Towards Automated Movie Trailer Generation

Movie trailers are an essential tool for promoting films and attracting audiences. However, the process of creating trailers can be time-consuming and expensive. To streamline this process, we propose an automatic trailer generation framework that generates plausible trailers from a full movie by automating shot selection and composition. Our approach draws inspiration from machine translation techniques and models the movies and trailers as sequences of shots, thus formulating the trailer generation problem as a sequence-to-sequence task. We introduce Trailer Generation Transformer (TGT), a deep-learning framework utilizing an encoder-decoder architecture. TGT movie encoder is tasked with contextualizing each movie shot representation via self-attention, while the autoregressive trailer decoder predicts the feature representation of the next trailer shot, accounting for the relevance of shots' temporal order in trailers. Our TGT significantly outperforms previous methods on a comprehensive suite of metrics.

Exploring Missing Modality in Multimodal Egocentric Datasets

Multimodal video understanding is crucial for analyzing egocentric videos, where integrating multiple sensory signals significantly enhances action recognition and moment localization. However, practical applications often grapple with incomplete modalities due to factors like privacy concerns, efficiency demands, or hardware malfunctions. Addressing this, our study delves into the impact of missing modalities on egocentric action recognition, particularly within transformer-based models. We introduce a novel concept -Missing Modality Token (MMT)-to maintain performance even when modalities are absent, a strategy that proves effective in the Ego4D, Epic-Kitchens, and Epic-Sounds datasets. Our method mitigates the performance loss, reducing it from its original $\sim 30\%$ drop to only $\sim 10\%$ when half of the test set is modal-incomplete. Through extensive experimentation, we demonstrate the adaptability of MMT to different training scenarios and its superiority in handling missing modalities compared to current methods. Our research contributes a comprehensive analysis and an innovative approach, opening avenues for more resilient multimodal systems in real-world settings.

Revisiting Test Time Adaptation under Online Evaluation

This paper proposes a novel online evaluation protocol for Test Time Adaptation (TTA) methods, which penalizes slower methods by providing them with fewer samples for adaptation. TTA methods leverage unlabeled data at test time to adapt to distribution shifts. Though many effective methods have been proposed, their impressive performance usually comes at the cost of significantly increased computation budgets. Current evaluation protocols overlook the effect of this extra computation cost, affecting their real-world applicability. To address this issue, we propose a more realistic evaluation protocol for TTA methods, where data is received in an online fashion from a constant-speed data stream, thereby accounting for the method's adaptation speed. We apply our proposed protocol to benchmark several TTA methods on multiple datasets and scenarios. Extensive experiments shows that, when accounting for inference speed, simple and fast approaches can outperform more sophisticated but slower methods. For example, SHOT from 2020 outperforms the state-of-the-art method SAR from 2023 under our online setting. Our online evaluation protocol emphasizes the need for developing TTA methods that are efficient and applicable in realistic settings.

MAD: A Scalable Dataset for Language Grounding in Videos from Movie Audio Descriptions

The recent and increasing interest in video-language research has driven the development of large-scale datasets that enable data-intensive machine learning techniques. In comparison, limited effort has been made at assessing the fitness of these datasets for the video-language grounding task. Recent works have begun to discover significant limitations in these datasets, suggesting that state-of-the-art techniques commonly overfit to hidden dataset biases. In this work, we present MAD (Movie Audio Descriptions), a novel benchmark that departs from the paradigm of augmenting existing video datasets with text annotations and focuses on crawling and aligning available audio descriptions of mainstream movies. MAD contains over 384,000 natural language sentences grounded in over 1,200 hours of video and exhibits a significant reduction in the currently diagnosed biases for video-language grounding datasets. MAD's collection strategy enables a novel and more challenging version of video-language grounding, where short temporal moments (typically seconds long) must be accurately grounded in diverse long-form videos that can last up to three hours.

MovieCuts: A New Dataset and Benchmark for Cut Type Recognition

Understanding movies and their structural patterns is a crucial task to decode the craft of video editing. While previous works have developed tools for general analysis such as detecting characters or recognizing cinematography properties at the shot level, less effort has been devoted to understanding the most basic video edit, the Cut. This paper introduces the cut type recognition task, which requires modeling of multi-modal information. To ignite research in the new task, we construct a large-scale dataset called MovieCuts, which contains more than 170K videoclips labeled among ten cut types. We benchmark a series of audio-visual approaches, including some that deal with the problem's multi-modal and multi-label nature. Our best model achieves 45.7% mAP, which suggests that the task is challenging and that attaining highly accurate cut type recognition is an open research problem.

Learning to Cut by Watching Movies

Video content creation keeps growing at an incredible pace; yet, creating engaging stories remains challenging and requires non-trivial video editing expertise. Many video editing components are astonishingly hard to automate primarily due to the lack of raw video materials. This paper focuses on a new task for computational video editing, namely the task of raking cut plausibility. Our key idea is to leverage content that has already been edited to learn fine-grained audiovisual patterns that trigger cuts. To do this, we first collected a data source of more than 10K videos, from which we extract more than 255K cuts. We devise a model that learns to discriminate between real and artificial cuts via contrastive learning. We set up a new task and a set of baselines to benchmark video cut generation. We observe that our proposed model outperforms the baselines by large margins. To demonstrate our model in real-world applications, we conduct human studies in a collection of unedited videos. The results show that our model does a better job at cutting than random and alternative baselines.

BAOD: Budget-Aware Object Detection

We study the problem of object detection from a novel perspective in which annotation budget constraints are taken into consideration, appropriately coined Budget Aware Object Detection (BAOD). When provided with a fixed budget, we propose a strategy for building a diverse and informative dataset that can be used to optimally train a robust detector. We investigate both optimization and learning-based methods to sample which images to annotate and what type of annotation (strongly or weakly supervised) to annotate them with. We adopt a hybrid supervised learning framework to train the object detector from both these types of annotation. We conduct a comprehensive empirical study showing that a handcrafted optimization method outperforms other selection techniques including random sampling, uncertainty sampling and active learning. By combining an optimal image/annotation selection scheme with hybrid supervised learning to solve the BAOD problem, we show that one can achieve the performance of a strongly supervised detector on PASCAL-VOC 2007 while saving 12.8% of its original annotation budget. Furthermore, when $100\%$ of the budget is used, it surpasses this performance by 2.0 mAP percentage points.