain a model on this synthetic data. These weights are then transferred to a different model and trained on real guitar audio, allowing the model to retain the working velocity prediction while also achieving high performance and generalisability from the real training data. The velocity prediction is shown to outperform a baseline model which does not use the pretrained velocity weights, when evaluated on synthetic data. In addition, using the pretrained velocity weights offers a small improvement in note transcription, though the magnitude of this improvement is limited and not always significant depending on the testing data. Overall the model achieves results comparable to the state of the art in guitar transcription, while also successfully predicting velocity.