Magic Fixup: Streamlining Photo Editing by Watching Dynamic Videos

We propose a generative model that, given a coarsely edited image, synthesizes a photorealistic output that follows the prescribed layout. Our method transfers fine details from the original image and preserves the identity of its parts. Yet, it adapts it to the lighting and context defined by the new layout. Our key insight is that videos are a powerful source of supervision for this task: objects and camera motions provide many observations of how the world changes with viewpoint, lighting, and physical interactions. We construct an image dataset in which each sample is a pair of source and target frames extracted from the same video at randomly chosen time intervals. We warp the source frame toward the target using two motion models that mimic the expected test-time user edits. We supervise our model to translate the warped image into the ground truth, starting from a pretrained diffusion model. Our model design explicitly enables fine detail transfer from the source frame to the generated image, while closely following the user-specified layout. We show that by using simple segmentations and coarse 2D manipulations, we can synthesize a photorealistic edit faithful to the user's input while addressing second-order effects like harmonizing the lighting and physical interactions between edited objects.

VecFusion: Vector Font Generation with Diffusion

We present VecFusion, a new neural architecture that can generate vector fonts with varying topological structures and precise control point positions. Our approach is a cascaded diffusion model which consists of a raster diffusion model followed by a vector diffusion model. The raster model generates low-resolution, rasterized fonts with auxiliary control point information, capturing the global style and shape of the font, while the vector model synthesizes vector fonts conditioned on the low-resolution raster fonts from the first stage. To synthesize long and complex curves, our vector diffusion model uses a transformer architecture and a novel vector representation that enables the modeling of diverse vector geometry and the precise prediction of control points. Our experiments show that, in contrast to previous generative models for vector graphics, our new cascaded vector diffusion model generates higher quality vector fonts, with complex structures and diverse styles.

Any-resolution Training for High-resolution Image Synthesis

Generative models operate at fixed resolution, even though natural images come in a variety of sizes. As high-resolution details are downsampled away, and low-resolution images are discarded altogether, precious supervision is lost. We argue that every pixel matters and create datasets with variable-size images, collected at their native resolutions. Taking advantage of this data is challenging; high-resolution processing is costly, and current architectures can only process fixed-resolution data. We introduce continuous-scale training, a process that samples patches at random scales to train a new generator with variable output resolutions. First, conditioning the generator on a target scale allows us to generate higher resolutions images than previously possible, without adding layers to the model. Second, by conditioning on continuous coordinates, we can sample patches that still obey a consistent global layout, which also allows for scalable training at higher resolutions. Controlled FFHQ experiments show our method takes advantage of the multi-resolution training data better than discrete multi-scale approaches, achieving better FID scores and cleaner high-frequency details. We also train on other natural image domains including churches, mountains, and birds, and demonstrate arbitrary scale synthesis with both coherent global layouts and realistic local details, going beyond 2K resolution in our experiments. Our project page is available at: https://chail.github.io/anyres-gan/.

MarioNette: Self-Supervised Sprite Learning

Visual content often contains recurring elements. Text is made up of glyphs from the same font, animations, such as cartoons or video games, are composed of sprites moving around the screen, and natural videos frequently have repeated views of objects. In this paper, we propose a deep learning approach for obtaining a graphically disentangled representation of recurring elements in a completely self-supervised manner. By jointly learning a dictionary of texture patches and training a network that places them onto a canvas, we effectively deconstruct sprite-based content into a sparse, consistent, and interpretable representation that can be easily used in downstream tasks. Our framework offers a promising approach for discovering recurring patterns in image collections without supervision.

Im2Vec: Synthesizing Vector Graphics without Vector Supervision

Vector graphics are widely used to represent fonts, logos, digital artworks, and graphic designs. But, while a vast body of work has focused on generative algorithms for raster images, only a handful of options exists for vector graphics. One can always rasterize the input graphic and resort to image-based generative approaches, but this negates the advantages of the vector representation. The current alternative is to use specialized models that require explicit supervision on the vector graphics representation at training time. This is not ideal because large-scale high quality vector-graphics datasets are difficult to obtain. Furthermore, the vector representation for a given design is not unique, so models that supervise on the vector representation are unnecessarily constrained. Instead, we propose a new neural network that can generate complex vector graphics with varying topologies, and only requires indirect supervision from readily-available raster training images (i.e., with no vector counterparts). To enable this, we use a differentiable rasterization pipeline that renders the generated vector shapes and composites them together onto a raster canvas. We demonstrate our method on a range of datasets, and provide comparison with state-of-the-art SVG-VAE and DeepSVG, both of which require explicit vector graphics supervision. Finally, we also demonstrate our approach on the MNIST dataset, for which no groundtruth vector representation is available. Source code, datasets, and more results are available at http://geometry.cs.ucl.ac.uk/projects/2020/Im2Vec/

Spatially-Adaptive Pixelwise Networks for Fast Image Translation

We introduce a new generator architecture, aimed at fast and efficient high-resolution image-to-image translation. We design the generator to be an extremely lightweight function of the full-resolution image. In fact, we use pixel-wise networks; that is, each pixel is processed independently of others, through a composition of simple affine transformations and nonlinearities. We take three important steps to equip such a seemingly simple function with adequate expressivity. First, the parameters of the pixel-wise networks are spatially varying so they can represent a broader function class than simple 1x1 convolutions. Second, these parameters are predicted by a fast convolutional network that processes an aggressively low-resolution representation of the input; Third, we augment the input image with a sinusoidal encoding of spatial coordinates, which provides an effective inductive bias for generating realistic novel high-frequency image content. As a result, our model is up to 18x faster than state-of-the-art baselines. We achieve this speedup while generating comparable visual quality across different image resolutions and translation domains.

A Dataset of Multi-Illumination Images in the Wild

Collections of images under a single, uncontrolled illumination have enabled the rapid advancement of core computer vision tasks like classification, detection, and segmentation. But even with modern learning techniques, many inverse problems involving lighting and material understanding remain too severely ill-posed to be solved with single-illumination datasets. To fill this gap, we introduce a new multi-illumination dataset of more than 1000 real scenes, each captured under 25 lighting conditions. We demonstrate the richness of this dataset by training state-of-the-art models for three challenging applications: single-image illumination estimation, image relighting, and mixed-illuminant white balance.