Neural evaluation metrics derived for numerous speech generation tasks have recently attracted great attention. In this paper, we propose SVSNet, the first end-to-end neural network model to assess the speaker voice similarity between natural speech and synthesized speech. Unlike most neural evaluation metrics that use hand-crafted features, SVSNet directly takes the raw waveform as input to more completely utilize speech information for prediction. SVSNet consists of encoder, co-attention, distance calculation, and prediction modules and is trained in an end-to-end manner. The experimental results on the Voice Conversion Challenge 2018 and 2020 (VCC2018 and VCC2020) datasets show that SVSNet notably outperforms well-known baseline systems in the assessment of speaker similarity at the utterance and system levels.
Generally speaking, the main objective when training a neural speech synthesis system is to synthesize natural and expressive speech from the output layer of the neural network without much attention given to the hidden layers. However, by learning useful latent representation, the system can be used for many more practical scenarios. In this paper, we investigate the use of quantized vectors to model the latent linguistic embedding and compare it with the continuous counterpart. By enforcing different policies over the latent spaces in the training, we are able to obtain a latent linguistic embedding that takes on different properties while having a similar performance in terms of quality and speaker similarity. Our experiments show that the voice cloning system built with vector quantization has only a small degradation in terms of perceptive evaluations, but has a discrete latent space that is useful for reducing the representation bit-rate, which is desirable for data transferring, or limiting the information leaking, which is important for speaker anonymization and other tasks of that nature.
Whether it be for results summarization, or the analysis of classifier fusion, some means to compare different classifiers can often provide illuminating insight into their behaviour, (dis)similarity or complementarity. We propose a simple method to derive 2D representation from detection scores produced by an arbitrary set of binary classifiers in response to a common dataset. Based upon rank correlations, our method facilitates a visual comparison of classifiers with arbitrary scores and with close relation to receiver operating characteristic (ROC) and detection error trade-off (DET) analyses. While the approach is fully versatile and can be applied to any detection task, we demonstrate the method using scores produced by automatic speaker verification and voice anti-spoofing systems. The former are produced by a Gaussian mixture model system trained with VoxCeleb data whereas the latter stem from submissions to the ASVspoof 2019 challenge.
Evidence-based fact checking aims to verify the truthfulness of a claim against evidence extracted from textual sources. Learning a representation that effectively captures relations between a claim and evidence can be challenging. Recent state-of-the-art approaches have developed increasingly sophisticated models based on graph structures. We present a simple model that can be trained on sequence structures. Our model enables inter-sentence attentions at different levels and can benefit from joint training. Results on a large-scale dataset for Fact Extraction and VERification (FEVER) show that our model outperforms the graph-based approaches and yields 1.09% and 1.42% improvements in label accuracy and FEVER score, respectively, over the best published model.
Speech synthesis and music audio generation from symbolic input differ in many aspects but share some similarities. In this study, we investigate how text-to-speech synthesis techniques can be used for piano MIDI-to-audio synthesis tasks. Our investigation includes Tacotron and neural source-filter waveform models as the basic components, with which we build MIDI-to-audio synthesis systems in similar ways to TTS frameworks. We also include reference systems using conventional sound modeling techniques such as sample-based and physical-modeling-based methods. The subjective experimental results demonstrate that the investigated TTS components can be applied to piano MIDI-to-audio synthesis with minor modifications. The results also reveal the performance bottleneck -- while the waveform model can synthesize high quality piano sound given natural acoustic features, the conversion from MIDI to acoustic features is challenging. The full MIDI-to-audio synthesis system is still inferior to the sample-based or physical-modeling-based approaches, but we encourage TTS researchers to test their TTS models for this new task and improve the performance.
Shared challenges provide a venue for comparing systems trained on common data using a standardized evaluation, and they also provide an invaluable resource for researchers when the data and evaluation results are publicly released. The Blizzard Challenge and Voice Conversion Challenge are two such challenges for text-to-speech synthesis and for speaker conversion, respectively, and their publicly-available system samples and listening test results comprise a historical record of state-of-the-art synthesis methods over the years. In this paper, we revisit these past challenges and conduct a large-scale listening test with samples from many challenges combined. Our aims are to analyze and compare opinions of a large number of systems together, to determine whether and how opinions change over time, and to collect a large-scale dataset of a diverse variety of synthetic samples and their ratings for further research. We found strong correlations challenge by challenge at the system level between the original results and our new listening test. We also observed the importance of the choice of speaker on synthesis quality.
This work examines the content and usefulness of disentangled phone and speaker representations from two separately trained VQ-VAE systems: one trained on multilingual data and another trained on monolingual data. We explore the multi- and monolingual models using four small proof-of-concept tasks: copy-synthesis, voice transformation, linguistic code-switching, and content-based privacy masking. From these tasks, we reflect on how disentangled phone and speaker representations can be used to manipulate speech in a meaningful way. Our experiments demonstrate that the VQ representations are suitable for these tasks, including creating new voices by mixing speaker representations together. We also present our novel technique to conceal the content of targeted words within an utterance by manipulating phone VQ codes, while retaining speaker identity and intelligibility of surrounding words. Finally, we discuss recommendations for further increasing the viability of disentangled representations.