DiffCloth: Diffusion Based Garment Synthesis and Manipulation via Structural Cross-modal Semantic Alignment

Cross-modal garment synthesis and manipulation will significantly benefit the way fashion designers generate garments and modify their designs via flexible linguistic interfaces.Current approaches follow the general text-to-image paradigm and mine cross-modal relations via simple cross-attention modules, neglecting the structural correspondence between visual and textual representations in the fashion design domain. In this work, we instead introduce DiffCloth, a diffusion-based pipeline for cross-modal garment synthesis and manipulation, which empowers diffusion models with flexible compositionality in the fashion domain by structurally aligning the cross-modal semantics. Specifically, we formulate the part-level cross-modal alignment as a bipartite matching problem between the linguistic Attribute-Phrases (AP) and the visual garment parts which are obtained via constituency parsing and semantic segmentation, respectively. To mitigate the issue of attribute confusion, we further propose a semantic-bundled cross-attention to preserve the spatial structure similarities between the attention maps of attribute adjectives and part nouns in each AP. Moreover, DiffCloth allows for manipulation of the generated results by simply replacing APs in the text prompts. The manipulation-irrelevant regions are recognized by blended masks obtained from the bundled attention maps of the APs and kept unchanged. Extensive experiments on the CM-Fashion benchmark demonstrate that DiffCloth both yields state-of-the-art garment synthesis results by leveraging the inherent structural information and supports flexible manipulation with region consistency.

Fashion Matrix: Editing Photos by Just Talking

The utilization of Large Language Models (LLMs) for the construction of AI systems has garnered significant attention across diverse fields. The extension of LLMs to the domain of fashion holds substantial commercial potential but also inherent challenges due to the intricate semantic interactions in fashion-related generation. To address this issue, we developed a hierarchical AI system called Fashion Matrix dedicated to editing photos by just talking. This system facilitates diverse prompt-driven tasks, encompassing garment or accessory replacement, recoloring, addition, and removal. Specifically, Fashion Matrix employs LLM as its foundational support and engages in iterative interactions with users. It employs a range of Semantic Segmentation Models (e.g., Grounded-SAM, MattingAnything, etc.) to delineate the specific editing masks based on user instructions. Subsequently, Visual Foundation Models (e.g., Stable Diffusion, ControlNet, etc.) are leveraged to generate edited images from text prompts and masks, thereby facilitating the automation of fashion editing processes. Experiments demonstrate the outstanding ability of Fashion Matrix to explores the collaborative potential of functionally diverse pre-trained models in the domain of fashion editing.

ARMANI: Part-level Garment-Text Alignment for Unified Cross-Modal Fashion Design

Cross-modal fashion image synthesis has emerged as one of the most promising directions in the generation domain due to the vast untapped potential of incorporating multiple modalities and the wide range of fashion image applications. To facilitate accurate generation, cross-modal synthesis methods typically rely on Contrastive Language-Image Pre-training (CLIP) to align textual and garment information. In this work, we argue that simply aligning texture and garment information is not sufficient to capture the semantics of the visual information and therefore propose MaskCLIP. MaskCLIP decomposes the garments into semantic parts, ensuring fine-grained and semantically accurate alignment between the visual and text information. Building on MaskCLIP, we propose ARMANI, a unified cross-modal fashion designer with part-level garment-text alignment. ARMANI discretizes an image into uniform tokens based on a learned cross-modal codebook in its first stage and uses a Transformer to model the distribution of image tokens for a real image given the tokens of the control signals in its second stage. Contrary to prior approaches that also rely on two-stage paradigms, ARMANI introduces textual tokens into the codebook, making it possible for the model to utilize fine-grain semantic information to generate more realistic images. Further, by introducing a cross-modal Transformer, ARMANI is versatile and can accomplish image synthesis from various control signals, such as pure text, sketch images, and partial images. Extensive experiments conducted on our newly collected cross-modal fashion dataset demonstrate that ARMANI generates photo-realistic images in diverse synthesis tasks and outperforms existing state-of-the-art cross-modal image synthesis approaches.Our code is available at https://github.com/Harvey594/ARMANI.

