Semantic Residual Prompts for Continual Learning

Prompt-tuning methods for Continual Learning (CL) freeze a large pre-trained model and focus training on a few parameter vectors termed prompts. Most of these methods organize these vectors in a pool of key-value pairs, and use the input image as query to retrieve the prompts (values). However, as keys are learned while tasks progress, the prompting selection strategy is itself subject to catastrophic forgetting, an issue often overlooked by existing approaches. For instance, prompts introduced to accommodate new tasks might end up interfering with previously learned prompts. To make the selection strategy more stable, we ask a foundational model (CLIP) to select our prompt within a two-level adaptation mechanism. Specifically, the first level leverages standard textual prompts for the CLIP textual encoder, leading to stable class prototypes. The second level, instead, uses these prototypes along with the query image as keys to index a second pool. The retrieved prompts serve to adapt a pre-trained ViT, granting plasticity. In doing so, we also propose a novel residual mechanism to transfer CLIP semantics to the ViT layers. Through extensive analysis on established CL benchmarks, we show that our method significantly outperforms both state-of-the-art CL approaches and the zero-shot CLIP test. Notably, our findings hold true even for datasets with a substantial domain gap w.r.t. the pre-training knowledge of the backbone model, as showcased by experiments on satellite imagery and medical datasets.

Collaborative Neural Painting

The process of painting fosters creativity and rational planning. However, existing generative AI mostly focuses on producing visually pleasant artworks, without emphasizing the painting process. We introduce a novel task, Collaborative Neural Painting (CNP), to facilitate collaborative art painting generation between humans and machines. Given any number of user-input brushstrokes as the context or just the desired object class, CNP should produce a sequence of strokes supporting the completion of a coherent painting. Importantly, the process can be gradual and iterative, so allowing users' modifications at any phase until the completion. Moreover, we propose to solve this task using a painting representation based on a sequence of parametrized strokes, which makes it easy both editing and composition operations. These parametrized strokes are processed by a Transformer-based architecture with a novel attention mechanism to model the relationship between the input strokes and the strokes to complete. We also propose a new masking scheme to reflect the interactive nature of CNP and adopt diffusion models as the basic learning process for its effectiveness and diversity in the generative field. Finally, to develop and validate methods on the novel task, we introduce a new dataset of painted objects and an evaluation protocol to benchmark CNP both quantitatively and qualitatively. We demonstrate the effectiveness of our approach and the potential of the CNP task as a promising avenue for future research.

SpectralCLIP: Preventing Artifacts in Text-Guided Style Transfer from a Spectral Perspective

Contrastive Language-Image Pre-Training (CLIP) has refreshed the state of the art for a broad range of vision-language cross-modal tasks. Particularly, it has created an intriguing research line of text-guided image style transfer, dispensing with the need for style reference images as in traditional style transfer methods. However, directly using CLIP to guide the transfer of style leads to undesirable artifacts (mainly written words and unrelated visual entities) spread over the image, partly due to the entanglement of visual and written concepts inherent in CLIP. Inspired by the use of spectral analysis in filtering linguistic information at different granular levels, we analyse the patch embeddings from the last layer of the CLIP vision encoder from the perspective of spectral analysis and find that the presence of undesirable artifacts is highly correlated to some certain frequency components. We propose SpectralCLIP, which implements a spectral filtering layer on top of the CLIP vision encoder, to alleviate the artifact issue. Experimental results show that SpectralCLIP prevents the generation of artifacts effectively in quantitative and qualitative terms, without impairing the stylisation quality. We further apply SpectralCLIP to text-conditioned image generation and show that it prevents written words in the generated images. Code is available at https://github.com/zipengxuc/SpectralCLIP.

StylerDALLE: Language-Guided Style Transfer Using a Vector-Quantized Tokenizer of a Large-Scale Generative Model

Despite the progress made in the style transfer task, most previous work focus on transferring only relatively simple features like color or texture, while missing more abstract concepts such as overall art expression or painter-specific traits. However, these abstract semantics can be captured by models like DALL-E or CLIP, which have been trained using huge datasets of images and textual documents. In this paper, we propose StylerDALLE, a style transfer method that exploits both of these models and uses natural language to describe abstract art styles. Specifically, we formulate the language-guided style transfer task as a non-autoregressive token sequence translation, i.e., from input content image to output stylized image, in the discrete latent space of a large-scale pretrained vector-quantized tokenizer. To incorporate style information, we propose a Reinforcement Learning strategy with CLIP-based language supervision that ensures stylization and content preservation simultaneously. Experimental results demonstrate the superiority of our method, which can effectively transfer art styles using language instructions at different granularities. Code is available at https://github.com/zipengxuc/StylerDALLE.

One Transformer for All Time Series: Representing and Training with Time-Dependent Heterogeneous Tabular Data

There is a recent growing interest in applying Deep Learning techniques to tabular data, in order to replicate the success of other Artificial Intelligence areas in this structured domain. Specifically interesting is the case in which tabular data have a time dependence, such as, for instance financial transactions. However, the heterogeneity of the tabular values, in which categorical elements are mixed with numerical items, makes this adaptation difficult. In this paper we propose a Transformer architecture to represent heterogeneous time-dependent tabular data, in which numerical features are represented using a set of frequency functions and the whole network is uniformly trained with a unique loss function.

