Shadow Generation for Composite Image Using Diffusion model

In the realm of image composition, generating realistic shadow for the inserted foreground remains a formidable challenge. Previous works have developed image-to-image translation models which are trained on paired training data. However, they are struggling to generate shadows with accurate shapes and intensities, hindered by data scarcity and inherent task complexity. In this paper, we resort to foundation model with rich prior knowledge of natural shadow images. Specifically, we first adapt ControlNet to our task and then propose intensity modulation modules to improve the shadow intensity. Moreover, we extend the small-scale DESOBA dataset to DESOBAv2 using a novel data acquisition pipeline. Experimental results on both DESOBA and DESOBAv2 datasets as well as real composite images demonstrate the superior capability of our model for shadow generation task. The dataset, code, and model are released at https://github.com/bcmi/Object-Shadow-Generation-Dataset-DESOBAv2.

Meta-Point Learning and Refining for Category-Agnostic Pose Estimation

Category-agnostic pose estimation (CAPE) aims to predict keypoints for arbitrary classes given a few support images annotated with keypoints. Existing methods only rely on the features extracted at support keypoints to predict or refine the keypoints on query image, but a few support feature vectors are local and inadequate for CAPE. Considering that human can quickly perceive potential keypoints of arbitrary objects, we propose a novel framework for CAPE based on such potential keypoints (named as meta-points). Specifically, we maintain learnable embeddings to capture inherent information of various keypoints, which interact with image feature maps to produce meta-points without any support. The produced meta-points could serve as meaningful potential keypoints for CAPE. Due to the inevitable gap between inherency and annotation, we finally utilize the identities and details offered by support keypoints to assign and refine meta-points to desired keypoints in query image. In addition, we propose a progressive deformable point decoder and a slacked regression loss for better prediction and supervision. Our novel framework not only reveals the inherency of keypoints but also outperforms existing methods of CAPE. Comprehensive experiments and in-depth studies on large-scale MP-100 dataset demonstrate the effectiveness of our framework.

A Single Simple Patch is All You Need for AI-generated Image Detection

The recent development of generative models unleashes the potential of generating hyper-realistic fake images. To prevent the malicious usage of fake images, AI-generated image detection aims to distinguish fake images from real images. Nevertheless, existing methods usually suffer from poor generalizability across different generators. In this work, we propose an embarrassingly simple approach named SSP, i.e., feeding the noise pattern of a Single Simple Patch (SSP) to a binary classifier, which could achieve 14.6% relative improvement over the recent method on GenImage dataset. Our SSP method is very robust and generalizable, which could serve as a simple and competitive baseline for the future methods.

Progressive Painterly Image Harmonization from Low-level Styles to High-level Styles

Painterly image harmonization aims to harmonize a photographic foreground object on the painterly background. Different from previous auto-encoder based harmonization networks, we develop a progressive multi-stage harmonization network, which harmonizes the composite foreground from low-level styles (e.g., color, simple texture) to high-level styles (e.g., complex texture). Our network has better interpretability and harmonization performance. Moreover, we design an early-exit strategy to automatically decide the proper stage to exit, which can skip the unnecessary and even harmful late stages. Extensive experiments on the benchmark dataset demonstrate the effectiveness of our progressive harmonization network.

Painterly Image Harmonization by Learning from Painterly Objects

Given a composite image with photographic object and painterly background, painterly image harmonization targets at stylizing the composite object to be compatible with the background. Despite the competitive performance of existing painterly harmonization works, they did not fully leverage the painterly objects in artistic paintings. In this work, we explore learning from painterly objects for painterly image harmonization. In particular, we learn a mapping from background style and object information to object style based on painterly objects in artistic paintings. With the learnt mapping, we can hallucinate the target style of composite object, which is used to harmonize encoder feature maps to produce the harmonized image. Extensive experiments on the benchmark dataset demonstrate the effectiveness of our proposed method.

