BVI-Artefact: An Artefact Detection Benchmark Dataset for Streamed Videos

Professionally generated content (PGC) streamed online can contain visual artefacts that degrade the quality of user experience. These artefacts arise from different stages of the streaming pipeline, including acquisition, post-production, compression, and transmission. To better guide streaming experience enhancement, it is important to detect specific artefacts at the user end in the absence of a pristine reference. In this work, we address the lack of a comprehensive benchmark for artefact detection within streamed PGC, via the creation and validation of a large database, BVI-Artefact. Considering the ten most relevant artefact types encountered in video streaming, we collected and generated 480 video sequences, each containing various artefacts with associated binary artefact labels. Based on this new database, existing artefact detection methods are benchmarked, with results showing the challenging nature of this tasks and indicating the requirement of more reliable artefact detection methods. To facilitate further research in this area, we have made BVI-Artifact publicly available at https://chenfeng-bristol.github.io/BVI-Artefact/

Accelerating Learnt Video Codecs with Gradient Decay and Layer-wise Distillation

In recent years, end-to-end learnt video codecs have demonstrated their potential to compete with conventional coding algorithms in term of compression efficiency. However, most learning-based video compression models are associated with high computational complexity and latency, in particular at the decoder side, which limits their deployment in practical applications. In this paper, we present a novel model-agnostic pruning scheme based on gradient decay and adaptive layer-wise distillation. Gradient decay enhances parameter exploration during sparsification whilst preventing runaway sparsity and is superior to the standard Straight-Through Estimation. The adaptive layer-wise distillation regulates the sparse training in various stages based on the distortion of intermediate features. This stage-wise design efficiently updates parameters with minimal computational overhead. The proposed approach has been applied to three popular end-to-end learnt video codecs, FVC, DCVC, and DCVC-HEM. Results confirm that our method yields up to 65% reduction in MACs and 2x speed-up with less than 0.3dB drop in BD-PSNR. Supporting code and supplementary material can be downloaded from: https://jasminepp.github.io/lightweightdvc/

Wavelet-based Topological Loss for Low-Light Image Denoising

Despite extensive research conducted in the field of image denoising, many algorithms still heavily depend on supervised learning and their effectiveness primarily relies on the quality and diversity of training data. It is widely assumed that digital image distortions are caused by spatially invariant Additive White Gaussian Noise (AWGN). However, the analysis of real-world data suggests that this assumption is invalid. Therefore, this paper tackles image corruption by real noise, providing a framework to capture and utilise the underlying structural information of an image along with the spatial information conventionally used for deep learning tasks. We propose a novel denoising loss function that incorporates topological invariants and is informed by textural information extracted from the image wavelet domain. The effectiveness of this proposed method was evaluated by training state-of-the-art denoising models on the BVI-Lowlight dataset, which features a wide range of real noise distortions. Adding a topological term to common loss functions leads to a significant increase in the LPIPS (Learned Perceptual Image Patch Similarity) metric, with the improvement reaching up to 25\%. The results indicate that the proposed loss function enables neural networks to learn noise characteristics better. We demonstrate that they can consequently extract the topological features of noise-free images, resulting in enhanced contrast and preserved textural information.

UGC Quality Assessment: Exploring the Impact of Saliency in Deep Feature-Based Quality Assessment

The volume of User Generated Content (UGC) has increased in recent years. The challenge with this type of content is assessing its quality. So far, the state-of-the-art metrics are not exhibiting a very high correlation with perceptual quality. In this paper, we explore state-of-the-art metrics that extract/combine natural scene statistics and deep neural network features. We experiment with these by introducing saliency maps to improve perceptibility. We train and test our models using public datasets, namely, YouTube-UGC and KoNViD-1k. Preliminary results indicate that high correlations are achieved by using only deep features while adding saliency is not always boosting the performance. Our results and code will be made publicly available to serve as a benchmark for the research community and can be found on our project page: https://github.com/xinyiW915/SPIE-2023-Supplementary.

