VoiceDesigner: Text-to-Voice Generation and Editing via Unified Diffusion Modeling and Data Augmentation

Recent breakthroughs in generative models have made text-to-voice generation (TTV) possible, enabling the synthesis of speech directly from textual voice descriptions. However, existing systems face two key challenges. First, they struggle to generate a diverse range of voices, spanning real-world human speakers and fictional characters. Second, they lack robust and flexible voice editing capabilities, such as voice cloning and the ability to modify attributes like emotion and tone. In this paper, we propose VoiceDesigner, a unified framework for text-to-voice generation and editing that supports diverse and controllable voice design. To tackle the above challenges, we propose solutions from two perspectives. First, we develop a hybrid data pipeline that leverages digital signal processing techniques and speech generation models to construct a diverse voice dataset covering both real-world and fictional voices. Second, we introduce a diffusion transformer with architectural improvements to better handle complex conditioning and enhance multi-task performance, enabling unified voice generation and editing. Through subjective and objective evaluations, VoiceDesigner achieves superior prompt alignment with both voice descriptions and editing instructions, while maintaining competitive perceptual quality and voice usability compared to state-of-the-art TTV models.

Dramarrator: Object-Based Audio Editing for Audio Drama Production from Books

Audio dramas weave dialogue, sound effects, and music into immersive stories. Creators often adapt books into audio dramas, but this process remains labor-intensive, requiring them to interpret source material, author scripts, generate audio assets, and assemble them on a timeline. Because story elements like characters and scenes manifest across many interdependent assets, a single change can ripple into manual updates across the entire project. We present Dramarrator, an audio drama authoring tool built around object-based audio editing, where these story elements are represented as editable objects. Dramarrator extracts these objects from a book, generates linked audio assets (speech, sound effects, and music), and composes a multi-track audio drama. Edits to any object (e.g., a character's voice) automatically propagate to all dependent assets. In a user study with professionals (N=8), Dramarrator significantly lowered task load when creating audio dramas. A listener study (N=300) shows that creator-refined output from Dramarrator approaches the quality of productions made with existing professional tools, and an exploratory study (N=3) suggests object-based editing lowers entry barriers and generalizes beyond audio dramas.

Do Speech Emphasis Models Generalize across Languages and Emotions?

Prosodic emphasis varies across languages, emotions, and speaking styles, yet existing emphasis detection models are largely trained and evaluated on monolingual neutral read speech. We introduce MMEE (Multilingual Multi-Emotion Emphasis), a corpus of 10,000 professionally recorded expressive utterances (14.13 hours) across 7 languages and 34 emotion/style categories, with three-level perceptual labels (10 annotations per sample). We benchmark two state-of-the-art architectures under monolingual, cross-lingual, multilingual, cross-emotion, cross-dataset, and data-scale settings. Monolingual models show limited zero-shot transfer, degrading across typologically distant languages, while multilingual training substantially improves robustness. Models transfer robustly between high- and low-arousal emotions; bidirectional transfer between synthetic and perceptual benchmarks suggests shared prosodic structure; and performance stays robust even at smaller training scales.

The MiniMax-M2 Series: Mini Activations Unleashing Max Real-World Intelligence

We introduce the MiniMax-M2 series, a family of Mixture-of-Experts language models built around the principle that mini activations can unleash maximum real-world intelligence. The flagship M2 contains 229.9B total parameters with only 9.8B activated per token. Designed end-to-end for agentic deployment, the M2 series rests on three components: (i) agent-driven data pipelines producing large-scale, verifiable trajectories across agentic coding and agentic cowork, each grounded in an executable workspace and an artifact-aligned reward; (ii) Forge, a scalable agent-native RL system that adapts to long-horizon agent trajectories, paired with windowed-FIFO scheduling, prefix-tree merging, inference optimization, and a clean training-inference-agent decoupling that supports both white-box and black-box agents; (iii) the latest M2.7 checkpoint takes an early step toward self-evolution -- autonomously debugging training runs and modifying its own scaffold. Across M2 through M2.7, this combination translates a mini-activation footprint into frontier-tier performance on agentic coding, deep search, office-task, and reasoning benchmarks.

Towards Automatic Soccer Commentary Generation with Knowledge-Enhanced Visual Reasoning

Soccer commentary plays a crucial role in enhancing the soccer game viewing experience for audiences. Previous studies in automatic soccer commentary generation typically adopt an end-to-end method to generate anonymous live text commentary. Such generated commentary is insufficient in the context of real-world live televised commentary, as it contains anonymous entities, context-dependent errors and lacks statistical insights of the game events. To bridge the gap, we propose GameSight, a two-stage model to address soccer commentary generation as a knowledge-enhanced visual reasoning task, enabling live-televised-like knowledgeable commentary with accurate reference to entities (players and teams). GameSight starts by performing visual reasoning to align anonymous entities with fine-grained visual and contextual analysis. Subsequently, the entity-aligned commentary is refined with knowledge by incorporating external historical statistics and iteratively updated internal game state information. Consequently, GameSight improves the player alignment accuracy by 18.5% on SN-Caption-test-align dataset compared to Gemini 2.5-pro. Combined with further knowledge enhancement, GameSight outperforms in segment-level accuracy and commentary quality, as well as game-level contextual relevance and structural composition. We believe that our work paves the way for a more informative and engaging human-centric experience with the AI sports application. Demo Page: https://gamesight2025.github.io/gamesight2025

