Break-for-Make: Modular Low-Rank Adaptations for Composable Content-Style Customization

Personalized generation paradigms empower designers to customize visual intellectual properties with the help of textual descriptions by tuning or adapting pre-trained text-to-image models on a few images. Recent works explore approaches for concurrently customizing both content and detailed visual style appearance. However, these existing approaches often generate images where the content and style are entangled. In this study, we reconsider the customization of content and style concepts from the perspective of parameter space construction. Unlike existing methods that utilize a shared parameter space for content and style, we propose a learning framework that separates the parameter space to facilitate individual learning of content and style, thereby enabling disentangled content and style. To achieve this goal, we introduce "partly learnable projection" (PLP) matrices to separate the original adapters into divided sub-parameter spaces. We propose "break-for-make" customization learning pipeline based on PLP, which is simple yet effective. We break the original adapters into "up projection" and "down projection", train content and style PLPs individually with the guidance of corresponding textual prompts in the separate adapters, and maintain generalization by employing a multi-correspondence projection learning strategy. Based on the adapters broken apart for separate training content and style, we then make the entity parameter space by reconstructing the content and style PLPs matrices, followed by fine-tuning the combined adapter to generate the target object with the desired appearance. Experiments on various styles, including textures, materials, and artistic style, show that our method outperforms state-of-the-art single/multiple concept learning pipelines in terms of content-style-prompt alignment.

U-VAP: User-specified Visual Appearance Personalization via Decoupled Self Augmentation

Concept personalization methods enable large text-to-image models to learn specific subjects (e.g., objects/poses/3D models) and synthesize renditions in new contexts. Given that the image references are highly biased towards visual attributes, state-of-the-art personalization models tend to overfit the whole subject and cannot disentangle visual characteristics in pixel space. In this study, we proposed a more challenging setting, namely fine-grained visual appearance personalization. Different from existing methods, we allow users to provide a sentence describing the desired attributes. A novel decoupled self-augmentation strategy is proposed to generate target-related and non-target samples to learn user-specified visual attributes. These augmented data allow for refining the model's understanding of the target attribute while mitigating the impact of unrelated attributes. At the inference stage, adjustments are conducted on semantic space through the learned target and non-target embeddings to further enhance the disentanglement of target attributes. Extensive experiments on various kinds of visual attributes with SOTA personalization methods show the ability of the proposed method to mimic target visual appearance in novel contexts, thus improving the controllability and flexibility of personalization.

Make-Your-Anchor: A Diffusion-based 2D Avatar Generation Framework

Despite the remarkable process of talking-head-based avatar-creating solutions, directly generating anchor-style videos with full-body motions remains challenging. In this study, we propose Make-Your-Anchor, a novel system necessitating only a one-minute video clip of an individual for training, subsequently enabling the automatic generation of anchor-style videos with precise torso and hand movements. Specifically, we finetune a proposed structure-guided diffusion model on input video to render 3D mesh conditions into human appearances. We adopt a two-stage training strategy for the diffusion model, effectively binding movements with specific appearances. To produce arbitrary long temporal video, we extend the 2D U-Net in the frame-wise diffusion model to a 3D style without additional training cost, and a simple yet effective batch-overlapped temporal denoising module is proposed to bypass the constraints on video length during inference. Finally, a novel identity-specific face enhancement module is introduced to improve the visual quality of facial regions in the output videos. Comparative experiments demonstrate the effectiveness and superiority of the system in terms of visual quality, temporal coherence, and identity preservation, outperforming SOTA diffusion/non-diffusion methods. Project page: \url{https://github.com/ICTMCG/Make-Your-Anchor}.

Music Style Transfer with Time-Varying Inversion of Diffusion Models

With the development of diffusion models, text-guided image style transfer has demonstrated high-quality controllable synthesis results. However, the utilization of text for diverse music style transfer poses significant challenges, primarily due to the limited availability of matched audio-text datasets. Music, being an abstract and complex art form, exhibits variations and intricacies even within the same genre, thereby making accurate textual descriptions challenging. This paper presents a music style transfer approach that effectively captures musical attributes using minimal data. We introduce a novel time-varying textual inversion module to precisely capture mel-spectrogram features at different levels. During inference, we propose a bias-reduced stylization technique to obtain stable results. Experimental results demonstrate that our method can transfer the style of specific instruments, as well as incorporate natural sounds to compose melodies. Samples and source code are available at https://lsfhuihuiff.github.io/MusicTI/.

Dance-to-Music Generation with Encoder-based Textual Inversion of Diffusion Models

The harmonious integration of music with dance movements is pivotal in vividly conveying the artistic essence of dance. This alignment also significantly elevates the immersive quality of gaming experiences and animation productions. While there has been remarkable advancement in creating high-fidelity music from textual descriptions, current methodologies mainly concentrate on modulating overarching characteristics such as genre and emotional tone. They often overlook the nuanced management of temporal rhythm, which is indispensable in crafting music for dance, since it intricately aligns the musical beats with the dancers' movements. Recognizing this gap, we propose an encoder-based textual inversion technique for augmenting text-to-music models with visual control, facilitating personalized music generation. Specifically, we develop dual-path rhythm-genre inversion to effectively integrate the rhythm and genre of a dance motion sequence into the textual space of a text-to-music model. Contrary to the classical textual inversion method, which directly updates text embeddings to reconstruct a single target object, our approach utilizes separate rhythm and genre encoders to obtain text embeddings for two pseudo-words, adapting to the varying rhythms and genres. To achieve a more accurate evaluation, we propose improved evaluation metrics for rhythm alignment. We demonstrate that our approach outperforms state-of-the-art methods across multiple evaluation metrics. Furthermore, our method seamlessly adapts to in-the-wild data and effectively integrates with the inherent text-guided generation capability of the pre-trained model. Samples are available at \url{https://youtu.be/D7XDwtH1YwE}.

