Revisiting Adaptive Convolutions for Video Frame Interpolation

Video frame interpolation, the synthesis of novel views in time, is an increasingly popular research direction with many new papers further advancing the state of the art. But as each new method comes with a host of variables that affect the interpolation quality, it can be hard to tell what is actually important for this task. In this work, we show, somewhat surprisingly, that it is possible to achieve near state-of-the-art results with an older, simpler approach, namely adaptive separable convolutions, by a subtle set of low level improvements. In doing so, we propose a number of intuitive but effective techniques to improve the frame interpolation quality, which also have the potential to other related applications of adaptive convolutions such as burst image denoising, joint image filtering, or video prediction.

Active Speakers in Context

Current methods for active speak er detection focus on modeling short-term audiovisual information from a single speaker. Although this strategy can be enough for addressing single-speaker scenarios, it prevents accurate detection when the task is to identify who of many candidate speakers are talking. This paper introduces the Active Speaker Context, a novel representation that models relationships between multiple speakers over long time horizons. Our Active Speaker Context is designed to learn pairwise and temporal relations from an structured ensemble of audio-visual observations. Our experiments show that a structured feature ensemble already benefits the active speaker detection performance. Moreover, we find that the proposed Active Speaker Context improves the state-of-the-art on the AVA-ActiveSpeaker dataset achieving a mAP of 87.1%. We present ablation studies that verify that this result is a direct consequence of our long-term multi-speaker analysis.

Context-Aware Group Captioning via Self-Attention and Contrastive Features

While image captioning has progressed rapidly, existing works focus mainly on describing single images. In this paper, we introduce a new task, context-aware group captioning, which aims to describe a group of target images in the context of another group of related reference images. Context-aware group captioning requires not only summarizing information from both the target and reference image group but also contrasting between them. To solve this problem, we propose a framework combining self-attention mechanism with contrastive feature construction to effectively summarize common information from each image group while capturing discriminative information between them. To build the dataset for this task, we propose to group the images and generate the group captions based on single image captions using scene graphs matching. Our datasets are constructed on top of the public Conceptual Captions dataset and our new Stock Captions dataset. Experiments on the two datasets show the effectiveness of our method on this new task. Related Datasets and code are released at https://lizw14.github.io/project/groupcap .

BlockGAN: Learning 3D Object-aware Scene Representations from Unlabelled Images

We present BlockGAN, an image generative model that learns object-aware 3D scene representations directly from unlabelled 2D images. Current work on scene representation learning either ignores scene background or treats the whole scene as one object. Meanwhile, work that considers scene compositionality treats scene objects only as image patches or 2D layers with alpha maps. Inspired by the computer graphics pipeline, we design BlockGAN to learn to first generate 3D features of background and foreground objects, then combine them into 3D features for the wholes cene, and finally render them into realistic images. This allows BlockGAN to reason over occlusion and interaction between objects' appearance, such as shadow and lighting, and provides control over each object's 3D pose and identity, while maintaining image realism. BlockGAN is trained end-to-end, using only unlabelled single images, without the need for 3D geometry, pose labels, object masks, or multiple views of the same scene. Our experiments show that using explicit 3D features to represent objects allows BlockGAN to learn disentangled representations both in terms of objects (foreground and background) and their properties (pose and identity).

Improving sample diversity of a pre-trained, class-conditional GAN by changing its class embeddings

Mode collapse is a well-known issue with Generative Adversarial Networks (GANs) and is a byproduct of unstable GAN training. We propose to improve the sample diversity of a pre-trained class-conditional generator by modifying its class embeddings in the direction of maximizing the log probability outputs of a classifier pre-trained on the same dataset. We improved the sample diversity of state-of-the-art ImageNet BigGANs at both 128x128 and 256x256 resolutions. By replacing the embeddings, we can also synthesize plausible images for Places365 using a BigGAN pre-trained on ImageNet.

An Internal Learning Approach to Video Inpainting

We propose a novel video inpainting algorithm that simultaneously hallucinates missing appearance and motion (optical flow) information, building upon the recent 'Deep Image Prior' (DIP) that exploits convolutional network architectures to enforce plausible texture in static images. In extending DIP to video we make two important contributions. First, we show that coherent video inpainting is possible without a priori training. We take a generative approach to inpainting based on internal (within-video) learning without reliance upon an external corpus of visual data to train a one-size-fits-all model for the large space of general videos. Second, we show that such a framework can jointly generate both appearance and flow, whilst exploiting these complementary modalities to ensure mutual consistency. We show that leveraging appearance statistics specific to each video achieves visually plausible results whilst handling the challenging problem of long-term consistency.

