Everybody Compose: Deep Beats To Music

This project presents a deep learning approach to generate monophonic melodies based on input beats, allowing even amateurs to create their own music compositions. Three effective methods - LSTM with Full Attention, LSTM with Local Attention, and Transformer with Relative Position Representation - are proposed for this novel task, providing great variation, harmony, and structure in the generated music. This project allows anyone to compose their own music by tapping their keyboards or ``recoloring'' beat sequences from existing works.

Unsupervised Lead Sheet Generation via Semantic Compression

Lead sheets have become commonplace in generative music research, being used as an initial compressed representation for downstream tasks like multitrack music generation and automatic arrangement. Despite this, researchers have often fallen back on deterministic reduction methods (such as the skyline algorithm) to generate lead sheets when seeking paired lead sheets and full scores, with little attention being paid toward the quality of the lead sheets themselves and how they accurately reflect their orchestrated counterparts. To address these issues, we propose the problem of conditional lead sheet generation (i.e. generating a lead sheet given its full score version), and show that this task can be formulated as an unsupervised music compression task, where the lead sheet represents a compressed latent version of the score. We introduce a novel model, called Lead-AE, that models the lead sheets as a discrete subselection of the original sequence, using a differentiable top-k operator to allow for controllable local sparsity constraints. Across both automatic proxy tasks and direct human evaluations, we find that our method improves upon the established deterministic baseline and produces coherent reductions of large multitrack scores.

AccoMontage-3: Full-Band Accompaniment Arrangement via Sequential Style Transfer and Multi-Track Function Prior

We propose AccoMontage-3, a symbolic music automation system capable of generating multi-track, full-band accompaniment based on the input of a lead melody with chords (i.e., a lead sheet). The system contains three modular components, each modelling a vital aspect of full-band composition. The first component is a piano arranger that generates piano accompaniment for the lead sheet by transferring texture styles to the chords using latent chord-texture disentanglement and heuristic retrieval of texture donors. The second component orchestrates the piano accompaniment score into full-band arrangement according to the orchestration style encoded by individual track functions. The third component, which connects the previous two, is a prior model characterizing the global structure of orchestration style over the whole piece of music. From end to end, the system learns to generate full-band accompaniment in a self-supervised fashion, applying style transfer at two levels of polyphonic composition: texture and orchestration. Experiments show that our system outperforms the baselines significantly, and the modular design offers effective controls in a musically meaningful way.

Of Spiky SVDs and Music Recommendation

The truncated singular value decomposition is a widely used methodology in music recommendation for direct similar-item retrieval or embedding musical items for downstream tasks. This paper investigates a curious effect that we show naturally occurring on many recommendation datasets: spiking formations in the embedding space. We first propose a metric to quantify this spiking organization's strength, then mathematically prove its origin tied to underlying communities of items of varying internal popularity. With this new-found theoretical understanding, we finally open the topic with an industrial use case of estimating how music embeddings' top-k similar items will change over time under the addition of data.

SALMONN: Towards Generic Hearing Abilities for Large Language Models

Hearing is arguably an essential ability of artificial intelligence (AI) agents in the physical world, which refers to the perception and understanding of general auditory information consisting of at least three types of sounds: speech, audio events, and music. In this paper, we propose SALMONN, a speech audio language music open neural network, built by integrating a pre-trained text-based large language model (LLM) with speech and audio encoders into a single multimodal model. SALMONN enables the LLM to directly process and understand general audio inputs and achieve competitive performances on a number of speech and audio tasks used in training, such as automatic speech recognition and translation, auditory-information-based question answering, emotion recognition, speaker verification, and music and audio captioning \textit{etc.} SALMONN also has a diverse set of emergent abilities unseen in the training, which includes but is not limited to speech translation to untrained languages, speech-based slot filling, spoken-query-based question answering, audio-based storytelling, and speech audio co-reasoning \textit{etc}. The presence of the cross-modal emergent abilities is studied, and a novel few-shot activation tuning approach is proposed to activate such abilities of SALMONN. To our knowledge, SALMONN is the first model of its type and can be regarded as a step towards AI with generic hearing abilities. An interactive demo of SALMONN is available at \texttt{\url{https://github.com/bytedance/SALMONN}}, and the training code and model checkpoints will be released upon acceptance.