Painterly Image Harmonization via Adversarial Residual Learning

Image compositing plays a vital role in photo editing. After inserting a foreground object into another background image, the composite image may look unnatural and inharmonious. When the foreground is photorealistic and the background is an artistic painting, painterly image harmonization aims to transfer the style of background painting to the foreground object, which is a challenging task due to the large domain gap between foreground and background. In this work, we employ adversarial learning to bridge the domain gap between foreground feature map and background feature map. Specifically, we design a dual-encoder generator, in which the residual encoder produces the residual features added to the foreground feature map from main encoder. Then, a pixel-wise discriminator plays against the generator, encouraging the refined foreground feature map to be indistinguishable from background feature map. Extensive experiments demonstrate that our method could achieve more harmonious and visually appealing results than previous methods.

Virtual Accessory Try-On via Keypoint Hallucination

The virtual try-on task refers to fitting the clothes from one image onto another portrait image. In this paper, we focus on virtual accessory try-on, which fits accessory (e.g., glasses, ties) onto a face or portrait image. Unlike clothing try-on, which relies on human silhouette as guidance, accessory try-on warps the accessory into an appropriate location and shape to generate a plausible composite image. In contrast to previous try-on methods that treat foreground (i.e., accessories) and background (i.e., human faces or bodies) equally, we propose a background-oriented network to utilize the prior knowledge of human bodies and accessories. Specifically, our approach learns the human body priors and hallucinates the target locations of specified foreground keypoints in the background. Then our approach will inject foreground information with accessory priors into the background UNet. Based on the hallucinated target locations, the warping parameters are calculated to warp the foreground. Moreover, this background-oriented network can also easily incorporate auxiliary human face/body semantic segmentation supervision to further boost performance. Experiments conducted on STRAT dataset validate the effectiveness of our proposed method.

DreamCom: Finetuning Text-guided Inpainting Model for Image Composition

The goal of image composition is merging a foreground object into a background image to obtain a realistic composite image. Recently, generative composition methods are built on large pretrained diffusion models, due to their unprecedented image generation ability. They train a model on abundant pairs of foregrounds and backgrounds, so that it can be directly applied to a new pair of foreground and background at test time. However, the generated results often lose the foreground details and exhibit noticeable artifacts. In this work, we propose an embarrassingly simple approach named DreamCom inspired by DreamBooth. Specifically, given a few reference images for a subject, we finetune text-guided inpainting diffusion model to associate this subject with a special token and inpaint this subject in the specified bounding box. We also construct a new dataset named MureCom well-tailored for this task.

ControlCom: Controllable Image Composition using Diffusion Model

Image composition targets at synthesizing a realistic composite image from a pair of foreground and background images. Recently, generative composition methods are built on large pretrained diffusion models to generate composite images, considering their great potential in image generation. However, they suffer from lack of controllability on foreground attributes and poor preservation of foreground identity. To address these challenges, we propose a controllable image composition method that unifies four tasks in one diffusion model: image blending, image harmonization, view synthesis, and generative composition. Meanwhile, we design a self-supervised training framework coupled with a tailored pipeline of training data preparation. Moreover, we propose a local enhancement module to enhance the foreground details in the diffusion model, improving the foreground fidelity of composite images. The proposed method is evaluated on both public benchmark and real-world data, which demonstrates that our method can generate more faithful and controllable composite images than existing approaches. The code and model will be available at https://github.com/bcmi/ControlCom-Image-Composition.

DESOBAv2: Towards Large-scale Real-world Dataset for Shadow Generation

Image composition refers to inserting a foreground object into a background image to obtain a composite image. In this work, we focus on generating plausible shadow for the inserted foreground object to make the composite image more realistic. To supplement the existing small-scale dataset DESOBA, we create a large-scale dataset called DESOBAv2 by using object-shadow detection and inpainting techniques. Specifically, we collect a large number of outdoor scene images with object-shadow pairs. Then, we use pretrained inpainting model to inpaint the shadow region, resulting in the deshadowed images. Based on real images and deshadowed images, we can construct pairs of synthetic composite images and ground-truth target images. Dataset is available at https://github.com/bcmi/Object-Shadow-Generation-Dataset-DESOBAv2.