Several recent works have directly extended the image masked autoencoder (MAE) with random masking into video domain, achieving promising results. However, unlike images, both spatial and temporal information are important for video understanding. This suggests that the random masking strategy that is inherited from the image MAE is less effective for video MAE. This motivates the design of a novel masking algorithm that can more efficiently make use of video saliency. Specifically, we propose a motion-guided masking algorithm (MGM) which leverages motion vectors to guide the position of each mask over time. Crucially, these motion-based correspondences can be directly obtained from information stored in the compressed format of the video, which makes our method efficient and scalable. On two challenging large-scale video benchmarks (Kinetics-400 and Something-Something V2), we equip video MAE with our MGM and achieve up to +$1.3\%$ improvement compared to previous state-of-the-art methods. Additionally, our MGM achieves equivalent performance to previous video MAE using up to $66\%$ fewer training epochs. Lastly, we show that MGM generalizes better to downstream transfer learning and domain adaptation tasks on the UCF101, HMDB51, and Diving48 datasets, achieving up to +$4.9\%$ improvement compared to baseline methods.
Previous research has studied the task of segmenting cinematic videos into scenes and into narrative acts. However, these studies have overlooked the essential task of multimodal alignment and fusion for effectively and efficiently processing long-form videos (>60min). In this paper, we introduce Multimodal alignmEnt aGgregation and distillAtion (MEGA) for cinematic long-video segmentation. MEGA tackles the challenge by leveraging multiple media modalities. The method coarsely aligns inputs of variable lengths and different modalities with alignment positional encoding. To maintain temporal synchronization while reducing computation, we further introduce an enhanced bottleneck fusion layer which uses temporal alignment. Additionally, MEGA employs a novel contrastive loss to synchronize and transfer labels across modalities, enabling act segmentation from labeled synopsis sentences on video shots. Our experimental results show that MEGA outperforms state-of-the-art methods on MovieNet dataset for scene segmentation (with an Average Precision improvement of +1.19%) and on TRIPOD dataset for act segmentation (with a Total Agreement improvement of +5.51%)
Contrastive learning has recently narrowed the gap between self-supervised and supervised methods in image and video domain. State-of-the-art video contrastive learning methods such as CVRL and $\rho$-MoCo spatiotemporally augment two clips from the same video as positives. By only sampling positive clips locally from a single video, these methods neglect other semantically related videos that can also be useful. To address this limitation, we leverage nearest-neighbor videos from the global space as additional positive pairs, thus improving positive key diversity and introducing a more relaxed notion of similarity that extends beyond video and even class boundaries. Our method, Inter-Intra Video Contrastive Learning (IIVCL), improves performance on a range of video tasks.
Scenes play a crucial role in breaking the storyline of movies and TV episodes into semantically cohesive parts. However, given their complex temporal structure, finding scene boundaries can be a challenging task requiring large amounts of labeled training data. To address this challenge, we present a self-supervised shot contrastive learning approach (ShotCoL) to learn a shot representation that maximizes the similarity between nearby shots compared to randomly selected shots. We show how to apply our learned shot representation for the task of scene boundary detection to offer state-of-the-art performance on the MovieNet dataset while requiring only ~25% of the training labels, using 9x fewer model parameters and offering 7x faster runtime. To assess the effectiveness of ShotCoL on novel applications of scene boundary detection, we take on the problem of finding timestamps in movies and TV episodes where video-ads can be inserted while offering a minimally disruptive viewing experience. To this end, we collected a new dataset called AdCuepoints with 3,975 movies and TV episodes, 2.2 million shots and 19,119 minimally disruptive ad cue-point labels. We present a thorough empirical analysis on this dataset demonstrating the effectiveness of ShotCoL for ad cue-points detection.