When the Music Stops: Tip-of-the-Tongue Retrieval for Music

We present a study of Tip-of-the-tongue (ToT) retrieval for music, where a searcher is trying to find an existing music entity, but is unable to succeed as they cannot accurately recall important identifying information. ToT information needs are characterized by complexity, verbosity, uncertainty, and possible false memories. We make four contributions. (1) We collect a dataset - $ToT_{Music}$ - of 2,278 information needs and ground truth answers. (2) We introduce a schema for these information needs and show that they often involve multiple modalities encompassing several Music IR subtasks such as lyric search, audio-based search, audio fingerprinting, and text search. (3) We underscore the difficulty of this task by benchmarking a standard text retrieval approach on this dataset. (4) We investigate the efficacy of query reformulations generated by a large language model (LLM), and show that they are not as effective as simply employing the entire information need as a query - leaving several open questions for future research.

Sound of Story: Multi-modal Storytelling with Audio

Storytelling is multi-modal in the real world. When one tells a story, one may use all of the visualizations and sounds along with the story itself. However, prior studies on storytelling datasets and tasks have paid little attention to sound even though sound also conveys meaningful semantics of the story. Therefore, we propose to extend story understanding and telling areas by establishing a new component called "background sound" which is story context-based audio without any linguistic information. For this purpose, we introduce a new dataset, called "Sound of Story (SoS)", which has paired image and text sequences with corresponding sound or background music for a story. To the best of our knowledge, this is the largest well-curated dataset for storytelling with sound. Our SoS dataset consists of 27,354 stories with 19.6 images per story and 984 hours of speech-decoupled audio such as background music and other sounds. As benchmark tasks for storytelling with sound and the dataset, we propose retrieval tasks between modalities, and audio generation tasks from image-text sequences, introducing strong baselines for them. We believe the proposed dataset and tasks may shed light on the multi-modal understanding of storytelling in terms of sound. Downloading the dataset and baseline codes for each task will be released in the link: https://github.com/Sosdatasets/SoS_Dataset.

musif: a Python package for symbolic music feature extraction

In this work, we introduce musif, a Python package that facilitates the automatic extraction of features from symbolic music scores. The package includes the implementation of a large number of features, which have been developed by a team of experts in musicology, music theory, statistics, and computer science. Additionally, the package allows for the easy creation of custom features using commonly available Python libraries. musif is primarily geared towards processing high-quality musicological data encoded in MusicXML format, but also supports other formats commonly used in music information retrieval tasks, including MIDI, MEI, Kern, and others. We provide comprehensive documentation and tutorials to aid in the extension of the framework and to facilitate the introduction of new and inexperienced users to its usage.

Lil-Bevo: Explorations of Strategies for Training Language Models in More Humanlike Ways

We present Lil-Bevo, our submission to the BabyLM Challenge. We pretrained our masked language models with three ingredients: an initial pretraining with music data, training on shorter sequences before training on longer ones, and masking specific tokens to target some of the BLiMP subtasks. Overall, our baseline models performed above chance, but far below the performance levels of larger LLMs trained on more data. We found that training on short sequences performed better than training on longer sequences.Pretraining on music may help performance marginally, but, if so, the effect seems small. Our targeted Masked Language Modeling augmentation did not seem to improve model performance in general, but did seem to help on some of the specific BLiMP tasks that we were targeting (e.g., Negative Polarity Items). Training performant LLMs on small amounts of data is a difficult but potentially informative task. While some of our techniques showed some promise, more work is needed to explore whether they can improve performance more than the modest gains here. Our code is available at https://github.com/venkatasg/Lil-Bevo and out models at https://huggingface.co/collections/venkatasg/babylm-653591cdb66f4bf68922873a

Simultaneous Measurement of Multiple Acoustic Attributes Using Structured Periodic Test Signals Including Music and Other Sound Materials

We introduce a general framework for measuring acoustic properties such as liner time-invariant (LTI) response, signal-dependent time-invariant (SDTI) component, and random and time-varying (RTV) component simultaneously using structured periodic test signals. The framework also enables music pieces and other sound materials as test signals by "safeguarding" them by adding slight deterministic "noise." Measurement using swept-sin, MLS (Maxim Length Sequence), and their variants are special cases of the proposed framework. We implemented interactive and real-time measuring tools based on this framework and made them open-source. Furthermore, we applied this framework to assess pitch extractors objectively.