NamedCurves: Learned Image Enhancement via Color Naming

A popular method for enhancing images involves learning the style of a professional photo editor using pairs of training images comprised of the original input with the editor-enhanced version. When manipulating images, many editing tools offer a feature that allows the user to manipulate a limited selection of familiar colors. Editing by color name allows easy adjustment of elements like the "blue" of the sky or the "green" of trees. Inspired by this approach to color manipulation, we propose NamedCurves, a learning-based image enhancement technique that separates the image into a small set of named colors. Our method learns to globally adjust the image for each specific named color via tone curves and then combines the images using an attention-based fusion mechanism to mimic spatial editing. We demonstrate the effectiveness of our method against several competing methods on the well-known Adobe 5K dataset and the PPR10K dataset, showing notable improvements.

Examining Autoexposure for Challenging Scenes

Autoexposure (AE) is a critical step applied by camera systems to ensure properly exposed images. While current AE algorithms are effective in well-lit environments with constant illumination, these algorithms still struggle in environments with bright light sources or scenes with abrupt changes in lighting. A significant hurdle in developing new AE algorithms for challenging environments, especially those with time-varying lighting, is the lack of suitable image datasets. To address this issue, we have captured a new 4D exposure dataset that provides a large solution space (i.e., shutter speed range from (1/500 to 15 seconds) over a temporal sequence with moving objects, bright lights, and varying lighting. In addition, we have designed a software platform to allow AE algorithms to be used in a plug-and-play manner with the dataset. Our dataset and associate platform enable repeatable evaluation of different AE algorithms and provide a much-needed starting point to develop better AE methods. We examine several existing AE strategies using our dataset and show that most users prefer a simple saliency method for challenging lighting conditions.

NILUT: Conditional Neural Implicit 3D Lookup Tables for Image Enhancement

3D lookup tables (3D LUTs) are a key component for image enhancement. Modern image signal processors (ISPs) have dedicated support for these as part of the camera rendering pipeline. Cameras typically provide multiple options for picture styles, where each style is usually obtained by applying a unique handcrafted 3D LUT. Current approaches for learning and applying 3D LUTs are notably fast, yet not so memory-efficient, as storing multiple 3D LUTs is required. For this reason and other implementation limitations, their use on mobile devices is less popular. In this work, we propose a Neural Implicit LUT (NILUT), an implicitly defined continuous 3D color transformation parameterized by a neural network. We show that NILUTs are capable of accurately emulating real 3D LUTs. Moreover, a NILUT can be extended to incorporate multiple styles into a single network with the ability to blend styles implicitly. Our novel approach is memory-efficient, controllable and can complement previous methods, including learned ISPs. Code, models and dataset available at: https://github.com/mv-lab/nilut

GamutMLP: A Lightweight MLP for Color Loss Recovery

Cameras and image-editing software often process images in the wide-gamut ProPhoto color space, encompassing 90% of all visible colors. However, when images are encoded for sharing, this color-rich representation is transformed and clipped to fit within the small-gamut standard RGB (sRGB) color space, representing only 30% of visible colors. Recovering the lost color information is challenging due to the clipping procedure. Inspired by neural implicit representations for 2D images, we propose a method that optimizes a lightweight multi-layer-perceptron (MLP) model during the gamut reduction step to predict the clipped values. GamutMLP takes approximately 2 seconds to optimize and requires only 23 KB of storage. The small memory footprint allows our GamutMLP model to be saved as metadata in the sRGB image -- the model can be extracted when needed to restore wide-gamut color values. We demonstrate the effectiveness of our approach for color recovery and compare it with alternative strategies, including pre-trained DNN-based gamut expansion networks and other implicit neural representation methods. As part of this effort, we introduce a new color gamut dataset of 2200 wide-gamut/small-gamut images for training and testing. Our code and dataset can be found on the project website: https://gamut-mlp.github.io.

TransCC: Transformer-based Multiple Illuminant Color Constancy Using Multitask Learning

Multi-illuminant color constancy is a challenging problem with only a few existing methods. For example, one prior work used a small set of predefined white balance settings and spatially blended among them, limiting the solution to predefined illuminations. Another method proposed a generative adversarial network and an angular loss, yet the performance is suboptimal due to the lack of regularization for multi-illumination colors. This paper introduces a transformer-based multi-task learning method to estimate single and multiple light colors from a single input image. To help our deep learning model have better cues of the light colors, achromatic-pixel detection, and edge detection are used as auxiliary tasks in our multi-task learning setting. By exploiting extracted content features from the input image as tokens, illuminant color correlations between pixels are learned by leveraging contextual information in our transformer. Our transformer approach is further assisted via a contrastive loss defined between the input, output, and ground truth. We demonstrate that our proposed model achieves 40.7% improvement compared to a state-of-the-art multi-illuminant color constancy method on a multi-illuminant dataset (LSMI). Moreover, our model maintains a robust performance on the single illuminant dataset (NUS-8) and provides 22.3% improvement on the state-of-the-art single color constancy method.

