Adaptive Accompaniment with ReaLchords

Jamming requires coordination, anticipation, and collaborative creativity between musicians. Current generative models of music produce expressive output but are not able to generate in an \emph{online} manner, meaning simultaneously with other musicians (human or otherwise). We propose ReaLchords, an online generative model for improvising chord accompaniment to user melody. We start with an online model pretrained by maximum likelihood, and use reinforcement learning to finetune the model for online use. The finetuning objective leverages both a novel reward model that provides feedback on both harmonic and temporal coherency between melody and chord, and a divergence term that implements a novel type of distillation from a teacher model that can see the future melody. Through quantitative experiments and listening tests, we demonstrate that the resulting model adapts well to unfamiliar input and produce fitting accompaniment. ReaLchords opens the door to live jamming, as well as simultaneous co-creation in other modalities.

DeSTA2.5-Audio: Toward General-Purpose Large Audio Language Model with Self-Generated Cross-Modal Alignment

We introduce DeSTA2.5-Audio, a general-purpose Large Audio Language Model (LALM) designed for robust auditory perception and instruction-following, without requiring task-specific audio instruction-tuning. Recent LALMs typically augment Large Language Models (LLMs) with auditory capabilities by training on large-scale, manually curated or LLM-synthesized audio-instruction datasets. However, these approaches have often suffered from the catastrophic forgetting of the LLM's original language abilities. To address this, we revisit the data construction pipeline and propose DeSTA, a self-generated cross-modal alignment strategy in which the backbone LLM generates its own training targets. This approach preserves the LLM's native language proficiency while establishing effective audio-text alignment, thereby enabling zero-shot generalization without task-specific tuning. Using DeSTA, we construct DeSTA-AQA5M, a large-scale, task-agnostic dataset containing 5 million training samples derived from 7,000 hours of audio spanning 50 diverse datasets, including speech, environmental sounds, and music. DeSTA2.5-Audio achieves state-of-the-art or competitive performance across a wide range of audio-language benchmarks, including Dynamic-SUPERB, MMAU, SAKURA, Speech-IFEval, and VoiceBench. Comprehensive comparative studies demonstrate that our self-generated strategy outperforms widely adopted data construction and training strategies in both auditory perception and instruction-following capabilities. Our findings underscore the importance of carefully designed data construction in LALM development and offer practical insights for building robust, general-purpose LALMs.

OpenDance: Multimodal Controllable 3D Dance Generation Using Large-scale Internet Data

Music-driven dance generation offers significant creative potential yet faces considerable challenges. The absence of fine-grained multimodal data and the difficulty of flexible multi-conditional generation limit previous works on generation controllability and diversity in practice. In this paper, we build OpenDance5D, an extensive human dance dataset comprising over 101 hours across 14 distinct genres. Each sample has five modalities to facilitate robust cross-modal learning: RGB video, audio, 2D keypoints, 3D motion, and fine-grained textual descriptions from human arts. Furthermore, we propose OpenDanceNet, a unified masked modeling framework for controllable dance generation conditioned on music and arbitrary combinations of text prompts, keypoints, or character positioning. Comprehensive experiments demonstrate that OpenDanceNet achieves high-fidelity and flexible controllability.

LeVo: High-Quality Song Generation with Multi-Preference Alignment

Recent advances in large language models (LLMs) and audio language models have significantly improved music generation, particularly in lyrics-to-song generation. However, existing approaches still struggle with the complex composition of songs and the scarcity of high-quality data, leading to limitations in sound quality, musicality, instruction following, and vocal-instrument harmony. To address these challenges, we introduce LeVo, an LM-based framework consisting of LeLM and a music codec. LeLM is capable of parallelly modeling two types of tokens: mixed tokens, which represent the combined audio of vocals and accompaniment to achieve vocal-instrument harmony, and dual-track tokens, which separately encode vocals and accompaniment for high-quality song generation. It employs two decoder-only transformers and a modular extension training strategy to prevent interference between different token types. To further enhance musicality and instruction following, we introduce a multi-preference alignment method based on Direct Preference Optimization (DPO). This method handles diverse human preferences through a semi-automatic data construction process and DPO post-training. Experimental results demonstrate that LeVo consistently outperforms existing methods on both objective and subjective metrics. Ablation studies further justify the effectiveness of our designs. Audio examples are available at https://levo-demo.github.io/.

Reimagining Dance: Real-time Music Co-creation between Dancers and AI

Dance performance traditionally follows a unidirectional relationship where movement responds to music. While AI has advanced in various creative domains, its application in dance has primarily focused on generating choreography from musical input. We present a system that enables dancers to dynamically shape musical environments through their movements. Our multi-modal architecture creates a coherent musical composition by intelligently combining pre-recorded musical clips in response to dance movements, establishing a bidirectional creative partnership where dancers function as both performers and composers. Through correlation analysis of performance data, we demonstrate emergent communication patterns between movement qualities and audio features. This approach reconceptualizes the role of AI in performing arts as a responsive collaborator that expands possibilities for both professional dance performance and improvisational artistic expression across broader populations.

