With the ever-increasing popularity of pretrained Video-Language Models (VidLMs), there is a pressing need to develop robust evaluation methodologies that delve deeper into their visio-linguistic capabilities. To address this challenge, we present ViLMA (Video Language Model Assessment), a task-agnostic benchmark that places the assessment of fine-grained capabilities of these models on a firm footing. Task-based evaluations, while valuable, fail to capture the complexities and specific temporal aspects of moving images that VidLMs need to process. Through carefully curated counterfactuals, ViLMA offers a controlled evaluation suite that sheds light on the true potential of these models, as well as their performance gaps compared to human-level understanding. ViLMA also includes proficiency tests, which assess basic capabilities deemed essential to solving the main counterfactual tests. We show that current VidLMs' grounding abilities are no better than those of vision-language models which use static images. This is especially striking once the performance on proficiency tests is factored in. Our benchmark serves as a catalyst for future research on VidLMs, helping to highlight areas that still need to be explored.
Neural networks have revolutionized language modeling and excelled in various downstream tasks. However, the extent to which these models achieve compositional generalization comparable to human cognitive abilities remains a topic of debate. While existing approaches in the field have mainly focused on novel architectures and alternative learning paradigms, we introduce a pioneering method harnessing the power of dataset cartography (Swayamdipta et al., 2020). By strategically identifying a subset of compositional generalization data using this approach, we achieve a remarkable improvement in model accuracy, yielding enhancements of up to 10% on CFQ and COGS datasets. Notably, our technique incorporates dataset cartography as a curriculum learning criterion, eliminating the need for hyperparameter tuning while consistently achieving superior performance. Our findings highlight the untapped potential of dataset cartography in unleashing the full capabilities of compositional generalization within Transformer models. Our code is available at https://github.com/cyberiada/cartography-for-compositionality.
Compared to natural images, hyperspectral images (HSIs) consist of a large number of bands, with each band capturing different spectral information from a certain wavelength, even some beyond the visible spectrum. These characteristics of HSIs make them highly effective for remote sensing applications. That said, the existing hyperspectral imaging devices introduce severe degradation in HSIs. Hence, hyperspectral image denoising has attracted lots of attention by the community lately. While recent deep HSI denoising methods have provided effective solutions, their performance under real-life complex noise remains suboptimal, as they lack adaptability to new data. To overcome these limitations, in our work, we introduce a self-modulating convolutional neural network which we refer to as SM-CNN, which utilizes correlated spectral and spatial information. At the core of the model lies a novel block, which we call spectral self-modulating residual block (SSMRB), that allows the network to transform the features in an adaptive manner based on the adjacent spectral data, enhancing the network's ability to handle complex noise. In particular, the introduction of SSMRB transforms our denoising network into a dynamic network that adapts its predicted features while denoising every input HSI with respect to its spatio-spectral characteristics. Experimental analysis on both synthetic and real data shows that the proposed SM-CNN outperforms other state-of-the-art HSI denoising methods both quantitatively and qualitatively on public benchmark datasets.
The growing interest in omnidirectional videos (ODVs) that capture the full field-of-view (FOV) has gained 360-degree saliency prediction importance in computer vision. However, predicting where humans look in 360-degree scenes presents unique challenges, including spherical distortion, high resolution, and limited labelled data. We propose a novel vision-transformer-based model for omnidirectional videos named SalViT360 that leverages tangent image representations. We introduce a spherical geometry-aware spatiotemporal self-attention mechanism that is capable of effective omnidirectional video understanding. Furthermore, we present a consistency-based unsupervised regularization term for projection-based 360-degree dense-prediction models to reduce artefacts in the predictions that occur after inverse projection. Our approach is the first to employ tangent images for omnidirectional saliency prediction, and our experimental results on three ODV saliency datasets demonstrate its effectiveness compared to the state-of-the-art.
Researchers have recently begun exploring the use of StyleGAN-based models for real image editing. One particularly interesting application is using natural language descriptions to guide the editing process. Existing approaches for editing images using language either resort to instance-level latent code optimization or map predefined text prompts to some editing directions in the latent space. However, these approaches have inherent limitations. The former is not very efficient, while the latter often struggles to effectively handle multi-attribute changes. To address these weaknesses, we present CLIPInverter, a new text-driven image editing approach that is able to efficiently and reliably perform multi-attribute changes. The core of our method is the use of novel, lightweight text-conditioned adapter layers integrated into pretrained GAN-inversion networks. We demonstrate that by conditioning the initial inversion step on the CLIP embedding of the target description, we are able to obtain more successful edit directions. Additionally, we use a CLIP-guided refinement step to make corrections in the resulting residual latent codes, which further improves the alignment with the text prompt. Our method outperforms competing approaches in terms of manipulation accuracy and photo-realism on various domains including human faces, cats, and birds, as shown by our qualitative and quantitative results.