Day-to-Night Image Synthesis for Training Nighttime Neural ISPs

Many flagship smartphone cameras now use a dedicated neural image signal processor (ISP) to render noisy raw sensor images to the final processed output. Training nightmode ISP networks relies on large-scale datasets of image pairs with: (1) a noisy raw image captured with a short exposure and a high ISO gain; and (2) a ground truth low-noise raw image captured with a long exposure and low ISO that has been rendered through the ISP. Capturing such image pairs is tedious and time-consuming, requiring careful setup to ensure alignment between the image pairs. In addition, ground truth images are often prone to motion blur due to the long exposure. To address this problem, we propose a method that synthesizes nighttime images from daytime images. Daytime images are easy to capture, exhibit low-noise (even on smartphone cameras) and rarely suffer from motion blur. We outline a processing framework to convert daytime raw images to have the appearance of realistic nighttime raw images with different levels of noise. Our procedure allows us to easily produce aligned noisy and clean nighttime image pairs. We show the effectiveness of our synthesis framework by training neural ISPs for nightmode rendering. Furthermore, we demonstrate that using our synthetic nighttime images together with small amounts of real data (e.g., 5% to 10%) yields performance almost on par with training exclusively on real nighttime images. Our dataset and code are available at https://github.com/SamsungLabs/day-to-night.

Learning sRGB-to-Raw-RGB De-rendering with Content-Aware Metadata

Most camera images are rendered and saved in the standard RGB (sRGB) format by the camera's hardware. Due to the in-camera photo-finishing routines, nonlinear sRGB images are undesirable for computer vision tasks that assume a direct relationship between pixel values and scene radiance. For such applications, linear raw-RGB sensor images are preferred. Saving images in their raw-RGB format is still uncommon due to the large storage requirement and lack of support by many imaging applications. Several "raw reconstruction" methods have been proposed that utilize specialized metadata sampled from the raw-RGB image at capture time and embedded in the sRGB image. This metadata is used to parameterize a mapping function to de-render the sRGB image back to its original raw-RGB format when needed. Existing raw reconstruction methods rely on simple sampling strategies and global mapping to perform the de-rendering. This paper shows how to improve the de-rendering results by jointly learning sampling and reconstruction. Our experiments show that our learned sampling can adapt to the image content to produce better raw reconstructions than existing methods. We also describe an online fine-tuning strategy for the reconstruction network to improve results further.

Noise2NoiseFlow: Realistic Camera Noise Modeling without Clean Images

Image noise modeling is a long-standing problem with many applications in computer vision. Early attempts that propose simple models, such as signal-independent additive white Gaussian noise or the heteroscedastic Gaussian noise model (a.k.a., camera noise level function) are not sufficient to learn the complex behavior of the camera sensor noise. Recently, more complex learning-based models have been proposed that yield better results in noise synthesis and downstream tasks, such as denoising. However, their dependence on supervised data (i.e., paired clean images) is a limiting factor given the challenges in producing ground-truth images. This paper proposes a framework for training a noise model and a denoiser simultaneously while relying only on pairs of noisy images rather than noisy/clean paired image data. We apply this framework to the training of the Noise Flow architecture. The noise synthesis and density estimation results show that our framework outperforms previous signal-processing-based noise models and is on par with its supervised counterpart. The trained denoiser is also shown to significantly improve upon both supervised and weakly supervised baseline denoising approaches. The results indicate that the joint training of a denoiser and a noise model yields significant improvements in the denoiser.

Modeling sRGB Camera Noise with Normalizing Flows

Noise modeling and reduction are fundamental tasks in low-level computer vision. They are particularly important for smartphone cameras relying on small sensors that exhibit visually noticeable noise. There has recently been renewed interest in using data-driven approaches to improve camera noise models via neural networks. These data-driven approaches target noise present in the raw-sensor image before it has been processed by the camera's image signal processor (ISP). Modeling noise in the RAW-rgb domain is useful for improving and testing the in-camera denoising algorithm; however, there are situations where the camera's ISP does not apply denoising or additional denoising is desired when the RAW-rgb domain image is no longer available. In such cases, the sensor noise propagates through the ISP to the final rendered image encoded in standard RGB (sRGB). The nonlinear steps on the ISP culminate in a significantly more complex noise distribution in the sRGB domain and existing raw-domain noise models are unable to capture the sRGB noise distribution. We propose a new sRGB-domain noise model based on normalizing flows that is capable of learning the complex noise distribution found in sRGB images under various ISO levels. Our normalizing flows-based approach outperforms other models by a large margin in noise modeling and synthesis tasks. We also show that image denoisers trained on noisy images synthesized with our noise model outperforms those trained with noise from baselines models.

Multi-View Motion Synthesis via Applying Rotated Dual-Pixel Blur Kernels

Portrait mode is widely available on smartphone cameras to provide an enhanced photographic experience. One of the primary effects applied to images captured in portrait mode is a synthetic shallow depth of field (DoF). The synthetic DoF (or bokeh effect) selectively blurs regions in the image to emulate the effect of using a large lens with a wide aperture. In addition, many applications now incorporate a new image motion attribute (NIMAT) to emulate background motion, where the motion is correlated with estimated depth at each pixel. In this work, we follow the trend of rendering the NIMAT effect by introducing a modification on the blur synthesis procedure in portrait mode. In particular, our modification enables a high-quality synthesis of multi-view bokeh from a single image by applying rotated blurring kernels. Given the synthesized multiple views, we can generate aesthetically realistic image motion similar to the NIMAT effect. We validate our approach qualitatively compared to the original NIMAT effect and other similar image motions, like Facebook 3D image. Our image motion demonstrates a smooth image view transition with fewer artifacts around the object boundary.