MGE-LDM: Joint Latent Diffusion for Simultaneous Music Generation and Source Extraction

We present MGE-LDM, a unified latent diffusion framework for simultaneous music generation, source imputation, and query-driven source separation. Unlike prior approaches constrained to fixed instrument classes, MGE-LDM learns a joint distribution over full mixtures, submixtures, and individual stems within a single compact latent diffusion model. At inference, MGE-LDM enables (1) complete mixture generation, (2) partial generation (i.e., source imputation), and (3) text-conditioned extraction of arbitrary sources. By formulating both separation and imputation as conditional inpainting tasks in the latent space, our approach supports flexible, class-agnostic manipulation of arbitrary instrument sources. Notably, MGE-LDM can be trained jointly across heterogeneous multi-track datasets (e.g., Slakh2100, MUSDB18, MoisesDB) without relying on predefined instrument categories. Audio samples are available at our project page: https://yoongi43.github.io/MGELDM_Samples/.

An introduction to pitch strength in contemporary popular music analysis and production

Music information retrieval distinguishes between low- and high-level descriptions of music. Current generative AI models rely on text descriptions that are higher level than the controls familiar to studio musicians. Pitch strength, a low-level perceptual parameter of contemporary popular music, may be one feature that could make such AI models more suited to music production. Signal and perceptual analyses suggest that pitch strength (1) varies significantly across and inside songs; (2) contributes to both small- and large-scale structure; (3) contributes to the handling of polyphonic dissonance; and (4) may be a feature of upper harmonics made audible in a perspective of perceptual richness.

Towards Video to Piano Music Generation with Chain-of-Perform Support Benchmarks

Generating high-quality piano audio from video requires precise synchronization between visual cues and musical output, ensuring accurate semantic and temporal alignment.However, existing evaluation datasets do not fully capture the intricate synchronization required for piano music generation. A comprehensive benchmark is essential for two primary reasons: (1) existing metrics fail to reflect the complexity of video-to-piano music interactions, and (2) a dedicated benchmark dataset can provide valuable insights to accelerate progress in high-quality piano music generation. To address these challenges, we introduce the CoP Benchmark Dataset-a fully open-sourced, multimodal benchmark designed specifically for video-guided piano music generation. The proposed Chain-of-Perform (CoP) benchmark offers several compelling features: (1) detailed multimodal annotations, enabling precise semantic and temporal alignment between video content and piano audio via step-by-step Chain-of-Perform guidance; (2) a versatile evaluation framework for rigorous assessment of both general-purpose and specialized video-to-piano generation tasks; and (3) full open-sourcing of the dataset, annotations, and evaluation protocols. The dataset is publicly available at https://github.com/acappemin/Video-to-Audio-and-Piano, with a continuously updated leaderboard to promote ongoing research in this domain.

CMI-Bench: A Comprehensive Benchmark for Evaluating Music Instruction Following

Recent advances in audio-text large language models (LLMs) have opened new possibilities for music understanding and generation. However, existing benchmarks are limited in scope, often relying on simplified tasks or multi-choice evaluations that fail to reflect the complexity of real-world music analysis. We reinterpret a broad range of traditional MIR annotations as instruction-following formats and introduce CMI-Bench, a comprehensive music instruction following benchmark designed to evaluate audio-text LLMs on a diverse set of music information retrieval (MIR) tasks. These include genre classification, emotion regression, emotion tagging, instrument classification, pitch estimation, key detection, lyrics transcription, melody extraction, vocal technique recognition, instrument performance technique detection, music tagging, music captioning, and (down)beat tracking: reflecting core challenges in MIR research. Unlike previous benchmarks, CMI-Bench adopts standardized evaluation metrics consistent with previous state-of-the-art MIR models, ensuring direct comparability with supervised approaches. We provide an evaluation toolkit supporting all open-source audio-textual LLMs, including LTU, Qwen-audio, SALMONN, MusiLingo, etc. Experiment results reveal significant performance gaps between LLMs and supervised models, along with their culture, chronological and gender bias, highlighting the potential and limitations of current models in addressing MIR tasks. CMI-Bench establishes a unified foundation for evaluating music instruction following, driving progress in music-aware LLMs.

Text2midi-InferAlign: Improving Symbolic Music Generation with Inference-Time Alignment

We present Text2midi-InferAlign, a novel technique for improving symbolic music generation at inference time. Our method leverages text-to-audio alignment and music structural alignment rewards during inference to encourage the generated music to be consistent with the input caption. Specifically, we introduce two objectives scores: a text-audio consistency score that measures rhythmic alignment between the generated music and the original text caption, and a harmonic consistency score that penalizes generated music containing notes inconsistent with the key. By optimizing these alignment-based objectives during the generation process, our model produces symbolic music that is more closely tied to the input captions, thereby improving the overall quality and coherence of the generated compositions. Our approach can extend any existing autoregressive model without requiring further training or fine-tuning. We evaluate our work on top of Text2midi - an existing text-to-midi generation model, demonstrating significant improvements in both objective and subjective evaluation metrics.