Gencho: Room Impulse Response Generation from Reverberant Speech and Text via Diffusion Transformers

Blind room impulse response (RIR) estimation is a core task for capturing and transferring acoustic properties; yet existing methods often suffer from limited modeling capability and degraded performance under unseen conditions. Moreover, emerging generative audio applications call for more flexible impulse response generation methods. We propose Gencho, a diffusion-transformer-based model that predicts complex spectrogram RIRs from reverberant speech. A structure-aware encoder leverages isolation between early and late reflections to encode the input audio into a robust representation for conditioning, while the diffusion decoder generates diverse and perceptually realistic impulse responses from it. Gencho integrates modularly with standard speech processing pipelines for acoustic matching. Results show richer generated RIRs than non-generative baselines while maintaining strong performance in standard RIR metrics. We further demonstrate its application to text-conditioned RIR generation, highlighting Gencho's versatility for controllable acoustic simulation and generative audio tasks.

PromptSep: Generative Audio Separation via Multimodal Prompting

Recent breakthroughs in language-queried audio source separation (LASS) have shown that generative models can achieve higher separation audio quality than traditional masking-based approaches. However, two key limitations restrict their practical use: (1) users often require operations beyond separation, such as sound removal; and (2) relying solely on text prompts can be unintuitive for specifying sound sources. In this paper, we propose PromptSep to extend LASS into a broader framework for general-purpose sound separation. PromptSep leverages a conditional diffusion model enhanced with elaborated data simulation to enable both audio extraction and sound removal. To move beyond text-only queries, we incorporate vocal imitation as an additional and more intuitive conditioning modality for our model, by incorporating Sketch2Sound as a data augmentation strategy. Both objective and subjective evaluations on multiple benchmarks demonstrate that PromptSep achieves state-of-the-art performance in sound removal and vocal-imitation-guided source separation, while maintaining competitive results on language-queried source separation.

Deep Audio Watermarks are Shallow: Limitations of Post-Hoc Watermarking Techniques for Speech

In the audio modality, state-of-the-art watermarking methods leverage deep neural networks to allow the embedding of human-imperceptible signatures in generated audio. The ideal is to embed signatures that can be detected with high accuracy when the watermarked audio is altered via compression, filtering, or other transformations. Existing audio watermarking techniques operate in a post-hoc manner, manipulating "low-level" features of audio recordings after generation (e.g. through the addition of a low-magnitude watermark signal). We show that this post-hoc formulation makes existing audio watermarks vulnerable to transformation-based removal attacks. Focusing on speech audio, we (1) unify and extend existing evaluations of the effect of audio transformations on watermark detectability, and (2) demonstrate that state-of-the-art post-hoc audio watermarks can be removed with no knowledge of the watermarking scheme and minimal degradation in audio quality.

DiTSE: High-Fidelity Generative Speech Enhancement via Latent Diffusion Transformers

Real-world speech recordings suffer from degradations such as background noise and reverberation. Speech enhancement aims to mitigate these issues by generating clean high-fidelity signals. While recent generative approaches for speech enhancement have shown promising results, they still face two major challenges: (1) content hallucination, where plausible phonemes generated differ from the original utterance; and (2) inconsistency, failing to preserve speaker's identity and paralinguistic features from the input speech. In this work, we introduce DiTSE (Diffusion Transformer for Speech Enhancement), which addresses quality issues of degraded speech in full bandwidth. Our approach employs a latent diffusion transformer model together with robust conditioning features, effectively addressing these challenges while remaining computationally efficient. Experimental results from both subjective and objective evaluations demonstrate that DiTSE achieves state-of-the-art audio quality that, for the first time, matches real studio-quality audio from the DAPS dataset. Furthermore, DiTSE significantly improves the preservation of speaker identity and content fidelity, reducing hallucinations across datasets compared to state-of-the-art enhancers. Audio samples are available at: http://hguimaraes.me/DiTSE

SpeakEasy: Enhancing Text-to-Speech Interactions for Expressive Content Creation

Novice content creators often invest significant time recording expressive speech for social media videos. While recent advancements in text-to-speech (TTS) technology can generate highly realistic speech in various languages and accents, many struggle with unintuitive or overly granular TTS interfaces. We propose simplifying TTS generation by allowing users to specify high-level context alongside their script. Our Wizard-of-Oz system, SpeakEasy, leverages user-provided context to inform and influence TTS output, enabling iterative refinement with high-level feedback. This approach was informed by two 8-subject formative studies: one examining content creators' experiences with TTS, and the other drawing on effective strategies from voice actors. Our evaluation shows that participants using SpeakEasy were more successful in generating performances matching their personal standards, without requiring significantly more effort than leading industry interfaces.