AI-Generated Music Detection in Broadcast Monitoring

AI music generators have advanced to the point where their outputs are often indistinguishable from human compositions. While detection methods have emerged, they are typically designed and validated in music streaming contexts with clean, full-length tracks. Broadcast audio, however, poses a different challenge: music appears as short excerpts, often masked by dominant speech, conditions under which existing detectors fail. In this work, we introduce AI-OpenBMAT, the first dataset tailored to broadcast-style AI-music detection. It contains 3,294 one-minute audio excerpts (54.9 hours) that follow the duration patterns and loudness relations of real television audio, combining human-made production music with stylistically matched continuations generated with Suno v3.5. We benchmark a CNN baseline and state-of-the-art SpectTTTra models to assess SNR and duration robustness, and evaluate on a full broadcast scenario. Across all settings, models that excel in streaming scenarios suffer substantial degradation, with F1-scores dropping below 60% when music is in the background or has a short duration. These results highlight speech masking and short music length as critical open challenges for AI music detection, and position AI-OpenBMAT as a benchmark for developing detectors capable of meeting industrial broadcast requirements.

Musical Metamerism with Time--Frequency Scattering

The concept of metamerism originates from colorimetry, where it describes a sensation of visual similarity between two colored lights despite significant differences in spectral content. Likewise, we propose to call ``musical metamerism'' the sensation of auditory similarity which is elicited by two music fragments which differ in terms of underlying waveforms. In this technical report, we describe a method to generate musical metamers from any audio recording. Our method is based on joint time--frequency scattering in Kymatio, an open-source software in Python which enables GPU computing and automatic differentiation. The advantage of our method is that it does not require any manual preprocessing, such as transcription, beat tracking, or source separation. We provide a mathematical description of JTFS as well as some excerpts from the Kymatio source code. Lastly, we review the prior work on JTFS and draw connections with closely related algorithms, such as spectrotemporal receptive fields (STRF), modulation power spectra (MPS), and Gabor filterbank (GBFB).

ALARM: Audio-Language Alignment for Reasoning Models

Large audio language models (ALMs) extend LLMs with auditory understanding. A common approach freezes the LLM and trains only an adapter on self-generated targets. However, this fails for reasoning LLMs (RLMs) whose built-in chain-of-thought traces expose the textual surrogate input, yielding unnatural responses. We propose self-rephrasing, converting self-generated responses into audio-understanding variants compatible with RLMs while preserving distributional alignment. We further fuse and compress multiple audio encoders for stronger representations. For training, we construct a 6M-instance multi-task corpus (2.5M unique prompts) spanning 19K hours of speech, music, and sound. Our 4B-parameter ALM outperforms similarly sized models and surpasses most larger ALMs on related audio-reasoning benchmarks, while preserving textual capabilities with a low training cost. Notably, we achieve the best open-source result on the MMAU-speech and MMSU benchmarks and rank third among all the models.

Enhancing Music Recommendation with User Mood Input

Recommendation systems have become essential in modern music streaming platforms, due to the vast amount of content available. A common approach in recommendation systems is collaborative filtering, which suggests content to users based on the preferences of others with similar patterns. However, this method performs poorly in domains where interactions are sparse, such as music. Content-based filtering is an alternative approach that examines the qualities of the items themselves. Prior work has explored a range of content-filtering techniques for music, including genre classification, instrument detection, and lyrics analysis. In the literature review component of this work, we examine these methods in detail. Music emotion recognition is a type of content-based filtering that is less explored but has significant potential. Since a user's emotional state influences their musical choices, incorporating user mood into recommendation systems is an alternative way to personalize the listening experience. In this study, we explore a mood-assisted recommendation system that suggests songs based on the desired mood using the energy-valence spectrum. Single-blind experiments are conducted, in which participants are presented with two recommendations (one generated from a mood-assisted recommendation system and one from a baseline system) and are asked to rate them. Results show that integrating user mood leads to a statistically significant improvement in recommendation quality, highlighting the potential of such approaches.

SOM-VQ: Topology-Aware Tokenization for Interactive Generative Models

Vector-quantized representations enable powerful discrete generative models but lack semantic structure in token space, limiting interpretable human control. We introduce SOM-VQ, a tokenization method that combines vector quantization with Self-Organizing Maps to learn discrete codebooks with explicit low-dimensional topology. Unlike standard VQ-VAE, SOM-VQ uses topology-aware updates that preserve neighborhood structure: nearby tokens on a learned grid correspond to semantically similar states, enabling direct geometric manipulation of the latent space. We demonstrate that SOM-VQ produces more learnable token sequences in the evaluated domains while providing an explicit navigable geometry in code space. Critically, the topological organization enables intuitive human-in-the-loop control: users can steer generation by manipulating distances in token space, achieving semantic alignment without frame-level constraints. We focus on human motion generation - a domain where kinematic structure, smooth temporal continuity, and interactive use cases (choreography, rehabilitation, HCI) make topology-aware control especially natural - demonstrating controlled divergence and convergence from reference sequences through simple grid-based sampling. SOM-VQ provides a general framework for interpretable discrete representations applicable to music, gesture, and other interactive generative domains.

