Bridging Generative and Discriminative Models for Unified Visual Perception with Diffusion Priors

The remarkable prowess of diffusion models in image generation has spurred efforts to extend their application beyond generative tasks. However, a persistent challenge exists in lacking a unified approach to apply diffusion models to visual perception tasks with diverse semantic granularity requirements. Our purpose is to establish a unified visual perception framework, capitalizing on the potential synergies between generative and discriminative models. In this paper, we propose Vermouth, a simple yet effective framework comprising a pre-trained Stable Diffusion (SD) model containing rich generative priors, a unified head (U-head) capable of integrating hierarchical representations, and an adapted expert providing discriminative priors. Comprehensive investigations unveil potential characteristics of Vermouth, such as varying granularity of perception concealed in latent variables at distinct time steps and various U-net stages. We emphasize that there is no necessity for incorporating a heavyweight or intricate decoder to transform diffusion models into potent representation learners. Extensive comparative evaluations against tailored discriminative models showcase the efficacy of our approach on zero-shot sketch-based image retrieval (ZS-SBIR), few-shot classification, and open-vocabulary semantic segmentation tasks. The promising results demonstrate the potential of diffusion models as formidable learners, establishing their significance in furnishing informative and robust visual representations.

VideoReTalking: Audio-based Lip Synchronization for Talking Head Video Editing In the Wild

We present VideoReTalking, a new system to edit the faces of a real-world talking head video according to input audio, producing a high-quality and lip-syncing output video even with a different emotion. Our system disentangles this objective into three sequential tasks: (1) face video generation with a canonical expression; (2) audio-driven lip-sync; and (3) face enhancement for improving photo-realism. Given a talking-head video, we first modify the expression of each frame according to the same expression template using the expression editing network, resulting in a video with the canonical expression. This video, together with the given audio, is then fed into the lip-sync network to generate a lip-syncing video. Finally, we improve the photo-realism of the synthesized faces through an identity-aware face enhancement network and post-processing. We use learning-based approaches for all three steps and all our modules can be tackled in a sequential pipeline without any user intervention. Furthermore, our system is a generic approach that does not need to be retrained to a specific person. Evaluations on two widely-used datasets and in-the-wild examples demonstrate the superiority of our framework over other state-of-the-art methods in terms of lip-sync accuracy and visual quality.

Multi-Frame Content Integration with a Spatio-Temporal Attention Mechanism for Person Video Motion Transfer

Existing person video generation methods either lack the flexibility in controlling both the appearance and motion, or fail to preserve detailed appearance and temporal consistency. In this paper, we tackle the problem of motion transfer for generating person videos, which provides controls on both the appearance and the motion. Specifically, we transfer the motion of one person in a target video to another person in a source video, while preserving the appearance of the source person. Besides only relying on one source frame as the existing state-of-the-art methods, our proposed method integrates information from multiple source frames based on a spatio-temporal attention mechanism to preserve rich appearance details. In addition to a spatial discriminator employed for encouraging the frame-level fidelity, a multi-range temporal discriminator is adopted to enforce the generated video to resemble temporal dynamics of a real video in various time ranges. A challenging real-world dataset, which contains about 500 dancing video clips with complex and unpredictable motions, is collected for the training and testing. Extensive experiments show that the proposed method can produce more photo-realistic and temporally consistent person videos than previous methods. As our method decomposes the syntheses of the foreground and background into two branches, a flexible background substitution application can also be achieved.