3D Ken Burns Effect from a Single Image

The Ken Burns effect allows animating still images with a virtual camera scan and zoom. Adding parallax, which results in the 3D Ken Burns effect, enables significantly more compelling results. Creating such effects manually is time-consuming and demands sophisticated editing skills. Existing automatic methods, however, require multiple input images from varying viewpoints. In this paper, we introduce a framework that synthesizes the 3D Ken Burns effect from a single image, supporting both a fully automatic mode and an interactive mode with the user controlling the camera. Our framework first leverages a depth prediction pipeline, which estimates scene depth that is suitable for view synthesis tasks. To address the limitations of existing depth estimation methods such as geometric distortions, semantic distortions, and inaccurate depth boundaries, we develop a semantic-aware neural network for depth prediction, couple its estimate with a segmentation-based depth adjustment process, and employ a refinement neural network that facilitates accurate depth predictions at object boundaries. According to this depth estimate, our framework then maps the input image to a point cloud and synthesizes the resulting video frames by rendering the point cloud from the corresponding camera positions. To address disocclusions while maintaining geometrically and temporally coherent synthesis results, we utilize context-aware color- and depth-inpainting to fill in the missing information in the extreme views of the camera path, thus extending the scene geometry of the point cloud. Experiments with a wide variety of image content show that our method enables realistic synthesis results. Our study demonstrates that our system allows users to achieve better results while requiring little effort compared to existing solutions for the 3D Ken Burns effect creation.

M2KD: Multi-model and Multi-level Knowledge Distillation for Incremental Learning

Incremental learning targets at achieving good performance on new categories without forgetting old ones. Knowledge distillation has been shown critical in preserving the performance on old classes. Conventional methods, however, sequentially distill knowledge only from the last model, leading to performance degradation on the old classes in later incremental learning steps. In this paper, we propose a multi-model and multi-level knowledge distillation strategy. Instead of sequentially distilling knowledge only from the last model, we directly leverage all previous model snapshots. In addition, we incorporate an auxiliary distillation to further preserve knowledge encoded at the intermediate feature levels. To make the model more memory efficient, we adapt mask based pruning to reconstruct all previous models with a small memory footprint. Experiments on standard incremental learning benchmarks show that our method preserves the knowledge on old classes better and improves the overall performance over standard distillation techniques.

Strike (with) a Pose: Neural Networks Are Easily Fooled by Strange Poses of Familiar Objects

Despite excellent performance on stationary test sets, deep neural networks (DNNs) can fail to generalize to out-of-distribution (OoD) inputs, including natural, non-adversarial ones, which are common in real-world settings. In this paper, we present a framework for discovering DNN failures that harnesses 3D renderers and 3D models. That is, we estimate the parameters of a 3D renderer that cause a target DNN to misbehave in response to the rendered image. Using our framework and a self-assembled dataset of 3D objects, we investigate the vulnerability of DNNs to OoD poses of well-known objects in ImageNet. For objects that are readily recognized by DNNs in their canonical poses, DNNs incorrectly classify 97% of their pose space. In addition, DNNs are highly sensitive to slight pose perturbations. Importantly, adversarial poses transfer across models and datasets. We find that 99.9% and 99.4% of the poses misclassified by Inception-v3 also transfer to the AlexNet and ResNet-50 image classifiers trained on the same ImageNet dataset, respectively, and 75.5% transfer to the YOLOv3 object detector trained on MS COCO.

Video Frame Interpolation via Adaptive Separable Convolution

Standard video frame interpolation methods first estimate optical flow between input frames and then synthesize an intermediate frame guided by motion. Recent approaches merge these two steps into a single convolution process by convolving input frames with spatially adaptive kernels that account for motion and re-sampling simultaneously. These methods require large kernels to handle large motion, which limits the number of pixels whose kernels can be estimated at once due to the large memory demand. To address this problem, this paper formulates frame interpolation as local separable convolution over input frames using pairs of 1D kernels. Compared to regular 2D kernels, the 1D kernels require significantly fewer parameters to be estimated. Our method develops a deep fully convolutional neural network that takes two input frames and estimates pairs of 1D kernels for all pixels simultaneously. Since our method is able to estimate kernels and synthesizes the whole video frame at once, it allows for the incorporation of perceptual loss to train the neural network to produce visually pleasing frames. This deep neural network is trained end-to-end using widely available video data without any human annotation. Both qualitative and quantitative experiments show that our method provides a practical solution to high-quality video frame interpolation.