Automatic End-to-End Data Integration using Large Language Models

Designing data integration pipelines typically requires substantial manual effort from data engineers to configure pipeline components and label training data. While LLMs have shown promise in handling individual steps of the integration process, their potential to replace all human input across end-to-end data integration pipelines has not been investigated. As a step toward exploring this potential, we present an automatic data integration pipeline that uses GPT-5.2 to generate all artifacts required to adapt the pipeline to specific use cases. These artifacts are schema mappings, value mappings for data normalization, training data for entity matching, and validation data for selecting conflict resolution heuristics in data fusion. We compare the performance of this LLM-based pipeline to the performance of human-designed pipelines along three case studies requiring the integration of video game, music, and company related data. Our experiments show that the LLM-based pipeline is able to produce similar results, for some tasks even better results, as the human-designed pipelines. End-to-end, the human and the LLM pipelines produce integrated datasets of comparable size and density. Having the LLM configure the pipelines costs approximately \$10 per case study, which represents only a small fraction of the cost of having human data engineers perform the same tasks.

PF-D2M: A Pose-free Diffusion Model for Universal Dance-to-Music Generation

Dance-to-music generation aims to generate music that is aligned with dance movements. Existing approaches typically rely on body motion features extracted from a single human dancer and limited dance-to-music datasets, which restrict their performance and applicability to real-world scenarios involving multiple dancers and non-human dancers. In this paper, we propose PF-D2M, a universal diffusion-based dance-to-music generation model that incorporates visual features extracted from dance videos. PF-D2M is trained with a progressive training strategy that effectively addresses data scarcity and generalization challenges. Both objective and subjective evaluations show that PF-D2M achieves state-of-the-art performance in dance-music alignment and music quality.

Rethinking Music Captioning with Music Metadata LLMs

Music captioning, or the task of generating a natural language description of music, is useful for both music understanding and controllable music generation. Training captioning models, however, typically requires high-quality music caption data which is scarce compared to metadata (e.g., genre, mood, etc.). As a result, it is common to use large language models (LLMs) to synthesize captions from metadata to generate training data for captioning models, though this process imposes a fixed stylization and entangles factual information with natural language style. As a more direct approach, we propose metadata-based captioning. We train a metadata prediction model to infer detailed music metadata from audio and then convert it into expressive captions via pre-trained LLMs at inference time. Compared to a strong end-to-end baseline trained on LLM-generated captions derived from metadata, our method: (1) achieves comparable performance in less training time over end-to-end captioners, (2) offers flexibility to easily change stylization post-training, enabling output captions to be tailored to specific stylistic and quality requirements, and (3) can be prompted with audio and partial metadata to enable powerful metadata imputation or in-filling--a common task for organizing music data.

A Harmony Composition-Inspired Tensor Modalization Method for Near-Field IRS Channel Estimation

Intelligent reflecting surfaces (IRSs) are poised to revolutionize next-generation wireless communication systems by enhancing channel quality and spectrum efficiency through advanced wave manipulation. However, extremely large-scale IRS {(XL-IRS)} deployments face significant challenges in channel estimation due to multiplicative path loss and near-field (NF) effects, where spherical wavefronts couple distance and angle parameters. Existing polar-domain codebook-based compressive sensing methods for NF channel estimation suffer from low accuracy and high complexity, caused by the need for high-resolution grids of both distance and angle parameters. To address this, we propose a harmonic processing-inspired channel estimation framework for NF {XL-IRS} systems by leveraging tensor modalization to decouple channel parameters. Drawing an analogy to musical harmonic analysis, our approach decomposes the high-dimensional NF channel tensor into independent factor matrices, modeled as ``chords," representing distance and angle parameters. Through harmonic analysis-inspired distance parameter decoupling, we design a compact, distance-dependent codebook that enables high-resolution NF channel parameter estimation. This approach significantly reduces the codebook size compared to polar-domain methods. {Then, we} derive the Cramér-Rao lower bound (CRLB) to evaluate the estimators. Finally, simulation results show an 8.5 dB improvement in normalized mean square error (NMSE) compared to conventional methods, underscoring its low complexity and high accuracy.

Fusion Segment Transformer: Bi-Directional Attention Guided Fusion Network for AI-Generated Music Detection

With the rise of generative AI technology, anyone can now easily create and deploy AI-generated music, which has heightened the need for technical solutions to address copyright and ownership issues. While existing works mainly focused on short-audio, the challenge of full-audio detection, which requires modeling long-term structure and context, remains insufficiently explored. To address this, we propose an improved version of the Segment Transformer, termed the Fusion Segment Transformer. As in our previous work, we extract content embeddings from short music segments using diverse feature extractors. Furthermore, we enhance the architecture for full-audio AI-generated music detection by introducing a Gated Fusion Layer that effectively integrates content and structural information, enabling the capture of long-term context. Experiments on the SONICS and AIME datasets show that our approach outperforms the previous model and recent baselines, achieving state-of-the-art results in AI-generated music detection.