Input Perturbation Reduces Exposure Bias in Diffusion Models

Denoising Diffusion Probabilistic Models have shown an impressive generation quality, although their long sampling chain leads to high computational costs. In this paper, we observe that a long sampling chain also leads to an error accumulation phenomenon, which is similar to the \textbf{exposure bias} problem in autoregressive text generation. Specifically, we note that there is a discrepancy between training and testing, since the former is conditioned on the ground truth samples, while the latter is conditioned on the previously generated results. To alleviate this problem, we propose a very simple but effective training regularization, consisting in perturbing the ground truth samples to simulate the inference time prediction errors. We empirically show that the proposed input perturbation leads to a significant improvement of the sample quality while reducing both the training and the inference times. For instance, on CelebA 64$\times$64, we achieve a new state-of-the-art FID score of 1.27, while saving 37.5% of the training time.

Smooth image-to-image translations with latent space interpolations

Multi-domain image-to-image (I2I) translations can transform a source image according to the style of a target domain. One important, desired characteristic of these transformations, is their graduality, which corresponds to a smooth change between the source and the target image when their respective latent-space representations are linearly interpolated. However, state-of-the-art methods usually perform poorly when evaluated using inter-domain interpolations, often producing abrupt changes in the appearance or non-realistic intermediate images. In this paper, we argue that one of the main reasons behind this problem is the lack of sufficient inter-domain training data and we propose two different regularization methods to alleviate this issue: a new shrinkage loss, which compacts the latent space, and a Mixup data-augmentation strategy, which flattens the style representations between domains. We also propose a new metric to quantitatively evaluate the degree of the interpolation smoothness, an aspect which is not sufficiently covered by the existing I2I translation metrics. Using both our proposed metric and standard evaluation protocols, we show that our regularization techniques can improve the state-of-the-art multi-domain I2I translations by a large margin. Our code will be made publicly available upon the acceptance of this article.

Unsupervised High-Resolution Portrait Gaze Correction and Animation

This paper proposes a gaze correction and animation method for high-resolution, unconstrained portrait images, which can be trained without the gaze angle and the head pose annotations. Common gaze-correction methods usually require annotating training data with precise gaze, and head pose information. Solving this problem using an unsupervised method remains an open problem, especially for high-resolution face images in the wild, which are not easy to annotate with gaze and head pose labels. To address this issue, we first create two new portrait datasets: CelebGaze and high-resolution CelebHQGaze. Second, we formulate the gaze correction task as an image inpainting problem, addressed using a Gaze Correction Module (GCM) and a Gaze Animation Module (GAM). Moreover, we propose an unsupervised training strategy, i.e., Synthesis-As-Training, to learn the correlation between the eye region features and the gaze angle. As a result, we can use the learned latent space for gaze animation with semantic interpolation in this space. Moreover, to alleviate both the memory and the computational costs in the training and the inference stage, we propose a Coarse-to-Fine Module (CFM) integrated with GCM and GAM. Extensive experiments validate the effectiveness of our method for both the gaze correction and the gaze animation tasks in both low and high-resolution face datasets in the wild and demonstrate the superiority of our method with respect to the state of the arts. Code is available at https://github.com/zhangqianhui/GazeAnimationV2

Spatial Entropy Regularization for Vision Transformers

Recent work has shown that the attention maps of Vision Transformers (VTs), when trained with self-supervision, can contain a semantic segmentation structure which does not spontaneously emerge when training is supervised. In this paper, we explicitly encourage the emergence of this spatial clustering as a form of training regularization, this way including a self-supervised pretext task into the standard supervised learning. In more detail, we propose a VT regularization method based on a spatial formulation of the information entropy. By minimizing the proposed spatial entropy, we explicitly ask the VT to produce spatially ordered attention maps, this way including an object-based prior during training. Using extensive experiments, we show that the proposed regularization approach is beneficial with different training scenarios, datasets, downstream tasks and VT architectures. The code will be available upon acceptance.

Temporal Alignment for History Representation in Reinforcement Learning

Environments in Reinforcement Learning are usually only partially observable. To address this problem, a possible solution is to provide the agent with information about the past. However, providing complete observations of numerous steps can be excessive. Inspired by human memory, we propose to represent history with only important changes in the environment and, in our approach, to obtain automatically this representation using self-supervision. Our method (TempAl) aligns temporally-close frames, revealing a general, slowly varying state of the environment. This procedure is based on contrastive loss, which pulls embeddings of nearby observations to each other while pushing away other samples from the batch. It can be interpreted as a metric that captures the temporal relations of observations. We propose to combine both common instantaneous and our history representation and we evaluate TempAl on all available Atari games from the Arcade Learning Environment. TempAl surpasses the instantaneous-only baseline in 35 environments out of 49. The source code of the method and of all the experiments is available at https://github.com/htdt/tempal.