SongGen: A Single Stage Auto-regressive Transformer for Text-to-Song Generation

Text-to-song generation, the task of creating vocals and accompaniment from textual inputs, poses significant challenges due to domain complexity and data scarcity. Existing approaches often employ multi-stage generation procedures, resulting in cumbersome training and inference pipelines. In this paper, we propose SongGen, a fully open-source, single-stage auto-regressive transformer designed for controllable song generation. The proposed model facilitates fine-grained control over diverse musical attributes, including lyrics and textual descriptions of instrumentation, genre, mood, and timbre, while also offering an optional three-second reference clip for voice cloning. Within a unified auto-regressive framework, SongGen supports two output modes: mixed mode, which generates a mixture of vocals and accompaniment directly, and dual-track mode, which synthesizes them separately for greater flexibility in downstream applications. We explore diverse token pattern strategies for each mode, leading to notable improvements and valuable insights. Furthermore, we design an automated data preprocessing pipeline with effective quality control. To foster community engagement and future research, we will release our model weights, training code, annotated data, and preprocessing pipeline. The generated samples are showcased on our project page at https://liuzh-19.github.io/SongGen/ , and the code will be available at https://github.com/LiuZH-19/SongGen .

Unrolled Creative Adversarial Network For Generating Novel Musical Pieces

Music generation has been established as a prominent topic in artificial intelligence and machine learning over recent years. In most recent works on RNN-based neural network methods have been applied for sequence generation. In contrast, generative adversarial networks (GANs) and their counterparts have been explored by very few researchersfor music generation. In this paper, a classical system was employed alongside a new system to generate creative music. Both systems were designed based on adversarial networks to generate music by learning from examples. The classical system was trained to learn a set of music pieces without differentiating between classes, whereas the new system was trained to learn the different composers and their styles to generate a creative music piece by deviating from the learned composers' styles. The base structure utilized was generative adversarial networks (GANs), which are capable of generating novel outputs given a set of inputs to learn from and mimic their distribution. It has been shown in previous work that GANs are limited in their original design with respect to creative outputs. Building on the Creative Adversarial Networks (CAN) , this work applied them in the music domain rather than the visual art domain. Additionally, unrolled CAN was introduced to prevent mode collapse. Experiments were conducted on both GAN and CAN for generating music, and their capabilities were measured in terms of deviation from the input set.

Overview of the Amphion Toolkit (v0.2)

Amphion is an open-source toolkit for Audio, Music, and Speech Generation, designed to lower the entry barrier for junior researchers and engineers in these fields. It provides a versatile framework that supports a variety of generation tasks and models. In this report, we introduce Amphion v0.2, the second major release developed in 2024. This release features a 100K-hour open-source multilingual dataset, a robust data preparation pipeline, and novel models for tasks such as text-to-speech, audio coding, and voice conversion. Furthermore, the report includes multiple tutorials that guide users through the functionalities and usage of the newly released models.

Text2Playlist: Generating Personalized Playlists from Text on Deezer

The streaming service Deezer heavily relies on the search to help users navigate through its extensive music catalog. Nonetheless, it is primarily designed to find specific items and does not lead directly to a smooth listening experience. We present Text2Playlist, a stand-alone tool that addresses these limitations. Text2Playlist leverages generative AI, music information retrieval and recommendation systems to generate query-specific and personalized playlists, successfully deployed at scale.

Music2Latent2: Audio Compression with Summary Embeddings and Autoregressive Decoding

Efficiently compressing high-dimensional audio signals into a compact and informative latent space is crucial for various tasks, including generative modeling and music information retrieval (MIR). Existing audio autoencoders, however, often struggle to achieve high compression ratios while preserving audio fidelity and facilitating efficient downstream applications. We introduce Music2Latent2, a novel audio autoencoder that addresses these limitations by leveraging consistency models and a novel approach to representation learning based on unordered latent embeddings, which we call summary embeddings. Unlike conventional methods that encode local audio features into ordered sequences, Music2Latent2 compresses audio signals into sets of summary embeddings, where each embedding can capture distinct global features of the input sample. This enables to achieve higher reconstruction quality at the same compression ratio. To handle arbitrary audio lengths, Music2Latent2 employs an autoregressive consistency model trained on two consecutive audio chunks with causal masking, ensuring coherent reconstruction across segment boundaries. Additionally, we propose a novel two-step decoding procedure that leverages the denoising capabilities of consistency models to further refine the generated audio at no additional cost. Our experiments demonstrate that Music2Latent2 outperforms existing continuous audio autoencoders regarding audio quality and performance on downstream tasks. Music2Latent2 paves the way for new possibilities in audio compression.