UltraPose: Synthesizing Dense Pose with 1 Billion Points by Human-body Decoupling 3D Model

Recovering dense human poses from images plays a critical role in establishing an image-to-surface correspondence between RGB images and the 3D surface of the human body, serving the foundation of rich real-world applications, such as virtual humans, monocular-to-3d reconstruction. However, the popular DensePose-COCO dataset relies on a sophisticated manual annotation system, leading to severe limitations in acquiring the denser and more accurate annotated pose resources. In this work, we introduce a new 3D human-body model with a series of decoupled parameters that could freely control the generation of the body. Furthermore, we build a data generation system based on this decoupling 3D model, and construct an ultra dense synthetic benchmark UltraPose, containing around 1.3 billion corresponding points. Compared to the existing manually annotated DensePose-COCO dataset, the synthetic UltraPose has ultra dense image-to-surface correspondences without annotation cost and error. Our proposed UltraPose provides the largest benchmark and data resources for lifting the model capability in predicting more accurate dense poses. To promote future researches in this field, we also propose a transformer-based method to model the dense correspondence between 2D and 3D worlds. The proposed model trained on synthetic UltraPose can be applied to real-world scenarios, indicating the effectiveness of our benchmark and model.

WAS-VTON: Warping Architecture Search for Virtual Try-on Network

Despite recent progress on image-based virtual try-on, current methods are constraint by shared warping networks and thus fail to synthesize natural try-on results when faced with clothing categories that require different warping operations. In this paper, we address this problem by finding clothing category-specific warping networks for the virtual try-on task via Neural Architecture Search (NAS). We introduce a NAS-Warping Module and elaborately design a bilevel hierarchical search space to identify the optimal network-level and operation-level flow estimation architecture. Given the network-level search space, containing different numbers of warping blocks, and the operation-level search space with different convolution operations, we jointly learn a combination of repeatable warping cells and convolution operations specifically for the clothing-person alignment. Moreover, a NAS-Fusion Module is proposed to synthesize more natural final try-on results, which is realized by leveraging particular skip connections to produce better-fused features that are required for seamlessly fusing the warped clothing and the unchanged person part. We adopt an efficient and stable one-shot searching strategy to search the above two modules. Extensive experiments demonstrate that our WAS-VTON significantly outperforms the previous fixed-architecture try-on methods with more natural warping results and virtual try-on results.

Fashion Editing with Multi-scale Attention Normalization

Interactive fashion image manipulation, which enables users to edit images with sketches and color strokes, is an interesting research problem with great application value. Existing works often treat it as a general inpainting task and do not fully leverage the semantic structural information in fashion images. Moreover, they directly utilize conventional convolution and normalization layers to restore the incomplete image, which tends to wash away the sketch and color information. In this paper, we propose a novel Fashion Editing Generative Adversarial Network (FE-GAN), which is capable of manipulating fashion images by free-form sketches and sparse color strokes. FE-GAN consists of two modules: 1) a free-form parsing network that learns to control the human parsing generation by manipulating sketch and color; 2) a parsing-aware inpainting network that renders detailed textures with semantic guidance from the human parsing map. A new attention normalization layer is further applied at multiple scales in the decoder of the inpainting network to enhance the quality of the synthesized image. Extensive experiments on high-resolution fashion image datasets demonstrate that the proposed method significantly outperforms the state-of-the-art methods on image manipulation.

Weakly Supervised Person Re-identification: Cost-effective Learning with A New Benchmark

Person re-identification (ReID) benefits greatly from the accurate annotations of existing datasets (e.g., CUHK03 \cite{li2014deepreid} and Market-1501 \cite{zheng2015scalable}), which are quite expensive because each image in these datasets has to be assigned with a proper label. In this work, we explore to ease the annotation of ReID by replacing the accurate annotation with inaccurate annotation, i.e., we group the images into bags in terms of time and assign a bag-level label for each bag. This greatly reduces the annotation effort and leads to the creation of a large-scale ReID benchmark called SYSU-30$k$. The new benchmark contains $30k$ categories of persons, which is about $20$ times larger than CUHK03 ($1.3k$ categories) and Market-1501 ($1.5k$ categories), and $30$ times larger the ImageNet ($1k$ categories). It totally sums up to 29,606,918 images. Learning a ReID model with bag-level annotation is called the weakly supervised ReID problem. To solve this problem, we introduce conditional random fields (CRFs) to capture the dependencies from all images in a bag and generate a reliable pseudo label for each person image. The pseudo label is further used to supervise the learning of the ReID model. When compared with the fully supervised ReID models, our method achieves the state-of-the-art performance on SYSU-30$k$ and other datasets. The code, dataset, and pretrained model will be available online.