Event-based cameras are becoming increasingly popular for their ability to capture high-speed motion with low latency and high dynamic range. However, generating videos from events remains challenging due to the highly sparse and varying nature of event data. To address this, in this study, we propose HyperE2VID, a dynamic neural network architecture for event-based video reconstruction. Our approach uses hypernetworks and dynamic convolutions to generate per-pixel adaptive filters guided by a context fusion module that combines information from event voxel grids and previously reconstructed intensity images. We also employ a curriculum learning strategy to train the network more robustly. Experimental results demonstrate that HyperE2VID achieves better reconstruction quality with fewer parameters and faster inference time than the state-of-the-art methods.
Event cameras are a new type of vision sensor that incorporates asynchronous and independent pixels, offering advantages over traditional frame-based cameras such as high dynamic range and minimal motion blur. However, their output is not easily understandable by humans, making the reconstruction of intensity images from event streams a fundamental task in event-based vision. While recent deep learning-based methods have shown promise in video reconstruction from events, this problem is not completely solved yet. To facilitate comparison between different approaches, standardized evaluation protocols and diverse test datasets are essential. This paper proposes a unified evaluation methodology and introduces an open-source framework called EVREAL to comprehensively benchmark and analyze various event-based video reconstruction methods from the literature. Using EVREAL, we give a detailed analysis of the state-of-the-art methods for event-based video reconstruction, and provide valuable insights into the performance of these methods under varying settings, challenging scenarios, and downstream tasks.
We propose $\textbf{VidStyleODE}$, a spatiotemporally continuous disentangled $\textbf{Vid}$eo representation based upon $\textbf{Style}$GAN and Neural-$\textbf{ODE}$s. Effective traversal of the latent space learned by Generative Adversarial Networks (GANs) has been the basis for recent breakthroughs in image editing. However, the applicability of such advancements to the video domain has been hindered by the difficulty of representing and controlling videos in the latent space of GANs. In particular, videos are composed of content (i.e., appearance) and complex motion components that require a special mechanism to disentangle and control. To achieve this, VidStyleODE encodes the video content in a pre-trained StyleGAN $\mathcal{W}_+$ space and benefits from a latent ODE component to summarize the spatiotemporal dynamics of the input video. Our novel continuous video generation process then combines the two to generate high-quality and temporally consistent videos with varying frame rates. We show that our proposed method enables a variety of applications on real videos: text-guided appearance manipulation, motion manipulation, image animation, and video interpolation and extrapolation. Project website: https://cyberiada.github.io/VidStyleODE
Image inpainting task refers to erasing unwanted pixels from images and filling them in a semantically consistent and realistic way. Traditionally, the pixels that are wished to be erased are defined with binary masks. From the application point of view, a user needs to generate the masks for the objects they would like to remove which can be time-consuming and prone to errors. In this work, we are interested in an image inpainting algorithm that estimates which object to be removed based on natural language input and also removes it, simultaneously. For this purpose, first, we construct a dataset named GQA-Inpaint for this task which will be released soon. Second, we present a novel inpainting framework, Inst-Inpaint, that can remove objects from images based on the instructions given as text prompts. We set various GAN and diffusion-based baselines and run experiments on synthetic and real image datasets. We compare methods with different evaluation metrics that measure the quality and accuracy of the models and show significant quantitative and qualitative improvements.
Omnidirectional images, aka 360 images, can deliver immersive and interactive visual experiences. As their popularity has increased dramatically in recent years, evaluating the quality of 360 images has become a problem of interest since it provides insights for capturing, transmitting, and consuming this new media. However, directly adapting quality assessment methods proposed for standard natural images for omnidirectional data poses certain challenges. These models need to deal with very high-resolution data and implicit distortions due to the spherical form of the images. In this study, we present a method for no-reference 360 image quality assessment. Our proposed ST360IQ model extracts tangent viewports from the salient parts of the input omnidirectional image and employs a vision-transformers based module processing saliency selective patches/tokens that estimates a quality score from each viewport. Then, it aggregates these scores to give a final quality score. Our experiments on two benchmark datasets, namely OIQA and CVIQ datasets, demonstrate that as compared to the state-of-the-art, our approach predicts the quality of an omnidirectional image correlated with the human-perceived image quality. The code has been available on https://github.com/Nafiseh-Tofighi/ST360IQ