CreativeSynth: Creative Blending and Synthesis of Visual Arts based on Multimodal Diffusion

Large-scale text-to-image generative models have made impressive strides, showcasing their ability to synthesize a vast array of high-quality images. However, adapting these models for artistic image editing presents two significant challenges. Firstly, users struggle to craft textual prompts that meticulously detail visual elements of the input image. Secondly, prevalent models, when effecting modifications in specific zones, frequently disrupt the overall artistic style, complicating the attainment of cohesive and aesthetically unified artworks. To surmount these obstacles, we build the innovative unified framework CreativeSynth, which is based on a diffusion model with the ability to coordinate multimodal inputs and multitask in the field of artistic image generation. By integrating multimodal features with customized attention mechanisms, CreativeSynth facilitates the importation of real-world semantic content into the domain of art through inversion and real-time style transfer. This allows for the precise manipulation of image style and content while maintaining the integrity of the original model parameters. Rigorous qualitative and quantitative evaluations underscore that CreativeSynth excels in enhancing artistic images' fidelity and preserves their innate aesthetic essence. By bridging the gap between generative models and artistic finesse, CreativeSynth becomes a custom digital palette.

MotionCrafter: One-Shot Motion Customization of Diffusion Models

The essence of a video lies in its dynamic motions, including character actions, object movements, and camera movements. While text-to-video generative diffusion models have recently advanced in creating diverse contents, controlling specific motions through text prompts remains a significant challenge. A primary issue is the coupling of appearance and motion, often leading to overfitting on appearance. To tackle this challenge, we introduce MotionCrafter, a novel one-shot instance-guided motion customization method. MotionCrafter employs a parallel spatial-temporal architecture that injects the reference motion into the temporal component of the base model, while the spatial module is independently adjusted for character or style control. To enhance the disentanglement of motion and appearance, we propose an innovative dual-branch motion disentanglement approach, comprising a motion disentanglement loss and an appearance prior enhancement strategy. During training, a frozen base model provides appearance normalization, effectively separating appearance from motion and thereby preserving diversity. Comprehensive quantitative and qualitative experiments, along with user preference tests, demonstrate that MotionCrafter can successfully integrate dynamic motions while preserving the coherence and quality of the base model with a wide range of appearance generation capabilities. Codes are available at https://github.com/zyxElsa/MotionCrafter.

Adversarial Robust Memory-Based Continual Learner

Despite the remarkable advances that have been made in continual learning, the adversarial vulnerability of such methods has not been fully discussed. We delve into the adversarial robustness of memory-based continual learning algorithms and observe limited robustness improvement by directly applying adversarial training techniques. Preliminary studies reveal the twin challenges for building adversarial robust continual learners: accelerated forgetting in continual learning and gradient obfuscation in adversarial robustness. In this study, we put forward a novel adversarial robust memory-based continual learner that adjusts data logits to mitigate the forgetting of pasts caused by adversarial samples. Furthermore, we devise a gradient-based data selection mechanism to overcome the gradient obfuscation caused by limited stored data. The proposed approach can widely integrate with existing memory-based continual learning as well as adversarial training algorithms in a plug-and-play way. Extensive experiments on Split-CIFAR10/100 and Split-Tiny-ImageNet demonstrate the effectiveness of our approach, achieving up to 8.13% higher accuracy for adversarial data.

Topology-Preserving Adversarial Training

Despite the effectiveness in improving the robustness of neural networks, adversarial training has suffered from the natural accuracy degradation problem, i.e., accuracy on natural samples has reduced significantly. In this study, we reveal that natural accuracy degradation is highly related to the disruption of the natural sample topology in the representation space by quantitative and qualitative experiments. Based on this observation, we propose Topology-pReserving Adversarial traINing (TRAIN) to alleviate the problem by preserving the topology structure of natural samples from a standard model trained only on natural samples during adversarial training. As an additional regularization, our method can easily be combined with various popular adversarial training algorithms in a plug-and-play manner, taking advantage of both sides. Extensive experiments on CIFAR-10, CIFAR-100, and Tiny ImageNet show that our proposed method achieves consistent and significant improvements over various strong baselines in most cases. Specifically, without additional data, our proposed method achieves up to 8.78% improvement in natural accuracy and 4.50% improvement in robust accuracy.

$Z^*$: Zero-shot Style Transfer via Attention Rearrangement

Despite the remarkable progress in image style transfer, formulating style in the context of art is inherently subjective and challenging. In contrast to existing learning/tuning methods, this study shows that vanilla diffusion models can directly extract style information and seamlessly integrate the generative prior into the content image without retraining. Specifically, we adopt dual denoising paths to represent content/style references in latent space and then guide the content image denoising process with style latent codes. We further reveal that the cross-attention mechanism in latent diffusion models tends to blend the content and style images, resulting in stylized outputs that deviate from the original content image. To overcome this limitation, we introduce a cross-attention rearrangement strategy. Through theoretical analysis and experiments, we demonstrate the effectiveness and superiority of the diffusion-based $\underline{Z}$ero-shot $\underline{S}$tyle $\underline{T}$ransfer via $\underline{A}$ttention $\underline{R}$earrangement, Z-STAR.