HiNeRV: Video Compression with Hierarchical Encoding based Neural Representation

Learning-based video compression is currently one of the most popular research topics, offering the potential to compete with conventional standard video codecs. In this context, Implicit Neural Representations (INRs) have previously been used to represent and compress image and video content, demonstrating relatively high decoding speed compared to other methods. However, existing INR-based methods have failed to deliver rate quality performance comparable with the state of the art in video compression. This is mainly due to the simplicity of the employed network architectures, which limit their representation capability. In this paper, we propose HiNeRV, an INR that combines bilinear interpolation with novel hierarchical positional encoding. This structure employs depth-wise convolutional and MLP layers to build a deep and wide network architecture with much higher capacity. We further build a video codec based on HiNeRV and a refined pipeline for training, pruning and quantization that can better preserve HiNeRV's performance during lossy model compression. The proposed method has been evaluated on both UVG and MCL-JCV datasets for video compression, demonstrating significant improvement over all existing INRs baselines and competitive performance when compared to learning-based codecs (72.3% overall bit rate saving over HNeRV and 43.4% over DCVC on the UVG dataset, measured in PSNR).

LDMVFI: Video Frame Interpolation with Latent Diffusion Models

Existing works on video frame interpolation (VFI) mostly employ deep neural networks trained to minimize the L1 or L2 distance between their outputs and ground-truth frames. Despite recent advances, existing VFI methods tend to produce perceptually inferior results, particularly for challenging scenarios including large motions and dynamic textures. Towards developing perceptually-oriented VFI methods, we propose latent diffusion model-based VFI, LDMVFI. This approaches the VFI problem from a generative perspective by formulating it as a conditional generation problem. As the first effort to address VFI using latent diffusion models, we rigorously benchmark our method following the common evaluation protocol adopted in the existing VFI literature. Our quantitative experiments and user study indicate that LDMVFI is able to interpolate video content with superior perceptual quality compared to the state of the art, even in the high-resolution regime. Our source code will be made available here.

BVI-VFI: A Video Quality Database for Video Frame Interpolation

Video frame interpolation (VFI) is a fundamental research topic in video processing, which is currently attracting increased attention across the research community. While the development of more advanced VFI algorithms has been extensively researched, there remains little understanding of how humans perceive the quality of interpolated content and how well existing objective quality assessment methods perform when measuring the perceived quality. In order to narrow this research gap, we have developed a new video quality database named BVI-VFI, which contains 540 distorted sequences generated by applying five commonly used VFI algorithms to 36 diverse source videos with various spatial resolutions and frame rates. We collected more than 10,800 quality ratings for these videos through a large scale subjective study involving 189 human subjects. Based on the collected subjective scores, we further analysed the influence of VFI algorithms and frame rates on the perceptual quality of interpolated videos. Moreover, we benchmarked the performance of 28 classic and state-of-the-art objective image/video quality metrics on the new database, and demonstrated the urgent requirement for more accurate bespoke quality assessment methods for VFI. To facilitate further research in this area, we have made BVI-VFI publicly available at https://github.com/danielism97/BVI-VFI-database.

A Topological Loss Function for Low-Light Image Denoising

Although image denoising algorithms have attracted significant research attention, surprisingly few have been proposed for, or evaluated on, noise from imagery acquired under real low-light conditions. Moreover, noise characteristics are often assumed to be spatially invariant, leading to edges and textures being distorted after denoising. Here, we introduce a novel topological loss function which is based on persistent homology, offering true features with resistance to noise across multiple scales. The method performs in the space of image patches, where topological invariants are calculated and represented in persistent diagrams. The loss function is a combination of $\ell_1$ or $\ell_2$ losses with the new persistence-based topological loss. We compare its performance across popular denoising architectures, training the networks on our new comprehensive dataset of natural images captured in low-light conditions -- BVI-LOWLIGHT. Analysis reveals that this approach outperforms existing methods, adapting well to edges and complex structures and suppressing common artifacts.