Abstract:Discrete representation has shown advantages in speech generation tasks, wherein discrete tokens are derived by discretizing hidden features from self-supervised learning (SSL) pre-trained models. However, the direct application of speech SSL models to singing generation encounters domain gaps between speech and singing. Furthermore, singing generation necessitates a more refined representation than typical speech. To address these challenges, we introduce SingOMD, a novel method to extract singing-oriented multi-resolution discrete representations from speech SSL models. Specifically, we first adapt the features from speech SSL through a resynthesis task and incorporate multi-resolution modules based on resampling to better serve singing generation. These adapted multi-resolution features are then discretized via clustering. Extensive experiments demonstrate the robustness, efficiency, and effectiveness of these representations in singing vocoders and singing voice synthesis.
Abstract:In speech generation tasks, human subjective ratings, usually referred to as the opinion score, are considered the "gold standard" for speech quality evaluation, with the mean opinion score (MOS) serving as the primary evaluation metric. Due to the high cost of human annotation, several MOS prediction systems have emerged in the speech domain, demonstrating good performance. These MOS prediction models are trained using annotations from previous speech-related challenges. However, compared to the speech domain, the singing domain faces data scarcity and stricter copyright protections, leading to a lack of high-quality MOS-annotated datasets for singing. To address this, we propose SingMOS, a high-quality and diverse MOS dataset for singing, covering a range of Chinese and Japanese datasets. These synthesized vocals are generated using state-of-the-art models in singing synthesis, conversion, or resynthesis tasks and are rated by professional annotators alongside real vocals. Data analysis demonstrates the diversity and reliability of our dataset. Additionally, we conduct further exploration on SingMOS, providing insights for singing MOS prediction and guidance for the continued expansion of SingMOS.
Abstract:Recent advancements in speech synthesis witness significant benefits by leveraging discrete tokens extracted from self-supervised learning (SSL) models. Discrete tokens offer higher storage efficiency and greater operability in intermediate representations compared to traditional continuous Mel spectrograms. However, when it comes to singing voice synthesis(SVS), achieving higher levels of melody expression poses a great challenge for utilizing discrete tokens. In this paper, we introduce TokSing, a discrete-based SVS system equipped with a token formulator that offers flexible token blendings. We observe a melody degradation during discretization, prompting us to integrate a melody signal with the discrete token and incorporate a specially-designed melody enhancement strategy in the musical encoder. Extensive experiments demonstrate that our TokSing achieves better performance against the Mel spectrogram baselines while offering advantages in intermediate representation space cost and convergence speed.
Abstract:Representing speech and audio signals in discrete units has become a compelling alternative to traditional high-dimensional feature vectors. Numerous studies have highlighted the efficacy of discrete units in various applications such as speech compression and restoration, speech recognition, and speech generation. To foster exploration in this domain, we introduce the Interspeech 2024 Challenge, which focuses on new speech processing benchmarks using discrete units. It encompasses three pivotal tasks, namely multilingual automatic speech recognition, text-to-speech, and singing voice synthesis, and aims to assess the potential applicability of discrete units in these tasks. This paper outlines the challenge designs and baseline descriptions. We also collate baseline and selected submission systems, along with preliminary findings, offering valuable contributions to future research in this evolving field.
Abstract:Recent singing voice synthesis and conversion advancements necessitate robust singing voice deepfake detection (SVDD) models. Current SVDD datasets face challenges due to limited controllability, diversity in deepfake methods, and licensing restrictions. Addressing these gaps, we introduce CtrSVDD, a large-scale, diverse collection of bonafide and deepfake singing vocals. These vocals are synthesized using state-of-the-art methods from publicly accessible singing voice datasets. CtrSVDD includes 47.64 hours of bonafide and 260.34 hours of deepfake singing vocals, spanning 14 deepfake methods and involving 164 singer identities. We also present a baseline system with flexible front-end features, evaluated against a structured train/dev/eval split. The experiments show the importance of feature selection and highlight a need for generalization towards deepfake methods that deviate further from training distribution. The CtrSVDD dataset and baselines are publicly accessible.
Abstract:The rapid advancement of AI-generated singing voices, which now closely mimic natural human singing and align seamlessly with musical scores, has led to heightened concerns for artists and the music industry. Unlike spoken voice, singing voice presents unique challenges due to its musical nature and the presence of strong background music, making singing voice deepfake detection (SVDD) a specialized field requiring focused attention. To promote SVDD research, we recently proposed the "SVDD Challenge," the very first research challenge focusing on SVDD for lab-controlled and in-the-wild bonafide and deepfake singing voice recordings. The challenge will be held in conjunction with the 2024 IEEE Spoken Language Technology Workshop (SLT 2024).
Abstract:In singing voice synthesis (SVS), generating singing voices from musical scores faces challenges due to limited data availability, a constraint less common in text-to-speech (TTS). This study proposes a new approach to address this data scarcity. We utilize an existing singing voice synthesizer for data augmentation and apply precise manual tuning to reduce unnatural voice synthesis. Our development of two extensive singing voice corpora, ACE-Opencpop and KiSing-v2, facilitates large-scale, multi-singer voice synthesis. Utilizing pre-trained models derived from these corpora, we achieve notable improvements in voice quality, evident in both in-domain and out-of-domain scenarios. The corpora, pre-trained models, and their related training recipes are publicly available at Muskits-ESPnet (https://github.com/espnet/espnet).
Abstract:The 2023 Multilingual Speech Universal Performance Benchmark (ML-SUPERB) Challenge expands upon the acclaimed SUPERB framework, emphasizing self-supervised models in multilingual speech recognition and language identification. The challenge comprises a research track focused on applying ML-SUPERB to specific multilingual subjects, a Challenge Track for model submissions, and a New Language Track where language resource researchers can contribute and evaluate their low-resource language data in the context of the latest progress in multilingual speech recognition. The challenge garnered 12 model submissions and 54 language corpora, resulting in a comprehensive benchmark encompassing 154 languages. The findings indicate that merely scaling models is not the definitive solution for multilingual speech tasks, and a variety of speech/voice types present significant challenges in multilingual speech processing.