Can Impressions of Music be Extracted from Thumbnail Images?

In recent years, there has been a notable increase in research on machine learning models for music retrieval and generation systems that are capable of taking natural language sentences as inputs. However, there is a scarcity of large-scale publicly available datasets, consisting of music data and their corresponding natural language descriptions known as music captions. In particular, non-musical information such as suitable situations for listening to a track and the emotions elicited upon listening is crucial for describing music. This type of information is underrepresented in existing music caption datasets due to the challenges associated with extracting it directly from music data. To address this issue, we propose a method for generating music caption data that incorporates non-musical aspects inferred from music thumbnail images, and validated the effectiveness of our approach through human evaluations. Additionally, we created a dataset with approximately 360,000 captions containing non-musical aspects. Leveraging this dataset, we trained a music retrieval model and demonstrated its effectiveness in music retrieval tasks through evaluation.

Multimodal Music Generation with Explicit Bridges and Retrieval Augmentation

Multimodal music generation aims to produce music from diverse input modalities, including text, videos, and images. Existing methods use a common embedding space for multimodal fusion. Despite their effectiveness in other modalities, their application in multimodal music generation faces challenges of data scarcity, weak cross-modal alignment, and limited controllability. This paper addresses these issues by using explicit bridges of text and music for multimodal alignment. We introduce a novel method named Visuals Music Bridge (VMB). Specifically, a Multimodal Music Description Model converts visual inputs into detailed textual descriptions to provide the text bridge; a Dual-track Music Retrieval module that combines broad and targeted retrieval strategies to provide the music bridge and enable user control. Finally, we design an Explicitly Conditioned Music Generation framework to generate music based on the two bridges. We conduct experiments on video-to-music, image-to-music, text-to-music, and controllable music generation tasks, along with experiments on controllability. The results demonstrate that VMB significantly enhances music quality, modality, and customization alignment compared to previous methods. VMB sets a new standard for interpretable and expressive multimodal music generation with applications in various multimedia fields. Demos and code are available at https://github.com/wbs2788/VMB.

Deepfake Detection of Singing Voices With Whisper Encodings

The deepfake generation of singing vocals is a concerning issue for artists in the music industry. In this work, we propose a singing voice deepfake detection (SVDD) system, which uses noise-variant encodings of open-AI's Whisper model. As counter-intuitive as it may sound, even though the Whisper model is known to be noise-robust, the encodings are rich in non-speech information, and are noise-variant. This leads us to evaluate Whisper encodings as feature representations for the SVDD task. Therefore, in this work, the SVDD task is performed on vocals and mixtures, and the performance is evaluated in \%EER over varying Whisper model sizes and two classifiers- CNN and ResNet34, under different testing conditions.

Text2midi: Generating Symbolic Music from Captions

This paper introduces text2midi, an end-to-end model to generate MIDI files from textual descriptions. Leveraging the growing popularity of multimodal generative approaches, text2midi capitalizes on the extensive availability of textual data and the success of large language models (LLMs). Our end-to-end system harnesses the power of LLMs to generate symbolic music in the form of MIDI files. Specifically, we utilize a pretrained LLM encoder to process captions, which then condition an autoregressive transformer decoder to produce MIDI sequences that accurately reflect the provided descriptions. This intuitive and user-friendly method significantly streamlines the music creation process by allowing users to generate music pieces using text prompts. We conduct comprehensive empirical evaluations, incorporating both automated and human studies, that show our model generates MIDI files of high quality that are indeed controllable by text captions that may include music theory terms such as chords, keys, and tempo. We release the code and music samples on our demo page (https://github.com/AMAAI-Lab/Text2midi) for users to interact with text2midi.

Audio signal interpolation using optimal transportation of spectrograms

We present a novel approach for generating an artificial audio signal that interpolates between given source and target sounds. Our approach relies on the computation of Wasserstein barycenters of the source and target spectrograms, followed by phase reconstruction and inversion. In contrast with previous works, our new method considers the spectrograms globally and does not operate on a temporal frame-to-frame basis. An other contribution is to endow the transportation cost matrix with a specific structure that prohibits remote displacements of energy along the time axis, and for which optimal transport is made possible by leveraging the unbalanced transport framework. The proposed cost matrix makes sense from the audio perspective and also allows to reduce the computation load. Results with synthetic musical notes and real environmental sounds illustrate the potential of our novel approach.